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Not classified 284

Piano & keyboards
Piano solo 59
Big Note Piano 25
Easy Piano 21
Piano, Voice 17
Piano, Vocal and Guitar 16

Organ 10
C Instruments 8
Keyboard 3
1 Piano, 4 hands 1
Piano Trio: piano, violin, cello 1
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Lyrics and Chords 3
Dulcimer 1
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2 Dulcimers (duet) 1
Mandolin 1
Banjo 1
Guitar (band part) 1

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Voice
Choral SATB 39
Choral TTBB 16
Choral SSAA 13
Choral 3-part 10
Choral Unison 6

Choral 2-part 2
High voice 1
Tenor voice 1
Low voice 1
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Saxophone Quartet: 4 saxophones 34
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 27
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Flute 6
Clarinet and Piano 5
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Oboe 3
Saxophone ensemble 3
Saxophone, Clarinet (duet) 3
2 Flutes (duet) 3
Alto Saxophone and Piano 3
Flute ensemble 3
Tenor Saxophone 3
Tenor Saxophone and Piano 2
Clarinet Ensemble 2
Clarinet, Violin (duet) 2
Flute, Saxophone (duet) 1
Flute, Violin 1
Soprano Saxophone and Piano 1
Oboe (band part) 1
2 Oboes (duet) 1
Baritone Saxophone, Piano 1
Oboe, Clarinet (duet) 1
Bass Clarinet, Piano 1
Saxophone 1
Clarinet and Viola 1
2 Clarinets (duet) 1
Flute Trio: 3 flutes 1
2 Clarinets, Bassoon 1
Flute, Clarinet (duet) 1
Clarinet, Cello (duet) 1
Oboe, Flute 1

+ 37 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 23
Trombone ensemble 18
Brass Quintet: 2 trumpets, horn, trombone, tuba 15
Brass Quartet: 4 trombones 9
Trumpet 8

Trombone 6
Trombone (band part) 5
Brass Quartet 5
Trombone and Piano 5
Brass Trio 3
Trumpet, Trombone (duet) 3
French horn 3
Trumpet (band part) 2
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Trumpet, Saxophone (duet) 2
Euphonium, Piano (duet) 2
Trumpet, Piano 2
2 Euphoniums and 2 Tubas 1
French horn (band part) 1
Tuba 1
French Horn and Piano 1
2 Trombones (duet) 1
Tuba (band part) 1

+ 18 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 30
Violin 14
Violin and Piano 8
Harp 8
Cello, Piano 7

Viola 6
Viola, Piano 5
Cello (band part) 5
Cello 5
String Quintet: 2 violins, 2 violas, cello 3
Violin, Cello (duet) 3
Violin, Viola (duet) 2
4 Cellos 2
Cello, Guitar (duet) 2
2 Violas (duet) 2
Violin, Guitar (duet) 1
Violin, Clarinet, Piano (trio) 1
String Trio: 2 violins, cello 1
2 Violins (duet) 1
Doublebass (band part) 1
String Trio: violin, viola, cello 1

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Percussion & orchestra
Concert band 39
String Orchestra 19
Orchestra 7
Chamber Orchestra 7
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Handbells 3
Percussion Ensemble 2
Drums 2
Jazz Ensemble 1
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Soprano voice, Piano

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Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan

Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan #Soprano voice, Piano #ADVANCED #Classical #Richard Strauss #Nicole Elyse DiPaolo #Grossmächtige Prinzessin #Nicole Elyse DiPaolo #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...(+)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible AccompanimentsÂ series of aria reductions, this is aÂ genuinely playableÂ and piano/vocal reduction of GrossmÃ¤chtige Prinzessin, Zerbinetta's famous aria from Strauss'sÂ Ariadne auf NaxosÂ (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.AllÂ Accessible Accompaniments,Â including this one,Â boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ€™s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, Iâ€™ve included the next downbeatâ€™s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.6. In some cases Iâ€™ve modernized spelling conventions for easier readability (for example, by replacing ÃŸ with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger:Â Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

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