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It Saxophone and Organ
Tenor Saxophone and Piano
Sheetmusic to print
29 sheet music found
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1
26
Handel: Largo from Xerxes for Tenor Sax & Piano
Handel: Largo from Xerxes for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549385 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492303. Published by jmsgu3 (A0.549385). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
The Wedding Album, for Solo Tenor Saxophone and Piano
The Wedding Album, for Solo Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Te
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standar...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Trumpet Voluntary, (Prince of Denmark's March), for Solo Tenor Saxophone and Piano
Trumpet Voluntary, (Prince of Denmark's March), for Solo Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587588 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,S...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587588 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 9 pages. David McKeown #4367392. Published by David McKeown (A0.587588). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Tenor Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Arpeggios With Chords) - Score and Parts
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Arpeggios With Chords) - Score and Parts
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Tenor Saxophone and Piano
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EASY
#
Classical
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, Joy of Man's Desiring fo
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Cassio Silva
#
SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843224 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Cha...
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Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843224 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346705. Published by Cassio Silva (A0.843224). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Not Chords) - Score and parts.pdf
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Not Chords) - Score and parts.pdf
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Tenor Saxophone and Piano
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EASY
#
Classical
#
Johann Sebastian Bach
#
Cássio Silva Chaves
#
Jesu, Joy of Man's Desiring fo
#
Cassio Silva
#
SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843225 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Cha...
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Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843225 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346707. Published by Cassio Silva (A0.843225). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Arpeggios Not Chords) - Score and Parts
Jesu, Joy of Man's Desiring for Tenor Sax and Piano (Arpeggios Not Chords) - Score and Parts
#
Tenor Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
Cássio Silva Chaves
#
Jesu, Joy of Man's Desiring fo
#
Cassio Silva
#
SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843222 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Cha...
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Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843222 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346703. Published by Cassio Silva (A0.843222). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Jesu, joy of man's Desiring for Tenor Sax and Piano (With Chords) - Score and Parts
Jesu, joy of man's Desiring for Tenor Sax and Piano (With Chords) - Score and Parts
#
Tenor Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
Cássio Silva Chaves
#
Jesu, joy of man's Desiring fo
#
Cassio Silva
#
SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843227 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Cha...
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Small Ensemble Piano,Tenor Saxophone,Voice - Level 2 - Digital Download SKU: A0.843227 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346713. Published by Cassio Silva (A0.843227). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Highland Cathedral
Highland Cathedral
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Tenor Saxophone and Piano
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EASY
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Amy Grant
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Thomas Graf
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Highland Cathedral
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1121442 By Amy Grant. By Michael Korb and Ulrich Roever. Arranged by Thomas Graf. Chamber,Chil...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1121442 By Amy Grant. By Michael Korb and Ulrich Roever. Arranged by Thomas Graf. Chamber,Children,Christian,Christmas,Pop. Score and part. 13 pages. Thomas Graf - the-hit-factory.com #722615. Published by Thomas Graf - the-hit-factory.com (A0.1121442). This song is perfect for any church service or recital, will work fine also with piano or P/B/Guit. German version is very famous as it is a signature song of Cologne - Du bes die Stadt. The town hymn. Enjoy! About this arrangement: Instrumentation: Full Score Tenor Saxophone Organ / Piano Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$5.00
Minuet in G major by Bach for Tenor Sax and Piano
Minuet in G major by Bach for Tenor Sax and Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christian Petzold and Johann S
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Ander
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Minuet in G major by Bach for
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1050882 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Re...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1050882 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Renaissance,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #655219. Published by Woods Only, Arrangements (A0.1050882). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$1.99
Oh happy day - Key: Ab - Gospel - Organ and Tenor Saxophone
Oh happy day - Key: Ab - Gospel - Organ and Tenor Saxophone
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Tenor Saxophone and Piano
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INTERMEDIATE
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Trad
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Thomas Graf
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Oh happy day - Key: Ab - Gospe
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569437 Composed by Trad. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569437 Composed by Trad. Arranged by Thomas Graf. Contemporary,Holiday,Wedding. Score and part. 8 pages. Thomas Graf - the-hit-factory.com #6352233. Published by Thomas Graf - the-hit-factory.com (A0.569437). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument. Please check our site, there might be a playback file to purchase, suitable for practicing and performance.  Instrumentation: Organ and Tenor Saxophone      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       .
$6.00
Oh happy day - Key: Bb - Gospel - Organ and Tenor Saxophone
Oh happy day - Key: Bb - Gospel - Organ and Tenor Saxophone
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Tenor Saxophone and Piano
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INTERMEDIATE
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Trad
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Thomas Graf
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Oh happy day - Key: Bb - Gospe
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569440 Composed by Trad. Arranged by Thomas Graf. Christmas,Easter. Score and part. 8 pages. T...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569440 Composed by Trad. Arranged by Thomas Graf. Christmas,Easter. Score and part. 8 pages. Thomas Graf - the-hit-factory.com #6352245. Published by Thomas Graf - the-hit-factory.com (A0.569440). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument.  Instrumentation: Organ and Tenor Saxophone      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!      .
$6.00
Oh happy day - Key: G - Gospel - Organ and Tenor Saxophone
Oh happy day - Key: G - Gospel - Organ and Tenor Saxophone
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Tenor Saxophone and Piano
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INTERMEDIATE
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Rimbault
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Thomas Graf
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Oh happy day - Key: G - Gospel
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569449 Composed by Rimbault. Arranged by Thomas Graf. Easter,Praise & Worship,Wedding. Score a...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.569449 Composed by Rimbault. Arranged by Thomas Graf. Easter,Praise & Worship,Wedding. Score and part. 9 pages. Thomas Graf - the-hit-factory.com #6352265. Published by Thomas Graf - the-hit-factory.com (A0.569449). The famous gospel classic – here it comes in a fresh and festive arrangement. The best choice for any church service,wedding, birthdays, parties … - so it really is best choice for any happy days! Available in many keys for any instrument.  Instrumentation: Organ and Tenor Saxophone      Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!      .
$6.00
Albinoni's Adagio for Tenor Saxophone and Piano
Albinoni's Adagio for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Tomaso Giovanni Albinoni
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Diego Marani
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Albinoni's Adagio for Tenor Sa
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Diego Marani
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1177440 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1177440 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film/TV,Instructional,Wedding. Score and part. 5 pages. Diego Marani #777451. Published by Diego Marani (A0.1177440). Adagio in G minor for strings and organ is a Baroque composition commonly attributed to the 18th-century Venetian master Tomaso Albinoni. It is considered the most famous and most played slow movement in the history of music. The Adagio has been used in many films, television programmes, advertisements, recordings, and books.This easy arrangement for tenor sax with piano accompaniment is suitable for any occasion: from concerts to weddings.
$8.99
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Ten
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his
own melody over a rippling keyboard accompaniment which was a slightly adapted version of the
Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,
published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de
Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major
into F major and it was scored for violin (or cello), organ and piano. In 1859, the French
music publishing company Jacques-Léopold Heugel brought out a vocal version based on the
familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the
Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95
Bach: Wachet auf for Tenor Sax & Piano
Bach: Wachet auf for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Pachelbel: Canon for Tenor Sax & Piano
Pachelbel: Canon for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructiona...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
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Mendelssohn: Wedding March for Tenor Sax & Piano
Mendelssohn: Wedding March for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
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