Download Digital Sheet Music of It Is Well Cello for Tenor Saxophone and Piano

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Piano & keyboards
Piano Trio: piano, violin, cello 10
Piano, Vocal and Guitar 5
Piano solo 5
Piano, Voice 5
Piano Quartet: piano, 2 violins, cello 4

Piano Accompaniment 2
Easy Piano 2
Piano Quartet: piano, violin, viola, cello 1
Accordion 1
C Instruments 1
Piano Quintet: piano, 2 violins, viola, cello 1

+ 6 instrumentations

- Retract

Guitars
Guitar notes and tablatures 1

Voice
Vocal duet 2
Choral SATB 1
Alto voice, Piano 1
Choral 3-part 1

Woodwind
2 Saxophones (duet) 5
3 Saxophones (trio) 4
Saxophone Quintet: 5 Saxophones 4
Flute, Cello, Piano (trio) 3
Clarinet and Piano 3

Saxophone Quartet: 4 saxophones 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Flute, Violin and Violoncello 2
Flute and Piano 2
Soprano Saxophone and Piano 2
Alto Saxophone and Piano 2
Oboe, Piano (duet) 2
Tenor Saxophone and Piano 2

Flute Trio: 3 flutes 1
2 Clarinets (duet) 1
2 Recorders (duet) 1
3 Clarinets (trio) 1
Flute, Clarinet, Piano (trio) 1
2 Flutes (duet) 1
Recorder Quartet 1
3 Recorders (trio) 1
Clarinet, Bassoon (duet) 1
Flute, Oboe, Clarinet, Bassoon 1
English horn, Piano 1
Flute Quintet : 5 flutes 1
Oboe, Clarinet, Bassoon (trio) 1
Clarinet, Cello (duet) 1
Clarinet, Harp (duet) 1
Bass Clarinet, Piano 1
Flute, Violin, Piano 1
Clarinet Quartet: 4 clarinets 1
Flute, Violoncello 1

+ 27 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Trombone and Piano 1
English horn, Piano 1
Trumpet 1
Horn, Cello (duet) 1

Trumpet, Piano 1
French Horn and Piano 1
Euphonium, Piano (duet) 1

+ 3 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 142
Cello, Piano 48
Violin, Cello (duet) 44
String Trio: violin, viola, cello 32
Cello (band part) 25

2 Cellos (duet) 19
Cello 13
String Quintet: 2 violins, viola, cello, bass 10
String Trio: 2 violins, cello 10
Viola, Cello (duet) 7
String Trio: 3 cellos 6
4 Cellos 5
Violin and Piano 2
Viola, Piano 2
Violin, Viola (duet) 2
2 Violins (duet) 2
2 Violas (duet) 1
Harp, Flute (duet) 1
Violoncello, Basso continuo 1
2 Cellos, Piano 1
String Trio: 3 violins 1
String Trio: 3 violas 1
Violin 1
String Quartet : 4 violas 1
Harp, Cello (duet) 1
String Quintet: 2 violins, 2 violas, cello 1

+ 21 instrumentations

- Retract

Percussion & orchestra
Concert band 17
String Orchestra 17
Chamber Orchestra 3
Marimba, Piano (duet) 1

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It Is Well Cello

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Tenor Saxophone and Piano

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2 sheet music found

I Love You Truly-Tenor saxophone/piano

I Love You Truly-Tenor saxophone/piano #Tenor Saxophone and Piano #EASY #Phil Beaman #I Love You Truly-Tenor saxopho #Phil Beaman #SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844632 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pa...(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844632 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413829. Published by Phil Beaman (A0.844632). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

$5.99 ≈ $8.30

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano #Tenor Saxophone and Piano #EASY #Classical #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Ten #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn

ceremonial events. It has always been a favorite among instrumental players and often used in

recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his

own melody over a rippling keyboard accompaniment which was a slightly adapted version of the

Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,

published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de

Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major

into F major and it was scored for violin (or cello), organ and piano. In 1859, the French

music publishing company Jacques-Léopold Heugel brought out a vocal version based on the

familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the

Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.

27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist

Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered

a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or

possibly an error in the manuscript) remains a matter of conjecture but the fact remains that

the most familiar-sounding version of this piece, recorded countless times by both singers and

instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This

arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859

edition.

$7.95 ≈ $11.01