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Easy Piano 3,274
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Piano, Voice 656
Piano (band part) 396
1 Piano, 4 hands 199
C Instruments 167
Keyboard 161
2 Pianos, 4 hands 87
Organ, Piano (duet) 61
Accordion 41
Harpsichord 37
1 Piano, 6 hands 17
Piano Trio: piano, violin, cello 11
Piano Quartet: piano, violin, viola, cello 6
Piano Accompaniment 6
Accordion, Piano 4
2 Pianos, 8 hands 2
Organ, Trumpet (duet) 2
Accordion and Orchestra 2
2 Accordions 1
Piano Quartet: piano, 2 violins, cello 1
Accordion ensemble 1

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Guitars
Melody line, (Lyrics) and Chords 2,155
Piano, Guitar (duet) 116
Guitar 72
Guitar notes and tablatures 45
Guitar Tab, Voice, Bass, Drum 40

2 Guitars (duet) 16
Ukulele 8
Bass guitar 7
4 Guitars (Quartet) 2
2 Mandolins (duet) 1
3 Guitars (trio) 1
Lyrics and Chords 1
Dulcimer 1
Guitar (band part) 1

+ 9 instrumentations

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Voice
Choral SATB 865
Choral 3-part 210
Choral Unison 202
Choral 2-part 181
Choral TTBB 71

Soprano voice, Piano 52
Choral SSAA 28
High voice 28
Vocal duet, Piano 15
Vocal duet 13
Mezzo-Soprano voice, Piano 9
Low voice, Piano 7
Choral 5
Soli, Mixted choir and accompaniment 5
Choral SSATB 5
Voice solo 4
Tenor voice 3
Alto voice, Piano 2
Medium voice, Piano 2
Choral SSATTB 1
Voice, Guitar 1
Choral SSAATTBB 1

+ 17 instrumentations

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Woodwind
Oboe, Piano (duet) 302
Flute and Piano 255
Tenor Saxophone and Piano 225
Clarinet 172
Clarinet and Piano 164

Alto Saxophone and Piano 161
Flute 79
Flute, Oboe, Clarinet, Bassoon 56
English horn, Piano 53
Saxophone Quartet: 4 saxophones 49
2 Saxophones (duet) 35
Saxophone (band part) 35
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 35
Clarinet Quartet: 4 clarinets 34
3 Clarinets (trio) 25
Soprano Saxophone and Piano 24
2 Clarinets (duet) 23
Oboe (band part) 20
2 Flutes (duet) 19
Saxophone Quintet: 5 Saxophones 19
Flute Quartet: 4 flutes 12
Clarinet Ensemble 12
Baritone Saxophone, Piano 11
Flute and Guitar 10
Alto Saxophone 10
2 Recorders (duet) 8
Recorder Quartet 8
Flute Quintet : 5 flutes 6
Flute, Oboe, Clarinet (trio) 6
Flute, Clarinet and Bassoon. 6
Flute Trio: 3 flutes 6
Clarinet Quintet: 5 clarinets 5
3 Recorders (trio) 5
Flute, Clarinet (duet) 5
Oboe, Clarinet, Bassoon (trio) 4
Descent (Soprano) Recorder, Piano 4
3 Saxophones (trio) 4
Clarinet, Bassoon (duet) 3
Flute, Viola (duet) 3
Flute, Bassoon, and Piano 3
English Horn 3
Flute, Violoncello 3
Flute, Violin, Piano 3
Treble (Alto) Recorder 3
Tenor Recorder 2
2 Saxophones, Piano 2
Flute ensemble 2
Bass Clarinet, Piano 2

