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Piano (band part) 415
1 Piano, 4 hands 201
C Instruments 188
Keyboard 161
2 Pianos, 4 hands 87
Organ, Piano (duet) 60
Accordion 41
Harpsichord 37
1 Piano, 6 hands 17
Piano Trio: piano, violin, cello 13
Piano Accompaniment 6
Piano Quartet: piano, violin, viola, cello 6
Accordion, Piano 4
Organ, Trumpet (duet) 2
Accordion and Orchestra 2
2 Pianos, 8 hands 2
Accordion ensemble 1
Piano Quartet: piano, 2 violins, cello 1
2 Accordions 1

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Guitars
Melody line, (Lyrics) and Chords 2,175
Piano, Guitar (duet) 117
Guitar 72
Guitar notes and tablatures 45
Guitar Tab, Voice, Bass, Drum 40

2 Guitars (duet) 17
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Ukulele 7
4 Guitars (Quartet) 2
3 Guitars (trio) 1
Lyrics and Chords 1
Dulcimer 1
2 Mandolins (duet) 1
Guitar (band part) 1

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Voice
Choral SATB 871
Choral 3-part 211
Choral Unison 200
Choral 2-part 179
Choral TTBB 70

Soprano voice, Piano 52
High voice 31
Choral SSAA 27
Vocal duet, Piano 16
Vocal duet 12
Mezzo-Soprano voice, Piano 9
Low voice, Piano 7
Soli, Mixted choir and accompaniment 5
Choral 5
Choral SSATB 5
Voice solo 4
Medium voice, Piano 4
Tenor voice 3
Tenor voice, Piano 3
Alto voice, Piano 2
Choral SSATTB 1
Voice, Guitar 1
Choral SSAATTBB 1

+ 18 instrumentations

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Woodwind
Oboe, Piano (duet) 303
Clarinet and Piano 285
Flute and Piano 256
Tenor Saxophone and Piano 225
Alto Saxophone and Piano 161

Flute 79
Flute, Oboe, Clarinet, Bassoon 56
Clarinet 53
English horn, Piano 53
Saxophone Quartet: 4 saxophones 49
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 35
2 Saxophones (duet) 35
Clarinet Quartet: 4 clarinets 34
Tenor Saxophone 34
3 Clarinets (trio) 25
Soprano Saxophone and Piano 24
2 Clarinets (duet) 23
Oboe (band part) 20
Saxophone Quintet: 5 Saxophones 19
2 Flutes (duet) 19
Flute Quartet: 4 flutes 13
Clarinet Ensemble 12
Baritone Saxophone, Piano 11
Flute and Guitar 10
Alto Saxophone 10
2 Recorders (duet) 9
Recorder Quartet 8
Flute, Oboe, Clarinet (trio) 6
Clarinet Quintet: 5 clarinets 6
Flute Quintet : 5 flutes 6
Flute, Clarinet and Bassoon. 6
Flute Trio: 3 flutes 6
Oboe, Clarinet, Bassoon (trio) 5
3 Recorders (trio) 5
Flute, Clarinet (duet) 5
3 Saxophones (trio) 4
Flute, Viola (duet) 4
Flute, Violoncello 4
Descent (Soprano) Recorder, Piano 4
Flute, Bassoon, and Piano 3
Flute, Violin, Piano 3
Oboe, Bassoon (duet) 3
English Horn 3
Clarinet, Bassoon (duet) 3
Treble (Alto) Recorder 3
Harmonica 2
Recorder Ensemble 2
2 Saxophones, Piano 2
Tenor Recorder 2
Flute, Cello, Piano (trio) 2
2 Flutes, Piano 2
Saxophone (band part) 2
Saxophone 2
Bass Clarinet, Piano 2

