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Op Saxophone and Piano
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Tenor Saxophone and Piano
Sheetmusic to print
51 sheet music found
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51
Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
Grieg: Anitra's Dance from Peer Gynt Suite for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549557 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507671. Published by jmsgu3 (A0.549557). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
Grieg: Ase's Death from Peer Gynt Suite for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Rom...
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549536 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505873. Published by jmsgu3 (A0.549536). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509379. Published by jmsgu3 (A0.549577). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
Grieg: Morning Mood from Peer Gynt Suite for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549514 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549514 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502589. Published by jmsgu3 (A0.549514). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Mendelssohn: Wedding March for Tenor Sax & Piano
Mendelssohn: Wedding March for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Fauré: Andante Op. 75 for Tenor Sax & Piano
Fauré: Andante Op. 75 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Andante Op. 75 for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551752 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551752 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5710061. Published by jmsgu3 (A0.551752). Gabriel Fauré Andante Op. 75. A Johannès WOLFFDuration ca. 5:00, Score: 13 pages.Andante molto moderatoUn poco più animato.
$32.95
Fauré: Romance Op. 28 for Tenor Sax & Piano
Fauré: Romance Op. 28 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Romance Op. 28 for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551771 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Roman...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551771 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5711955. Published by jmsgu3 (A0.551771). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages.Andantino molto moderatopiù mosso.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Mendelssohn: Sonata Op. 45 for Tenor Sax & Piano
Mendelssohn: Sonata Op. 45 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James Guthrie, ASCAP
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piano.
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Mendelssohn: Sonata Op. 45 for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551787 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructiona...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551787 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 134 pages. Jmsgu3 #5719961. Published by jmsgu3 (A0.551787). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95
Album Leaves Op. 39 II. Andante sostenuto
Album Leaves Op. 39 II. Andante sostenuto
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Tenor Saxophone and Piano
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INTERMEDIATE
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Sitt, Hans
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Nick Lacanski
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Album Leaves Op. 39 II. Andant
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theupperstaff
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.649980 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Perio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.649980 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6317341. Published by theupperstaff (A0.649980).
$5.99
Scriabin: Prelude in G Minor for Tenor Sax & Piano
Scriabin: Prelude in G Minor for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor f
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550362 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Roma...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550362 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614303. Published by jmsgu3 (A0.550362). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$15.95
Pavane Op. 50 arranged for Tenor Saxophone and Piano
Pavane Op. 50 - Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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Andrew Middleton
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Pavane Op. 50 - Tenor Saxophon
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Andrew Middleton
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SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Arranged by Andrew Middleton. Romantic Period. Score and parts. 3 pages. Andrew Middleton #4604709. Published b...
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Composed by Gabriel Faure (1845-1924). Arranged by Andrew Middleton. Romantic Period. Score and parts. 3 pages. Andrew Middleton #4604709. Published by Andrew Middleton
$4.99
Schumann: Träumerei Op. 15 No. 7 for Tenor Sax & Piano
Schumann: Träumerei Op. 15 No. 7 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550190 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romanti...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550190 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598369. Published by jmsgu3 (A0.550190). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Nocturne Op. 9, No. 1 for Tenor Saxophone and Piano
Nocturne Op. 9, No. 1 for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Teno
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Diego Marani
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1281219 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romanti...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1281219 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872563. Published by Diego Marani (A0.1281219). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for tenor sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
Fauré: Pavane Op. 50 for Tenor Sax & Piano
Fauré: Pavane Op. 50 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Teno
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550162 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standa...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550162 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #4597019. Published by jmsgu3 (A0.550162). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Score: 11 pages. Duration ca. 5:10.
$32.95
Fauré: Berceuse Op. 16 for Tenor Sax & Piano
Fauré: Berceuse Op. 16 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Berceuse Op. 16 for Te
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551597 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551597 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #5321103. Published by jmsgu3 (A0.551597). Gabriel Fauré: Berceuse, Op. 16. Duration 5:00, Score: 9 pages. Composed in 1879.Allegretto moderato.
$32.95
Mendelssohn: The Fair Melusina Overture, Op. 32 for Tenor Sax & Piano
Mendelssohn: The Fair Melusina Overture, Op. 32 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James Guthrie
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Mendelssohn: The Fair Melusina
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551695 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie. ASCAP. Concert,Inst...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551695 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie. ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 75 pages. Jmsgu3 #5353655. Published by jmsgu3 (A0.551695). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
Fauré: Nocturne Op. 104 for Tenor Sax & Piano
Fauré: Nocturne Op. 104 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op. 104 for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551615 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Per...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551615 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #5324385. Published by jmsgu3 (A0.551615). Gabriel Fauré: Nocturne, Op. 104, Duration 3:34 Score: 8 pages.Molto moderato.
$32.95
Album Leaves Op. 39 IV. Allegro
Album Leaves Op. 39 IV. Allegro
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Tenor Saxophone and Piano
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INTERMEDIATE
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Sitt, Hans
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Nick Lacanski
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Album Leaves Op. 39 IV. Allegr
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theupperstaff
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.650000 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Perio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.650000 Composed by Sitt, Hans. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Theupperstaff #6319827. Published by theupperstaff (A0.650000).
$5.99
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