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Brett
Not classified 265

Piano & keyboards
Piano, Vocal and Guitar 87
Piano solo 72
Piano, Voice 48
Easy Piano 28
C Instruments 12

Organ 10
2 Pianos, 4 hands 2
Piano Trio: piano, violin, cello 1
Piano Quartet: piano, violin, viola, cello 1
Piano Accompaniment 1

+ 5 instrumentations

- Retract

Guitars
Guitar notes and tablatures 40
Guitar 23
Melody line, (Lyrics) and Chords 12
Lyrics and Chords 11
Bass guitar 6

Ukulele 2
Guitar Ensemble 1
Electric Bass (band part) 1
Piano, Guitar (duet) 1
2 Guitars (duet) 1
Mandolin 1

+ 6 instrumentations

- Retract

Voice
Choral SATB 89
Choral 3-part 22
Choral SSAA 14
Choral 2-part 9
Choral TTBB 8

Vocal duet, Piano 6
High voice 5
Choral 4
Low voice, Piano 3
Baritone voice, Piano 3
Vocal duet 3
Soprano voice, Piano 2
Tenor voice, Piano 2

Mezzo-Soprano voice, Piano 2
Alto voice, Piano 2
Tenor voice 1
Medium voice, Piano 1
Choral Unison 1
Voice solo 1

+ 14 instrumentations

- Retract

Woodwind
Flute and Piano 26
Saxophone Quartet: 4 saxophones 20
2 Saxophones (duet) 19
Clarinet Quartet: 4 clarinets 16
Flute Quartet: 4 flutes 14

Flute Trio: 3 flutes 14
3 Saxophones (trio) 13
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 12
Clarinet 11
Alto Saxophone and Piano 11
Flute 10
2 Clarinets (duet) 10
Alto Saxophone 9
Clarinet and Piano 9
Tenor Saxophone 8
2 Flutes (duet) 8
Tenor Saxophone and Piano 8
Flute, Oboe, Clarinet, Bassoon 7
Oboe, Piano (duet) 6
Soprano Saxophone and Piano 6
3 Clarinets (trio) 5
Saxophone (band part) 5
Saxophone ensemble 4
2 Clarinets, Piano 3
Clarinet Quintet: 5 clarinets 3
2 Oboes (duet) 3
Clarinet Ensemble 3
Oboe (band part) 3
Flute, Oboe, Clarinet (trio) 3
Oboe, Bassoon (duet) 2
Flute, Oboe, Bassoon 2
2 Flutes, Piano 2
3 Oboes 2
Flute, Viola and Cello 2
Baritone Saxophone, Piano 2
Flute, Violoncello 2
Flute, Clarinet and Bassoon. 2
Bass Clarinet, Piano 2
English horn, Piano 2
Flute, Oboe (duet) 1
Flute and Guitar 1
Flute (band part) 1
Flute ensemble 1
Oboe, Clarinet, Bassoon (trio) 1
2 Recorders, Guitar 1
Clarinet, Violin (duet) 1
Oboe, Clarinet (duet) 1
Oboe, Flute 1
Flute, Clarinet (duet) 1
Flute Quintet : 5 flutes 1
Saxophone Quintet: 5 Saxophones 1
Clarinet (band part) 1
Clarinet, Guitar (duet) 1

+ 48 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 18
Brass Quintet: 2 trumpets, horn, trombone, tuba 9
Trumpet, Piano 8
Trumpet 7
French horn 5

Trombone and Piano 5
Trumpet (band part) 4
2 Euphoniums and 2 Tubas 4
Trombone 4
Tuba and Piano 2
Brass Quartet: 4 trombones 2
Euphonium, Piano (duet) 2
French Horn and Piano 2
Trombone (band part) 2
2 Trumpets (duet) 2
2 French horns (duet) 2
Brass Quartet: 2 trumpets, horn, trombone 2
English horn, Piano 2
Tuba or Euphonium or Saxhorn 1
Tuba 1
3 Trombones (trio) 1
2 Euphoniums (duet) 1
Trumpet, Trombone (duet) 1
2 Trombones (duet) 1

+ 19 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 36
Violin and Piano 20
Violin 11
Viola, Piano 10
Cello 9

Cello, Piano 9
2 Violins (duet) 7
2 Cellos (duet) 5
2 Violas (duet) 4
String Trio: violin, viola, cello 3
Violin, Cello (duet) 3
Violin, Viola (duet) 2
Viola, Cello (duet) 2
String Trio: 3 cellos 2
Viola (band part) 2
Viola 2
String Trio: 3 violins 2
String Trio: 2 violins, cello 2
String Trio: 3 violas 2
Piano Trio: Violin, Viola, Piano 1
Harp 1
String Quintet: 2 violins, viola, cello, bass 1
4 Cellos 1
Harp, Violin, Violoncello 1

+ 19 instrumentations

- Retract

Percussion & orchestra
Orchestra 44
Concert band 29
Chamber Orchestra 18
Percussion 16
String Orchestra 13

Marching band 12
Drums 11
Jazz combo 7
Brass ensemble 2
Jazz Ensemble 2
Percussion Ensemble 1
Marimba 1
Woodwind Quintet 1
Xylophone 1

+ 9 instrumentations

- Retract

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• Dennen, Brett
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Brett

Tenor voice, Piano

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2 sheet music found

Aria for Tenor in English from 21st Century Opera, Menkaure, "A Long Time Ago" (or "Menkaure")

Aria for Tenor in English from 21st Century Opera, Menkaure, "A Long Time Ago" (or "Menkaure") #Tenor voice, Piano #INTERMEDIATE/ADVANCED #James Nathaniel Holland #Aria for Tenor in English from #James Nathaniel Holland #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James N...(+)

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.730222 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 7 pages. James Nathaniel Holland #62201. Published by James Nathaniel Holland (A0.730222). A Long Time Ago (or Menkaure) Aria for Tenor (Range: E3 to Bb4) from the American, contemporary opera Menkaure Duration: 3:15 Music and Libretto by James Nathaniel Holland BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman,Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this aria, inthe third world country of Joondor, Trista and her guide Consaladas have come to a dead end in their search for the statue of Menkaure. That is, until a mysterious figure appears from the shadows, Hamlak the Prophet. Sung here as a character piece but can be a powerful aria for a dramatic, stentorian voice. Available orchestrated with parts too.

$5.50 ≈ £4.20

Gregory Sullivan Isaacs: Henry Faust for tenor and piano

Gregory Sullivan Isaacs: Henry Faust for tenor and piano #Tenor voice, Piano #ADVANCED #Contemporary #Gregory Sullivan Isaacs #Gregory Sullivan Isaacs: Henry #Musik Fabrik Music Publishing #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...(+)

Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a Â« tour de forceÂ« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on GoÃ«theâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premiÃ¨red at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the LÃ¤ndler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago

$65.95 ≈ £50.34