2 Clarinets, Piano 2
Saxophone ensemble 2
Flute ensemble 2
Oboe, Bassoon and Piano 2
Flute, Oboe, Bassoon 1
Treble (Alto) Recorder, Piano 1
2 Oboes, Piano 1
English Horn, Guitar (duet) 1
Clarinet, Cello (duet) 1
2 Oboes (duet) 1
Oboe, Cello and Piano 1
Flute and String Quartet 1
Saxophone and Guitar 1
Flute, Oboe, Piano (trio) 1
English horn, Harp (duet) 1
Descant (Soprano) Recorder 1
Wind ensemble 1
Oboe, Clarinet (duet) 1
Flute, Trombone (duet) 1
Clarinet (band part) 1
Pennywhistle 1
Soprano Saxophone 1
Oboe, Clarinet and Piano (Trio) 1
Flute, Oboe (duet) 1
Clarinet, Guitar (duet) 1
Flute, Basso continuo 1

+ 75 instrumentations

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Woodbrass
Trombone and Piano 185
2 Trumpets, Keyboard (piano or organ) 134
Trumpet, Piano 109
Trumpet 97
Brass Quintet: 2 trumpets, horn, trombone, tuba 81

Trombone 56
English horn, Piano 53
Brass quartet : 2 trumpets, trombone, tuba 46
French Horn and Piano 23
Trumpet (band part) 17
Tuba and Piano 16
Euphonium, Piano (duet) 9
Tuba 8
2 Trumpets (duet) 8
Brass Quartet: 2 trumpets, horn, trombone 8
Trombone ensemble 7
Euphonium 7
Trumpet ensemble 6
French horn 6
2 Trombones (duet) 6
3 Trombones (trio) 4
Brass Quartet: 4 trombones 3
English Horn 3
Bass Trombone 3
2 French horns (duet) 3
Trumpet, Trombone (duet) 3
Brass Quartet 2
Trumpet, Saxophone (duet) 2
Trumpet, Cello, Piano 2
Brass Quartet: 4 horns 2
Brass Quartet: 4 trumpets 1
4 Tubas 1
English Horn, Guitar (duet) 1
French horn (band part) 1
Horn and Organ 1
3 Tubas (trio) 1
English horn, Harp (duet) 1
Horn, Tuba (duet) 1
Trumpet, violin (duet) 1

+ 34 instrumentations

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Strings
Violin and Piano 286
Cello, Piano 261
Viola, Piano 199
String Quartet: 2 violins, viola, cello 152
String Trio: violin, viola, cello 67

Violin 63
Harp and Piano 41
Violin, Cello (duet) 38
Cello 27
Violin, Viola (duet) 21
2 Violins (duet) 17
Harp 16
Viola 14
2 Cellos (duet) 14
Viola (band part) 13
Double bass, Piano (duet) 9
String Trio: 2 violins, cello 8
String Trio: 3 cellos 6
Violin ensemble 6
Viola ensemble 6
String Quintet: 2 violins, viola, cello, bass 6
2 Violas (duet) 6
String Trio: 3 violins 6
String quartet: 4 violins 5
Violin (band part) 5
Harp, Flute (duet) 4
Violin, Guitar (duet) 4
4 Cellos 3
Cello, Organ 3
Viola, Cello (duet) 2
String Trio: 2 violins, viola 2
Double Bass 2
Violoncello, Basso continuo 1
String Quintet: 2 violins, 2 violas, cello 1
2 Violas, Piano 1
Harp, Violin, Violoncello 1
2 Cellos, Piano 1
Harp, Voice 1
Autoharp 1
Flute, Doublebass (duet) 1
Viola, Guitar (duet) 1
Cello, Guitar (duet) 1
2 Harps (duet) 1
Cello (band part) 1

+ 39 instrumentations

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Percussion & orchestra
Jazz Ensemble 423
Concert band 268
Marching band 264
Orchestra 261
Handbells 241

Jazz combo 141
String Orchestra 112
Percussion Ensemble 109
Chamber Orchestra 71
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 63
Brass ensemble 32
Drums 12
Marimba 7
Percussion 7
Big band 7
Flexible Instrumentation 6
Xylophone or Marimba or Vibraphone 5
School Ensemble 5
Vibraphone 2
Percussion (band part) 1

+ 15 instrumentations

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Bass Clarinet, Piano

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2 sheet music found

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #Bass Clarinet, Piano #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instruction...(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95 ≈ 29.74€

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano #Bass Clarinet, Piano #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructiona...(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.00€