Oboe, Bassoon (duet) 2
Oboe, Bassoon and Piano 2
Recorder Ensemble 2
Harmonica 2
Saxophone 2
2 Clarinets, Piano 2
Flute, Cello, Piano (trio) 2
2 Flutes, Piano 2
Pennywhistle 1
Clarinet, Cello (duet) 1
Flute, Trombone (duet) 1
Soprano Saxophone 1
Flute and String Quartet 1
Saxophone ensemble 1
Flute, Oboe, Piano (trio) 1
English horn, Harp (duet) 1
English Horn, Guitar (duet) 1
Wind ensemble 1
Saxophone and Guitar 1
Flute, Basso continuo 1
2 Oboes, Piano 1
Oboe, Clarinet (duet) 1
Oboe, Clarinet and Piano (Trio) 1
Flute, Oboe (duet) 1
Treble (Alto) Recorder, Piano 1
Tenor Saxophone 1
Clarinet (band part) 1
Descant (Soprano) Recorder 1
Clarinet, Guitar (duet) 1
Flute, Oboe, Bassoon 1
2 Oboes (duet) 1
Oboe, Cello and Piano 1

+ 75 instrumentations

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Woodbrass
Trombone and Piano 185
2 Trumpets, Keyboard (piano or organ) 133
Trumpet, Piano 109
Trumpet 97
Brass Quintet: 2 trumpets, horn, trombone, tuba 81

Trombone 56
English horn, Piano 53
Brass quartet : 2 trumpets, trombone, tuba 46
French Horn and Piano 22
Trumpet (band part) 17
Tuba and Piano 16
Euphonium, Piano (duet) 9
Brass Quartet: 2 trumpets, horn, trombone 8
Tuba 8
2 Trumpets (duet) 8
Trombone ensemble 7
Euphonium 7
Trumpet ensemble 6
2 Trombones (duet) 6
French horn 6
3 Trombones (trio) 4
2 French horns (duet) 3
Bass Trombone 3
English Horn 3
Trumpet, Trombone (duet) 3
Brass Quartet: 4 trombones 3
Trumpet, Cello, Piano 2
Trumpet, Saxophone (duet) 2
Brass Quartet: 4 horns 2
Brass Quartet 2
Tuba (band part) 1
French horn (band part) 1
Trumpet, violin (duet) 1
English horn, Harp (duet) 1
Horn and Organ 1
English Horn, Guitar (duet) 1
Brass Quartet: 4 trumpets 1
Horn, Tuba (duet) 1
3 Tubas (trio) 1
4 Tubas 1

+ 35 instrumentations

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Strings
Violin and Piano 286
Cello, Piano 259
Viola, Piano 196
String Quartet: 2 violins, viola, cello 152
String Trio: violin, viola, cello 66

Violin 63
Harp and Piano 41
Violin, Cello (duet) 36
Cello (band part) 24
Violin, Viola (duet) 21
Harp 17
2 Violins (duet) 15
2 Cellos (duet) 14
Viola 14
Viola (band part) 13
Double bass, Piano (duet) 9
String Trio: 2 violins, cello 8
Viola ensemble 6
Violin ensemble 6
String Quintet: 2 violins, viola, cello, bass 6
String Trio: 3 cellos 6
2 Violas (duet) 6
Violin (band part) 5
String quartet: 4 violins 5
Cello 4
Violin, Guitar (duet) 4
Harp, Flute (duet) 4
Cello, Organ 3
4 Cellos 3
Viola, Cello (duet) 2
Double Bass 2
String Trio: 3 violins 2
String Trio: 2 violins, viola 2
Autoharp 1
Viola, Guitar (duet) 1
String Quintet: 2 violins, 2 violas, cello 1
2 Cellos, Piano 1
Violoncello, Basso continuo 1
2 Violas, Piano 1
Cello, Guitar (duet) 1
2 Harps (duet) 1
Harp, Voice 1
Harp, Violin, Violoncello 1

+ 38 instrumentations

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Percussion & orchestra
Jazz Ensemble 420
Concert band 267
Marching band 261
Orchestra 245
Handbells 242

Jazz combo 143
String Orchestra 113
Percussion Ensemble 110
Chamber Orchestra 68
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 50
Brass ensemble 32
Drums 12
Percussion 7
Marimba 7
Big band 7
Flexible Instrumentation 6
Xylophone or Marimba or Vibraphone 5
School Ensemble 5
Vibraphone 2
Percussion (band part) 1

+ 15 instrumentations

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Bass Clarinet, Piano

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2 sheet music found

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #Bass Clarinet, Piano #INTERMEDIATE #Classical #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instruction...(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

$32.95

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano #Bass Clarinet, Piano #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructiona...(+)

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95