Download Digital Sheet Music of I Believe In You for Soprano voice, Piano

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I Believe In You
Not classified 116

Piano & keyboards
Piano solo 111
Piano, Vocal and Guitar 84
Piano, Voice 55
Easy Piano 26
Piano Accompaniment 19

Organ 8
C Instruments 8
Big Note Piano 6
Piano Trio: piano, violin, cello 4
Piano Quartet: piano, 2 violins, cello 3
Accordion 1
Piano Quintet: piano, 2 violins, viola, cello 1

+ 7 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 40
Guitar 12
Guitar notes and tablatures 11
Lyrics and Chords 10
2 Guitars (duet) 4

Guitar (band part) 3
Bass guitar 2
Ukulele 2
Dulcimer 1
Banjo 1

+ 5 instrumentations

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Voice
Choral SATB 55
Choral TTBB 13
Choral SSAA 6
Choral 3-part 6
Choral Unison 5

Voice solo 4
Choral 2-part 4
Soprano voice, Piano 3

Vocal duet, Piano 2
Vocal duet 1
Medium voice, Piano 1
Choral 1
Choral SSATTB 1

+ 8 instrumentations

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Woodwind
2 Flutes (duet) 13
Saxophone Quartet: 4 saxophones 12
Clarinet 12
Oboe (band part) 10
Saxophone (band part) 8

Flute, Clarinet (duet) 4
Flute and Piano 3
Alto Saxophone and Piano 3
Tenor Saxophone 3
Alto Saxophone 3
Flute, Oboe, Clarinet, Bassoon 3
Flute 3
2 Saxophones (duet) 2
Flute and Guitar 2
Clarinet Quartet: 4 clarinets 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
2 Clarinets (duet) 1
Harmonica 1
Clarinet and Piano 1
Oboe, Piano (duet) 1
Eb Instruments 1

+ 16 instrumentations

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Woodbrass
Trombone (band part) 7
Trumpet 6
Brass Quartet 5
Trumpet (band part) 5
Trombone 4

Trumpet, Trombone (duet) 4
Trumpet, Horn (duert) 3
Tuba 3
Trumpet, Piano 3
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
French Horn and Piano 2
French horn 2
Bass Clef Instruments 2
Bb Instruments 1
F Instruments 1
Brass Quartet: 2 trumpets, horn, trombone 1
2 Trumpets (duet) 1

+ 12 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 14
2 Violins (duet) 12
Violin and Piano 11
Violin 8
Violin, Cello (duet) 7

Violin, Viola (duet) 4
Piano Trio: Violin, Viola, Piano 4
Viola 3
Cello, Piano 3
2 Cellos (duet) 3
Cello (band part) 2
Cello 2
Doublebass (band part) 2
Harp 2
String Quintet: 2 violins, viola, cello, bass 2
2 Violas (duet) 1
String Trio: violin, viola, cello 1
Viola (band part) 1
Viola, Piano 1

+ 14 instrumentations

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Percussion & orchestra
Marimba 18
Jazz Ensemble 10
Concert band 10
Orchestra 8
Brass ensemble 5

String Orchestra 4
Jazz combo 3
Drum (band part) 2
Handbells 1
Drums 1

+ 5 instrumentations

- Retract

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I Believe In You

Soprano voice, Piano

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3 sheet music found

Halevi Songs (piano/vocal score only)

Halevi Songs (piano/vocal score only) #Soprano voice, Piano #ADVANCED #Elissa Brill Pashkin #Halevi Songs #Elissa Brill Pashkin #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashk...(+)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

$8.99 ≈ 8.28€

Pictures at an exHERbition

Pictures at an exHERbition #Soprano voice, Piano #INTERMEDIATE/ADVANCED #Contemporary #Sally Whitwell #Pictures at an exHERbition #Sally Whitwell #SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...(+)

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgkyâ€™s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, itâ€™s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, itâ€™s 2020 and as the meme says I canâ€™t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, itâ€™s less good news but theyâ€™re working on it. Iâ€™m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, itâ€™s a list of truths thatâ€™s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smithâ€™s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctorâ€™s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.

$10.00 ≈ 9.21€

The exploding Head

The exploding Head #Soprano voice, Piano #ADVANCED #Christian Jost #The exploding Head #Schott Music - Digital #SheetMusicPlus

Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christia...(+)

Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's Å“uvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him â€“ I imagine this as a high sound in the inner ear â€“ could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.

$16.99 ≈ 15.64€