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The High Kings
Sheetmusicplus
Not classified 179

Piano & keyboards
Piano solo 40
Easy Piano 35
Piano, Vocal and Guitar 19
Piano, Voice 14
C Instruments 3

1 Piano, 4 hands 3
Organ 3
Accordion 1

+ 3 instrumentations

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Guitars
Guitar notes and tablatures 18
Guitar 6
Ukulele 3
2 Ukuleles 1
Lyrics and Chords 1

Voice
Choral SATB 26
Choral 3-part 18
Choral 2-part 8
Choral TTBB 5
Choral SSAA 4

Soprano voice, Piano 2

Vocal duet, Piano 2
Choral Unison 2
Tenor voice 1

+ 4 instrumentations

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Woodwind
2 Saxophones (duet) 59
2 Clarinets (duet) 18
Flute and Piano 16
Saxophone (band part) 15
2 Flutes (duet) 12

Alto Saxophone and Piano 12
Flute, Oboe, Clarinet, Bassoon 11
Saxophone Quartet: 4 saxophones 11
Oboe, Piano (duet) 11
Clarinet 11
Saxophone Quintet: 5 Saxophones 10
Clarinet and Piano 10
Tenor Saxophone and Piano 9
Flute 9
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 9
2 Oboes (duet) 8
Soprano Saxophone and Piano 8
Oboe (band part) 8
Clarinet Quartet: 4 clarinets 8
Alto Saxophone 8
Baritone Saxophone, Piano 6
Saxophone, Clarinet (duet) 4
Descant (Soprano) Recorder 4
Flute, Clarinet (duet) 3
3 Saxophones (trio) 3
2 Recorders (duet) 3
Oboe 2
Flute, Clarinet and Bassoon. 2
Bass Clarinet, Piano 2
Clarinet Ensemble 2
Clarinet and Viola 2
Oboe, Clarinet (duet) 2
Oboe, Flute 2
Clarinet, Violin (duet) 2
Flute Trio: 3 flutes 2
Flute, Violin 1
Clarinet, Bassoon (duet) 1
2 Clarinets, Piano 1
Flute Quintet : 5 flutes 1
Clarinet, Cello (duet) 1
Tenor Recorder 1
Flute Quartet: 4 flutes 1
3 Clarinets (trio) 1
2 Flutes, Piano 1
Flute, Oboe (duet) 1
Recorder 1
Clarinet, Trumpet (duet) 1

+ 42 instrumentations

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Woodbrass
2 Trumpets (duet) 15
Brass Quintet: 2 trumpets, horn, trombone, tuba 12
2 Trombones (duet) 11
Trombone and Piano 11
Trumpet 10

Brass Quartet: 2 trumpets, horn, trombone 8
2 French horns (duet) 8
French Horn and Piano 8
Trumpet, Piano 7
Tuba and Piano 6
Brass Trio 5
Trombone 5
French horn 4
Brass Quartet 4
Tuba 4
Trumpet, Saxophone (duet) 2
2 Tubas (duet) 2
Brass quartet : 2 trumpets, trombone, tuba 2
2 Trumpets, Keyboard (piano or organ) 1
3 Trombones (trio) 1
Brass Quartet: 4 trombones 1
Euphonium, Tuba (duet) 1
Trumpet, Trombone (duet) 1
Brass Quartet: 4 trumpets 1
French horn (band part) 1
Brass Quartet: 4 horns 1
Trombone ensemble 1
Brass Quartet: 2 trumpets, 2 trombones 1
Trumpet ensemble 1
2 Euphoniums and 2 Tubas 1
Brass Quintet: 2 trumpets, horn, 2 trombones 1
Euphonium 1
Euphonium, Piano (duet) 1

+ 28 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 30
Violin and Piano 17
2 Cellos (duet) 15
2 Violins (duet) 15
Cello, Piano 15

Viola, Piano 13
2 Violas (duet) 11
Violin 11
Double bass, Piano (duet) 10
String Quintet: 2 violins, viola, cello, bass 9
Cello (band part) 9
Harp 9
2 Double basses (duet) 8
Viola 8
Cello, String Bass (duet) 6
Double Bass 5
Violin, Cello (duet) 4
Viola, Cello (duet) 3
Violin, Viola (duet) 3
Cello 3
String Trio: violin, viola, cello 3
String Trio: 3 violins 2
Violin ensemble 1
Viola ensemble 1
Piano Trio: Violin, Viola, Piano 1
2 Harps (duet) 1
Harp, Voice 1
Viola (band part) 1

+ 23 instrumentations

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Percussion & orchestra
Concert band 51
Chamber Orchestra 10
String Orchestra 10
Jazz Ensemble 10
Brass ensemble 8

Orchestra 6
2 Xylophones 4
Handbells 3
Xylophone, Piano 1
Drums 1
Percussion Ensemble 1
Piano and Orchestra 1
Marching band 1

+ 8 instrumentations

- Retract

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Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments

Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments #Soprano voice, Piano #ADVANCED #Opera #Classical #Maurice Ravel #Nicole Elyse DiPaolo #Arrière! Je réchauffe les bo #Nicole Elyse DiPaolo #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...(+)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of ArriÃ¨re! Je rÃ©chauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilÃ¨ges (1925)â€‹. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â€œfudgedâ€ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â€œsink or swimâ€ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.Â 3. In addition to the composerâ€™s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible.Â 5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.Â 6. In some cases Iâ€™ve modernized spelling conventions for easier readability (for example, by replacing â€œÃŸâ€ with â€œssâ€ in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. Iâ€™ve also replaced some text â€œcresc.â€ and â€œdim.â€ markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 ≈ 8.29€