Download Digital Sheet Music of Can Liszt for Tenor Saxophone and Piano

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Can Liszt
Not classified 16

Piano & keyboards
Piano solo 163
Easy Piano 10
Organ 5
Piano, Voice 2
1 Piano, 4 hands 2

Accordion 1
Organ, Piano (duet) 1

+ 2 instrumentations

- Retract

Guitars
Guitar 4

Voice
Choral 3-part 1
Choral TTBB 1
Low voice, Piano 1

Woodwind
Clarinet and Piano 5
Flute and Piano 5
Oboe, Piano (duet) 3
Alto Saxophone and Piano 2
Tenor Saxophone and Piano 2

Clarinet 1
Bass Clarinet, Piano 1
Soprano Saxophone and Piano 1
Baritone Saxophone, Piano 1
Piccolo, Piano 1
Harmonica 1
Flute, Oboe (duet) 1
English horn, Piano 1

+ 8 instrumentations

- Retract

Woodbrass
Trombone and Piano 3
French Horn and Piano 2
Trumpet, Piano 1
Trumpet 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

Euphonium, Piano (duet) 1
Brass Quartet: 4 trombones 1
English horn, Piano 1

+ 3 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 5
Cello, Piano 4
Viola, Piano 3
Violin and Piano 3
Cello 2

Violin, Clarinet, Piano (trio) 1
String Trio: 2 violins, cello 1
Violin 1
Cello Ensemble 1

+ 4 instrumentations

- Retract

Percussion & orchestra
Orchestra 4
Concert band 1

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Can Liszt

Tenor Saxophone and Piano

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2 sheet music found

The Wedding Album, for Solo Tenor Saxophone and Piano

The Wedding Album, for Solo Tenor Saxophone and Piano #Tenor Saxophone and Piano #INTERMEDIATE #Walt Disney #Various #David McKeown #The Wedding Album, for Solo Te #David McKeown #SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standar...(+)

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scottâ€™s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoriaâ€™s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmarkâ€™s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paulâ€™s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohnâ€™s Wedding March was originally written in 1842 as incidental music to Shakespeareâ€™s famousplay, Midsummer Nightâ€™s Dream. When Queen Victoriaâ€™s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$9.99 ≈ £7.62

Sullivan: The Lost Chord for Tenor Sax & Piano

Sullivan: The Lost Chord for Tenor Sax & Piano #Tenor Saxophone and Piano #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for T #jmsgu3 #SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...(+)

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ £20.56