Download Digital Sheet Music of It Is Well Cello for Alto Saxophone and Piano

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Guitar notes and tablatures 1

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Oboe, Clarinet, Bassoon (trio) 1
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Clarinet, Harp (duet) 1
Bass Clarinet, Piano 1
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Clarinet Quartet: 4 clarinets 1
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Trombone and Piano 1
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Trumpet, Piano 1
French Horn and Piano 1
Euphonium, Piano (duet) 1

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2 Cellos (duet) 19
Cello 13
String Quintet: 2 violins, viola, cello, bass 10
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Viola, Cello (duet) 7
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4 Cellos 5
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2 Violas (duet) 1
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2 Cellos, Piano 1
String Trio: 3 violins 1
String Trio: 3 violas 1
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String Quartet : 4 violas 1
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It Is Well Cello

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Alto Saxophone and Piano

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2 sheet music found

I Love You Truly-Alto saxophone/piano

I Love You Truly-Alto saxophone/piano #Alto Saxophone and Piano #EASY #Phil Beaman #I Love You Truly-Alto saxophon #Phil Beaman #SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pag...(+)

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414733. Published by Phil Beaman (A0.844635). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

$5.99 ≈ $8.30

Bach-Gounod: Ave Maria for Alto Saxophone and Piano

Bach-Gounod: Ave Maria for Alto Saxophone and Piano #Alto Saxophone and Piano #EASY #Classical #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Alt #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Par...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn

ceremonial events. It has always been a favorite among instrumental players and often used in

recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B

flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate

player who can manage a top “b” with confidence.
In 1853, the well-known French composer Charles Gounod added his own melody over a rippling

keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,

BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of

the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s

original arrangement transposed Bach’s keyboard part from C major into F major and it was

scored for violin (or cello), organ and piano. In 1859, the French music publishing company

Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria

(Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.

27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist

Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered

a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or

possibly an error in the manuscript) remains a matter of conjecture but the fact remains that

the most familiar-sounding version of this piece, recorded countless times by both singers and

instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This

arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859

edition.

$7.95 ≈ $11.01