Download Digital Sheet Music of Space Cat for Clarinet Ensemble

All site ▾

My account (log-in)

€

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

Space Cat
Not classified 86

Piano & keyboards
Piano solo 93
Easy Piano 15
Piano (band part) 8
Piano, Vocal and Guitar 5
Piano, Voice 3

2 Pianos, 4 hands 3
Big Note Piano 2
Piano Quartet: piano, violin, viola, cello 1
Piano Accompaniment 1
Organ 1

+ 5 instrumentations

- Retract

Guitars
Guitar (band part) 13
Guitar 5
Bass guitar 3
Guitar notes and tablatures 3
Banjo 1

Melody line, (Lyrics) and Chords 1

+ 1 instrumentations

- Retract

Voice
Choral TTBB 21
Choral SATB 14
Choral SSAA 6
Choral 3-part 3
Voice solo 2

Choral Unison 1
Soli, Mixted choir and accompaniment 1
Choral 2-part 1
Choral SSAATTBB 1
Alto voice, Piano 1

+ 5 instrumentations

- Retract

Woodwind
Saxophone (band part) 34
Flute and Piano 7
Alto Saxophone and Piano 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Clarinet Ensemble 3

Flute, Oboe, Clarinet, Bassoon 3
Flute ensemble 3
Oboe, Piano (duet) 3
Flute Trio: 3 flutes 3
Tenor Saxophone and Piano 3
Flute (band part) 2
Clarinet (band part) 2
Baritone Saxophone, Piano 2
Soprano Saxophone and Piano 2
Clarinet and Piano 2
English horn, Piano 2
Bass Clarinet, Piano 2
Piccolo, Piano 1
2 Clarinets (duet) 1
Clarinet Quintet: 5 clarinets 1
Clarinet 1
Clarinet Quartet: 4 clarinets 1
Saxophone Quintet: 5 Saxophones 1

+ 18 instrumentations

- Retract

Woodbrass
Trombone (band part) 30
Trumpet (band part) 23
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Brass Quartet: 2 trumpets, horn, trombone 2
Tuba (band part) 2

Trombone and Piano 2
French horn (band part) 2
Euphonium, Piano (duet) 2
Trumpet, Trombone (duet) 2
Trumpet 2
English horn, Piano 2
French Horn and Piano 1
2 Trumpets (duet) 1
Tuba and Piano 1
Trumpet, Piano 1
Brass Quartet: 4 trumpets 1

+ 11 instrumentations

- Retract

Strings
Doublebass (band part) 8
String Quartet: 2 violins, viola, cello 5
Cello, Piano 3
Viola 2
Violin and Piano 2

String Trio: violin, viola, cello 2
Violin 1
Viola, Piano 1
2 Violas (duet) 1
2 Harps (duet) 1
String Quintet: 2 violins, 2 violas, cello 1
3 Harps 1
String Quartet : 4 violas 1
Cello 1

+ 9 instrumentations

- Retract

Percussion & orchestra
Jazz Ensemble 37
Chamber Orchestra 18
Concert band 17
String Orchestra 15
Orchestra 14

Drum (band part) 7
Jazz combo 3
Percussion (band part) 1
Vibraphone 1
Piano and Orchestra 1
Percussion Ensemble 1
Brass ensemble 1

+ 7 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

Space Cat

Clarinet Ensemble

Sheetmusic to print

3 sheet music found

Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir

Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir #Clarinet Ensemble #INTERMEDIATE #Gabrieli #James M #Gabrieli: Canzon Septimi Toni #jmsgu3 #SheetMusicPlus

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...(+)

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae SymphoniaeÂ (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95 ≈ 44.40€

Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir

Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir #Clarinet Ensemble #INTERMEDIATE #Gabrieli #James M #Gabrieli: Sonata Pian e Forte #jmsgu3 #SheetMusicPlus

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...(+)

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation: Â 8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo. Â

$47.95 ≈ 44.40€

Also Sprach Zarathustra - Fanfare for Clarinet Choir

Also Sprach Zarathustra - Fanfare for Clarinet Choir #Clarinet Ensemble #EASY #Richard Strauss #Craig Slegel #Also Sprach Zarathustra - Fanf #Craig Slegel #SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1422211 Composed by Richard Strauss. Arranged by Crai...(+)

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1422211 Composed by Richard Strauss. Arranged by Craig Slegel. Classical,Film/TV. 16 pages. Craig Slegel #1003559. Published by Craig Slegel (A0.1422211). Richard Strauss' Also Sprach Zarathustra is one of the most well known pieces in the world.Â Made famous by Stanley Kubrick's 1968 film 2001: A Space Odyssey, this arrangement for Clarinet Choir attempts to replicate the emotionally power that the orchestral version brings to the listener.The Bass and Contrabass Clarinets in the beginning are playing the low rumbling pedal tones of the organ and low basses.Â Later on, the Bass Clarinet fills in for the role of the Timpani, with alternating pitches.Â At the very end of the piece, one player each from B-flat Clarinets 1-4 is tasked with holding the final chord longer than the rest of the ensemble, covering the Organ part in the full orchestral score.Instrumental parts include: Clarinet in Eb Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet Bass Clarinet Contrabass Clarinet Published by: CMS Sheet Music Publishing.

$9.99 ≈ 9.25€