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You've selected:
Turnin Me On
Piano solo
Sheetmusic to print
14 sheet music found
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1
Returning Home
Returning Home
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Dan Chadburn
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Returning Home
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Dan Chadburn Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.744791 Composed by Dan Chadburn. Christmas,Concert,Contemporary,New Age. Score. 9 pages. Dan Chadburn Mus...
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Piano Solo - Level 4 - Digital Download SKU: A0.744791 Composed by Dan Chadburn. Christmas,Concert,Contemporary,New Age. Score. 9 pages. Dan Chadburn Music #4323209. Published by Dan Chadburn Music (A0.744791). Returning Home is one of three original compositions recorded on Dan Chadburn’s album, Whispers the Falling Snow, which was nominated for Solo Piano Album of the Year by One World Music Radio, as well as Zone Music Reporter, the industry standard for measuring radio airplay worldwide across multiple genres. Each of the tracks on the album, including Returning Home, was improvised and recorded in a single take in the studio during the month of October, 2013.From the composer: As a boy, I often sat at the piano, playing traditional carols on Christmas Eve, while my parents, sisters and brother sang along. Enhanced by an occasional Oregon snowfall, these memories continue to bring me joy today. May this collection of improvisations bring you peace, hope, and love throughout the holiday season and beyond…The album is dedicated to the memory of Dan Chadburn’s former teachers, Maxine Martin and Dr. Calvin Knapp.More information about Dan Chadburn and his music can be found at his website, www.DanChadburn.com
$5.50 ≈
£4.18
Looking Back - Yik Khai
Looking Back - Yik Khai
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Piano solo
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INTERMEDIATE
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Yik Khai
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Looking Back - Yik Khai
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Yew Yik Khai
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1014258 Composed by Yik Khai. 20th Century,Contemporary. Score. 5 pages. Yew Yik Khai #3036613. Published...
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Piano Solo - Level 3 - Digital Download SKU: A0.1014258 Composed by Yik Khai. 20th Century,Contemporary. Score. 5 pages. Yew Yik Khai #3036613. Published by Yew Yik Khai (A0.1014258). Looking Back by Yik Khai.This is my first ever composition for piano. Hope you find it enjoyable to listen and play. :)The piece depicts someone, who has gone through so much in life - be it happiness, sorrow, triumph or grief, stopping for a moment and looking back. Turning around and taking a good long look of the past and letting all sorts of memories gush into his mind, bringing back all those long forgotten nostalgia. The intro of the piece, is when he sits down, his mind slowly steps out from the present reality and starts to wander off in search of the past. Throughout the piece, he encounters fond memories which will always be a joy to think of, and also bad memories, which he is powerless to amend, and so lets them pass on like a flowing river. At the end, he steps back slowly into the present, after an amazing short trip through the life he has lived. The piece is generally played with pedal throughout with rubato at a relaxed tone. Don't rush the piece by following the tempo markings exactly, adjust to your own liking and the most important part is that I hope you can relax, enjoy the piece when you're playing it. ;)Enjoy the YouTube video : https://youtu.be/s41T1AYHXjQFeel free to contact me at yewyk@live.com.my , Follow me on Instagram @yikkhai
$4.99 ≈
£3.79
Finding Hope
Finding Hope
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Piano solo
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Sacred music
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Faith Angelina
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Finding Hope
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Faith Angelina Music
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina ...
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Piano Solo - Digital Download SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. Published by Faith Angelina Music (A0.1003947). From twelve year old composer Faith Angelina off her debut album Reaching 12 (available at FaithAngelina.com). This song was a turning point for me as I looked for help from my destructive feelings and found the love and support that was always within my reach. - Faith Angelina It was August 8th, 2016, when Faith’s mother found the suicide note left on her minivan. It was a heart stopping moment. The type that slows down time and changes all priorities and perspectives. On the front side of the paper it said, PLEASE READ in big letters. On the back was the following… Dear Mom, I am writing this to inform you about something I didn’t have the strength to tell you in person. I have depression. I know you think that we all go through a stage where we are sad it’s true, but this is not the case. I thought that I just had a sad time too until I realized I had been thinking about killing myself many times. I know that this is hard to hear but I felt it was important to tell you something I had been holding back for 5 years. I hope you can think of me the same after this note, and know that me thinking about killing myself is NOT your fault. Love, Faith After an immediate trip to the doctor, it was discovered that Faith didn’t have clinical depression but that she suffered from a hormonal imbalance in her body. She had been waking up in the middle of the night over half of her young life and wandering around while the rest of the family slept. With a small prescription, and lots of love, Faith headed off to start middle school and a magical year that would follow. Shortly after this experience, Faith composed a new song called Finding Hope and finished up on three others she had been working on.
