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claude debussy Trumpet, Piano
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge

Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge #Piano solo #INTERMEDIATE/ADVANCED #Classical #Claude Debussy/Robert Orledg #Claude Debussy: Prléude à L' #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...(+)

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)

Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Robert Orledge

$10.35 ≈ $14.06

Wedding Classics Refreshed, Book 2: Processionals and Recessionals (a Collection of 20 Piano Solos)

Wedding Classics Refreshed, Book 2: Processionals and Recessionals (a Collection of 20 Piano Solos)
#Piano solo #INTERMEDIATE #Wedding/Ballad #Wedding/Ballad #Various #Wedding Classics Refreshed, Bo #Sharon Wilson #SheetMusicPlus

Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Baroque Period, Christian, Wedding. Sheet Music Single. 62 pages. Publis...(+)

Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Baroque Period, Christian, Wedding. Sheet Music Single. 62 pages. Published by Sharon Wilson
This collection of intermediate piano solos includes 20 arrangements of favorite classical pieces frequently used for weddings. All the songs in this collection are well-suited for processionals and recessionals of the ceremony participants (bride, groom, bridesmaids, groomsmen, parents/family, flower girl, Bible boy, ring bearer, etc.). Several of these songs can also be used as part of the prelude, as interludes during candle-lighting, or as background music for a reception.

These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players (comes in handy when asked to perform on short notice). Another feature of these arrangements is they are consistent at the intermediate to advanced-intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures, timings, and fingerings and some melodies were modified to create a more contemporary sound.

Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples.

Titles in this collection include:
Air from ?The Water Music? (George Frideric Handel)
Arrival of the Queen of Sheba from ?Solomon? (George Frideric Handel)
Bridal Chorus from ?Lohengrin? (Richard Wagner)
Clair de Lune from ?Suite Bergamasque? (Claude Debussy)
Fanfare (Jacques-Nicolas Lemmens)
Für Elise (Ludwig van Beethoven)
Grand Processional from ?Symphony No. 1? (Johannes Brahms)
Hornpipe with Bourrée from ?The Water Music? (George Frideric Handel)
Jesu, Joy of Man?s Desiring (Johann Sebastian Bach)
Largo from ?Xerxes? (George Frideric Handel)
Lascia Ch?io Pianga from ?Rinaldo? (George Frideric Handel)
Prelude No. 1 in C Major (Johann Sebastian Bach)
Rondeau from ?Theme from Masterpiece Theater? (Jean Joseph Mouret)
Serenade from ?Swan Song? (Franz Schubert)
Sleepers, Awake from ?Cantata No. 140? (Johann Sebastian Bach)
Spring from ?The Four Seasons? (Antonio Vivaldi)
St. Anthony Chorale from ?Variations on a Theme of Haydn? (Johannes Brahms)
Trumpet Tune (Jeremiah Clarke)
Trumpet Voluntary (Jeremiah Clarke)
Wedding March from ?A Midsummer Night?s Dream? (Felix Mendelssohn)

$18.99 ≈ $25.80