Download Digital Sheet Music of Text by Mary A for Tenor Saxophone and Piano

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Text by Mary A
Not classified 155

Piano & keyboards
Piano solo 28
Piano, Voice 25
Easy Piano 8
Piano, Vocal and Guitar 5
Piano Accompaniment 5

Organ 3
Piano Quartet: piano, violin, viola, cello 2
Organ, Piano (duet) 1
Piano Trio: piano, violin, cello 1

+ 4 instrumentations

- Retract

Guitars
2 Guitars (duet) 1
Guitar notes and tablatures 1

Voice
Choral SATB 442
Choral Unison 46
Choral 3-part 41
Choral 2-part 39
Choral TTBB 9

Choral SSAA 8
Vocal duet 7
Soprano voice, Piano 3
Voice solo 2
Alto voice, Piano 2
Vocal duet, Piano 1
Choral SSATB 1
Choral SSAATTBB 1
Low voice, Piano 1
Low voice 1

+ 10 instrumentations

- Retract

Woodwind
Recorder Quartet 11
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Saxophone Quartet: 4 saxophones 5
Saxophone Quintet: 5 Saxophones 5
3 Saxophones (trio) 4

Clarinet and Piano 4
Alto Saxophone and Piano 3
Saxophone (band part) 2
Clarinet Quartet: 4 clarinets 2
Flute 2
3 Clarinets (trio) 2
Flute and Piano 2
Oboe, Piano (duet) 2
Tenor Saxophone and Piano 2

Recorder Ensemble 1
Flute Trio: 3 flutes 1
Oboe ensemble 1
Flute, Organ (duet) 1
Flute Quintet : 5 flutes 1
Clarinet Quintet: 5 clarinets 1
Oboe (band part) 1
Flute, Violin and Violoncello 1
Flute, Oboe, Clarinet, Bassoon 1
Alto Saxophone 1
Flute and Guitar 1
Clarinet 1
Flute, Oboe, Clarinet (trio) 1

+ 22 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Trumpet 3
Brass quartet : 2 trumpets, trombone, tuba 3
Trumpet, Piano 2
Euphonium, Piano (duet) 1

Tuba and Piano 1
French Horn and Piano 1
Trombone and Piano 1
Brass Quartet 1
Trombone 1

+ 5 instrumentations

- Retract

Strings
Violin and Piano 4
String Quartet: 2 violins, viola, cello 4
Harp 3
Cello, Piano 2
Cello (band part) 2

Viola, Piano 2
Violin 1
4 Cellos 1

+ 3 instrumentations

- Retract

Percussion & orchestra
Concert band 5
Handbells 5
Orchestra 4
Percussion Ensemble 3
Jazz Ensemble 1

String Orchestra 1
Chamber Orchestra 1

+ 2 instrumentations

- Retract

Others
Music Theory 1

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Text by Mary A

Tenor Saxophone and Piano

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2 sheet music found

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano

Bach-Gounod: Ave Maria for Tenor Saxophone and Piano #Tenor Saxophone and Piano #EASY #Classical #J #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Ten #Colin Kirkpatrick Publications #SheetMusicPlus

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn

ceremonial events. It has always been a favorite among instrumental players and often used in

recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his

own melody over a rippling keyboard accompaniment which was a slightly adapted version of the

Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,

published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de

Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major

into F major and it was scored for violin (or cello), organ and piano. In 1859, the French

music publishing company Jacques-Léopold Heugel brought out a vocal version based on the

familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the

Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.

27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist

Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered

a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or

possibly an error in the manuscript) remains a matter of conjecture but the fact remains that

the most familiar-sounding version of this piece, recorded countless times by both singers and

instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This

arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859

edition.

$7.95 ≈ 7.44€

The First Noel for Tenor Sax & Piano

The First Noel for Tenor Sax & Piano #Tenor Saxophone and Piano #BEGINNER #Christmas #Traditional #James M #The First Noel for Tenor Sax & #jmsgu3 #SheetMusicPlus

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Scor...(+)

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870â€™s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling â€“ like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 ≈ 23.34€