$3.50 ≈
£2.66
Sweet Home Alabama - Piano Solo
Sweet Home Alabama - Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Rock
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Lynyrd Skynyrd
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Sweet Home Alabama - Piano Sol
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Lynyrd Skynyrd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Lynyrd Skynyrd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Sweet Home Alabama" on piano!
It's a challenging, but playable piano arrangement for experienced players.
With this sheet music, "Sweet Home Alabama" will sound amazing on piano!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
"Sweet Home Alabama" was first released in 1974 on "Second Helping", the second album by American Southern rock band Lynyrd Skynyrd.
Written as a response to Neil Young's songs "Southern Man" and "Alabama" (which were about racism and slavery in the American South), there later was some controversy about the song's lyrics.
However, Young called the song a "great record", and was critical of his own songs.
Lynyrd Skynyrd's lead vocalist Ronnie Van Zant, on the other hand, repeatedly performed wearing a Neil Young t-shirt.
Without a doubt, "Sweet Home Alabama" is Lynyrd Skynyrd's biggest hit, a prime example of Southern rock, and an everlasting classic.
The song appeared in countless films, from "8 Mile" to the 2010 animated film "Despicable Me".
It's also an amazing song to play on the piano!
Here are the full lyrics to "Sweet Home Alabama":
[Verse 1]
Big wheels keep on turnin'
Carry me home to see my kin
Singin' songs about the southland
I miss Alabamy once again
And I think it's a sin, yes
[Verse 2]
Well I heard Mr. Young sing about her (Southern man)
Well, I heard ol' Neil put her down
Well, I hope Neil Young will remember
A Southern man don't need him around, anyhow
[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
[Verse 3]
In Birmingham they love the governor (Boo! Boo! Boo!)
Now we all did what we could do
Now Watergate does not bother me
Does your conscience bother you?
Tell the truth
[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
Here I come, Alabama
[Verse 4]
Now Muscle Shoals has got the Swampers
And they've been known to pick a song or two (Yes, they do)
Lord they get me off so much
They pick me up when I'm feeling blue
Now how 'bout you?
[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
$4.99 ≈
£3.79
Hymns from Childhood - Set 10 (solo)
Hymns from Childhood - Set 10 (solo)
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Piano solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
#
SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Pu...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99 ≈
£4.55
End Of The Line
End Of The Line
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Piano solo
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EASY
#
Isadar
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End Of The Line
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Mainya Music Publishing
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishin...
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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99 ≈
£5.31
ISADAR - The Journey (complete collection)
ISADAR - The Journey (complete collection)
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99 ≈
£37.98
Hymns from Childhood - Set 8 (piano solo)
Hymns from Childhood - Set 8 (piano solo)
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Piano solo
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EASY
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 8
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Curtis Hanson
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.719726 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357409. Pu...
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Piano Solo - Level 2 - Digital Download SKU: A0.719726 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357409. Published by Curtis Hanson (A0.719726). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Breathe on Me, Breath of God, Blest Be the Tie That Binds, and More Love to Thee, O Christ.
$4.99 ≈
£3.79
Revolutions
Revolutions
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Adrian Lord
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Revolutions
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Adrian Lord
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1206475 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 4 pages. Adrian Lord #8046...
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Piano Solo - Level 3 - Digital Download SKU: A0.1206475 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 4 pages. Adrian Lord #804679. Published by Adrian Lord (A0.1206475). Revolutions is taken from my debut album “Journey - Twelve Romances for Pianoâ€.  I enjoyed maintaining the interest in this piece whilst the left hand bass pattern remains a constant throughout. It reminds me of the wheels turning on the woollen spinning and weaving machinery, that my father’s parents and their ancestors would have worked on in the mills of Lancashire. This download includes: 1. RevolutionsAlso available: “Piano Meditations and “Sky “Blue Pianoâ€. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$3.75 ≈
£2.85
New York State Of Mind
New York State Of Mind
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Piano solo
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INTERMEDIATE/ADVANCED
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Billy Joel
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John Fries
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New York State Of Mind
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1356168 By Billy Joel. By Billy Joel. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages....
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Piano Solo - Level 4 - Digital Download SKU: A0.1356168 By Billy Joel. By Billy Joel. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #940836. Published by John Fries (A0.1356168). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Â New York State of Mind is a song written by Billy Joel that initially appeared on the album Turnstiles in 1976. Although it was never released as a single, it has become a fan favorite and a song that Joel plays regularly in concert. The inspiration for the song came from his pride in returning home to New York. Joel was literally takin' a Greyhound [bus] on the Hudson River Line [route] when the idea for the song came to him, and the song was written as soon as Joel arrived home.
$5.99 ≈
£4.55
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.60
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.60
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