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Charles S
Not classified 84

Piano & keyboards
Easy Piano 78
Piano solo 53
Organ 29
Piano, Voice 18
Piano, Vocal and Guitar 18

C Instruments 8
Piano Accompaniment 7
Piano Trio: piano, violin, cello 4
Accordion 1
1 Piano, 6 hands 1

+ 5 instrumentations

- Retract

Guitars
Guitar notes and tablatures 10
Melody line, (Lyrics) and Chords 2
2 Guitars (duet) 2
Lyrics and Chords 1
Banjo 1

Guitar 1
Mandolin 1
Bass guitar 1

+ 3 instrumentations

- Retract

Voice
Choral SATB 48
Choral TTBB 25
Choral 3-part 14
Choral SSAA 10
Choral 2-part 6

Vocal duet, Piano 3
Voice solo 2
Vocal duet 2
High voice 1
Choral Unison 1

+ 5 instrumentations

- Retract

Woodwind
Saxophone (band part) 19
Saxophone Quartet: 4 saxophones 16
Flute, Oboe, Clarinet, Bassoon 13
Flute and Piano 12
2 Saxophones (duet) 11

Clarinet and Piano 11
Oboe (band part) 11
Flute 7
Alto Saxophone and Piano 7
Tenor Saxophone and Piano 6
Oboe, Piano (duet) 6
Clarinet Quartet: 4 clarinets 5
Clarinet 5
2 Flutes (duet) 4
Alto Saxophone 4
Flute Quartet: 4 flutes 4
Soprano Saxophone and Piano 3
2 Clarinets (duet) 3
Clarinet (band part) 3
Flute, Clarinet (duet) 3
3 Saxophones (trio) 3
Bass Clarinet, Piano 2
Flute Trio: 3 flutes 2
Recorder Quartet 2
English horn, Piano 2
Oboe 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Baritone Saxophone, Piano 2
Flute and Guitar 2
Tenor Saxophone 2
Flute, Violin, Piano 1
3 Clarinets (trio) 1
Clarinet Quintet: 5 clarinets 1
Flute, Violin and Violoncello 1
Piccolo, Piano 1
Flute, Oboe, Clarinet (trio) 1
Clarinet Ensemble 1

+ 32 instrumentations

- Retract

Woodbrass
Trumpet (band part) 12
Trombone (band part) 8
Brass Quintet: 2 trumpets, horn, trombone, tuba 7
Brass quartet : 2 trumpets, trombone, tuba 7
Trombone and Piano 6

Trumpet, Piano 5
Trumpet 4
Euphonium, Piano (duet) 4
Trombone 3
French Horn and Piano 3
Trumpet, Horn (duert) 2
English horn, Piano 2
Brass Quartet: 2 trumpets, horn, trombone 2
Brass Quartet 1
Brass Quartet: 4 trombones 1
Trumpet ensemble 1
Trombone, Organ 1
2 Trumpets (duet) 1

+ 13 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 16
Violin and Piano 11
Cello, Piano 9
Viola (band part) 9
Violin 8

Cello 5
String Trio: violin, viola, cello 4
String Trio: 2 violins, cello 3
Viola 3
2 Violins (duet) 3
Viola, Piano 3
Violin (band part) 2
4 Cellos 2

Violin, Cello (duet) 1
2 Violins, Piano 1
Cello (band part) 1
String Trio: 3 cellos 1
Harp 1

+ 13 instrumentations

- Retract

Percussion & orchestra
Handbells 6
Brass ensemble 6
Concert band 5
Chamber Orchestra 4
Drums 3

Jazz Ensemble 2
Orchestra 1
Marching band 1

+ 3 instrumentations

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Charles S

easy

4 Cellos

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2 sheet music found

Solage: Le basile for Cello Quartet

Solage: Le basile for Cello Quartet #4 Cellos #EASY #Solage #James M #Solage: Le basile for Cello Qu #jmsgu3 #SheetMusicPlus

String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early ...(+)

String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

$32.95

Hark! The Herald Angels Sing! for Cello Quartet

Hark! The Herald Angels Sing! for Cello Quartet #4 Cellos #EASY #Classical #Felix Bartholdy Mendelssohn, S #Michele Galvagno #Hark! The Herald Angels Sing! #Artistic Score Engraving di Galvagno Michele #SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged...(+)

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Lukeâ€™s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenbergâ€™s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohnâ€™s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.

$4.95