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Op Saxophone and Piano
Soprano Saxophone and Piano
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145 sheet music found
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Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
Ali Ben Sou Alle: Alexandre: Polka-Royale for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Alexandre: P
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533470 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #2994069. Published by Musik Fabrik Music Publishing (A0.533470). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Alexandra was written on the occasion of the concert that Soualle gave fire Prince of Wales and is dedicated to the Princess of Wales. This piece opens « The Royal Album ». The dynamics, articulations and expressive markings were added by the editor.
$10.35 ≈
9.37€
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 p...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95 ≈
10.82€
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Soprano Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
18.07€
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
#
#
Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,R...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95 ≈
22.59€
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Edvard Grieg
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James M
#
Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95 ≈
22.59€
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95 ≈
22.59€
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95 ≈
29.84€
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instruc...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95 ≈
54.29€
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95 ≈
10.82€
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs d'Île Maurice for soprano saxophone and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 p...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95 ≈
10.82€
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle :Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
$16.95 ≈
15.35€
Mendelssohn: Wedding March for Soprano Sax & Piano
Mendelssohn: Wedding March for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romanti...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95 ≈
29.84€
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romant...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95 ≈
29.84€
Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,C...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984760. Published by jmsgu3 (A0.1401579). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95 ≈
29.84€
10 Easy Classical Pieces For Soprano Saxophone & Piano Vol. 6
10 Easy Classical Pieces For Soprano Saxophone & Piano Vol. 6
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Soprano Saxophone and Piano
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BEGINNER
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Classical
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Various
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10 Easy Classical Pieces For S
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Eugene Egorov
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SheetMusicPlus
Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 16 pages. Eugene Egorov #4838355. Published by Eu...
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Composed by Various. Arranged by Eugene Egorov. Baroque, Classical, Romantic Period. Score and part. 16 pages. Eugene Egorov #4838355. Published by Eugene Egorov
Melody (Robert Schumann)
Largo (The New World) (Antonin Dvorak)
Waltz (Dmitri Kabalevsky)
Minuet (In F Major) (Franz Joseph Haydn)
The Emperor's Hymn (Franz Joseph Haydn)
Dance Of The Hours (Amilcare Ponchielli)
Spanish Romance
Waltz (Op. 39 No. 15) (Johannes Brahms)
Pavane (Gabriel Faure)
Radetzky March (Johann Strauss Sr.)
$12.99 ≈
11.76€
Fauré: Andante Op. 75 for Soprano Sax & Piano
Fauré: Andante Op. 75 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Andante Op. 75 for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551751 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instruction...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551751 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5710057. Published by jmsgu3 (A0.551751). Gabriel Fauré Andante Op. 75. A Johannès WOLFFDuration ca. 5:00, Score: 13 pages.Andante molto moderatoUn poco più animato.
$32.95 ≈
29.84€
Fauré: Romance Op. 28 for Soprano Sax & Piano
Fauré: Romance Op. 28 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Romance Op. 28 for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551769 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Rom...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551769 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5711929. Published by jmsgu3 (A0.551769). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages.Andantino molto moderatopiù mosso.
$32.95 ≈
29.84€
Scheherazade for Soprano Saxophone and Piano
Scheherazade for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Diego Marani
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Scheherazade for Soprano Saxop
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,C...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #748643. Published by Diego Marani (A0.1148483). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99 ≈
9.05€
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.07€
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