Download Digital Sheet Music of Space Cat for Tenor Saxophone and Piano

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Space Cat
Not classified 84

Piano & keyboards
Piano solo 94
Easy Piano 15
Piano (band part) 8
Piano, Vocal and Guitar 5
Big Note Piano 3

Piano, Voice 3
2 Pianos, 4 hands 3
Piano Accompaniment 1
Organ 1
Piano Quartet: piano, violin, viola, cello 1

+ 5 instrumentations

- Retract

Guitars
Guitar (band part) 13
Guitar 5
Guitar notes and tablatures 3
Bass guitar 3
Banjo 1

Melody line, (Lyrics) and Chords 1

+ 1 instrumentations

- Retract

Voice
Choral TTBB 21
Choral SATB 15
Choral SSAA 6
Choral 3-part 3
Voice solo 2

Soli, Mixted choir and accompaniment 1
Choral SSAATTBB 1
Choral Unison 1
Choral 2-part 1
Alto voice, Piano 1

+ 5 instrumentations

- Retract

Woodwind
Saxophone (band part) 31
Flute and Piano 7
Flute ensemble 4
Alto Saxophone and Piano 4
Oboe, Piano (duet) 3

Clarinet Ensemble 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Flute Trio: 3 flutes 3
Flute, Oboe, Clarinet, Bassoon 3
Tenor Saxophone and Piano 3

Bass Clarinet, Piano 2
Flute (band part) 2
Soprano Saxophone and Piano 2
Clarinet and Piano 2
English horn, Piano 2
Flute 2
Baritone Saxophone, Piano 2
Clarinet 1
2 Clarinets (duet) 1
Clarinet Quartet: 4 clarinets 1
Clarinet Quintet: 5 clarinets 1
Clarinet (band part) 1
Piccolo, Piano 1
Saxophone Quintet: 5 Saxophones 1

+ 19 instrumentations

- Retract

Woodbrass
Trombone (band part) 27
Trumpet (band part) 21
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Trumpet, Trombone (duet) 2
French horn (band part) 2

Brass Quartet: 2 trumpets, horn, trombone 2
Tuba (band part) 2
Trombone and Piano 2
English horn, Piano 2
Trumpet 2
Euphonium, Piano (duet) 2
2 Trumpets (duet) 1
French Horn and Piano 1
Brass Quartet: 4 trumpets 1
Tuba and Piano 1
Trumpet, Piano 1

+ 11 instrumentations

- Retract

Strings
Doublebass (band part) 7
String Quartet: 2 violins, viola, cello 5
Cello, Piano 3
Viola 2
String Trio: violin, viola, cello 2

Violin and Piano 2
String Quartet : 4 violas 1
Violin 1
Viola, Piano 1
Cello 1
3 Harps 1
2 Harps (duet) 1
2 Violas (duet) 1
String Quintet: 2 violins, 2 violas, cello 1

+ 9 instrumentations

- Retract

Percussion & orchestra
Jazz Ensemble 36
Concert band 18
Chamber Orchestra 18
String Orchestra 15
Orchestra 14

Drum (band part) 6
Jazz combo 3
Percussion Ensemble 1
Vibraphone 1
Percussion (band part) 1
Piano and Orchestra 1
Marching band 1
Brass ensemble 1

+ 8 instrumentations

- Retract

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Space Cat

Tenor Saxophone and Piano

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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano

Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano #Tenor Saxophone and Piano #EASY #J #James M #Bach-Gounod: Ave Maria, Schwen #jmsgu3 #SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert...(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ€™s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.

$27.95 ≈ 25.21€

Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano

Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano #Tenor Saxophone and Piano #EASY #Classical #Johann Sebastian Bach #James M #Bach: Bist du bei mir BWV 508 #jmsgu3 #SheetMusicPlus

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...(+)

Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost StÃ¶lzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. Â He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Â Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Â Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair handsÂ Â Â Â Â Â Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â

$32.95 ≈ 29.72€

My Saxophone and Me (B flat version)

My Saxophone and Me (B flat version) #Tenor Saxophone and Piano #BEGINNER #Colin Kirkpatrick #Island Song (No 3) #My Saxophone and Me #Colin Kirkpatrick Publications #SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28...(+)

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because itâ€™s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the â€œListenâ€ button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at Londonâ€™s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.

$5.95 ≈ 5.37€