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Given Up
Not classified 109

Piano & keyboards
Piano, Voice 39
Piano solo 38
Easy Piano 5
Organ 5
Piano, Vocal and Guitar 4

Piano Accompaniment 2
C Instruments 1
Organ, Trumpet (duet) 1
1 Piano, 4 hands 1

+ 4 instrumentations

- Retract

Guitars
Guitar notes and tablatures 7
Guitar 5
Melody line, (Lyrics) and Chords 1
Mandolin 1
Ukulele 1

Banjo 1

+ 1 instrumentations

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Voice
Choral SATB 25
Choral Unison 6
Choral 2-part 4
Choral 3-part 3
Choral TTBB 3

Choral SSAATTBB 2
Medium voice, Piano 1
Tenor voice, Piano 1
Soprano voice, Piano 1
Voice solo 1
Alto voice, Piano 1
Choral SSAA 1

+ 7 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6
Flute and Piano 3
Tenor Saxophone and Piano 3
Soprano Saxophone and Piano 2

Flute ensemble 2

Alto Saxophone and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
3 Clarinets (trio) 2
2 Oboes (duet) 1
2 Saxophones (duet) 1
Clarinet Quartet: 4 clarinets 1
Clarinet and Piano 1
Flute Trio: 3 flutes 1
2 Flutes (duet) 1
Clarinet Quintet: 5 clarinets 1
Clarinet 1
Flute, Cello, Piano (trio) 1
Oboe, Harp 1
2 Clarinets (duet) 1
Oboe 1
Pennywhistle 1
Flute 1
Oboe, Piano (duet) 1
3 Saxophones (trio) 1
Alto Saxophone 1
Saxophone (band part) 1
Treble (Alto) Recorder, Piano 1

+ 22 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 7
Trumpet 3
French horn 1
French Horn and Piano 1
2 Trumpets (duet) 1

Brass Quartet: 4 horns 1
2 Trombones (duet) 1
Trumpet, Piano 1
Trumpet, Euphonium (duet) 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trombone 1
Horn and Organ 1
Trumpet, Harp 1

+ 8 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 8
2 Harps (duet) 5
Cello, Piano 3
Violin and Piano 2
Violin 2

Viola 1
Viola, Piano 1
Cello, Guitar (duet) 1
2 Cellos (duet) 1
Harp, Violin (duet) 1
Harp, Flute (duet) 1
String Trio: violin, viola, cello 1

+ 7 instrumentations

- Retract

Percussion & orchestra
Handbells 20
Concert band 5
Orchestra 5
Drums 4
String Orchestra 3

Chamber Orchestra 3
Jazz Ensemble 3
Percussion Ensemble 1
Jazz combo 1
Marching band 1

+ 5 instrumentations

- Retract

Others
Music Theory 4

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Given Up

Soprano Saxophone and Piano

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2 sheet music found

Saint-Saens: The Swan for Soprano Sax & Piano

Saint-Saens: The Swan for Soprano Sax & Piano #Soprano Saxophone and Piano #EASY #Camille Saint-SaÃ«ns #James M #Saint-Saens: The Swan for Sopr #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie...(+)

Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-SaÃ«ns (1835 â€“ 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns Background Charles-Camille Saint-SaÃ«ns (1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the AnimalsÂ (1886) to the list. Childhood It is important to realize that Saint-SaÃ«ns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-SaÃ«ns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought. Â A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-SaÃ«ns taught for a short time in Paris, where his students included namely Gabriel FaurÃ©. To clarify, Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ 30.46€

A Night In Tunisia

A Night In Tunisia #Soprano Saxophone and Piano #INTERMEDIATE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett...(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.31€