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I'm A Star
Not classified 338

Piano & keyboards
Piano, Voice 206
Piano solo 100
Piano, Vocal and Guitar 68
Easy Piano 47
Organ 7

C Instruments 4
1 Piano, 4 hands 2
Piano Trio: piano, violin, cello 1

+ 3 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 12
Guitar notes and tablatures 6
Bass guitar 4
Ukulele 2
2 Guitars (duet) 2

Piano, Guitar (duet) 1

+ 1 instrumentations

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Voice
Choral SATB 45
Choral 3-part 11
Choral 2-part 4
Choral TTBB 4

Choral Unison 3

Soprano voice, Piano 2
Vocal duet 1
Choral SSAA 1
Vocal duet, Piano 1

+ 4 instrumentations

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Woodwind
Saxophone Quintet: 5 Saxophones 58
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 57
Flute 23
Oboe, Piano (duet) 17
Clarinet and Piano 14

Clarinet 13
Flute and Piano 13
2 Flutes (duet) 13
Saxophone ensemble 12
Saxophone Quartet: 4 saxophones 11
Oboe 10
Flute, Oboe, Clarinet, Bassoon 9
Clarinet Ensemble 7
2 Oboes (duet) 4
2 Clarinets (duet) 4
Flute Quintet : 5 flutes 4
Tenor Saxophone and Piano 3
Clarinet Quartet: 4 clarinets 3
Oboe (band part) 2
Flute, Clarinet (duet) 2
Alto Saxophone and Piano 2
2 Saxophones (duet) 2
Flute ensemble 2
Oboe, Clarinet, Bassoon (trio) 1
Flute, Violin 1
Flute, Oboe (duet) 1
Clarinet and Viola 1
Flute, Oboe, Bassoon 1
Flute, Clarinet and Bassoon. 1

+ 24 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 34
Brass Quintet: 2 trumpets, horn, trombone, tuba 16
Trumpet, Piano 14
Trumpet 14
French Horn and Piano 13

French horn 11
Tuba and Piano 11
Tuba 10
Brass Quartet: 2 trumpets, horn, trombone 8
Trombone 7
Trombone ensemble 6
Trumpet, Trombone (duet) 5
2 Trumpets (duet) 5
2 Trombones (duet) 4
Brass Quartet 4
Trumpet ensemble 3
Trombone and Piano 2
Brass Trio 2
2 French horns (duet) 2
Euphonium, Piano (duet) 1

+ 15 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 180
Violin, Cello (duet) 144
Violin 136
String Trio: violin, viola, cello 116
String Quintet: 2 violins, viola, cello, bass 38

Viola 24
Violin and Piano 21
Cello, Piano 17
Viola, Piano 15
Cello 13
Double Bass 12
Double bass, Piano (duet) 12
Harp 11
Violin, Viola (duet) 10
2 Violins (duet) 10
2 Cellos (duet) 8
2 Violas (duet) 7
Viola (band part) 6
Viola ensemble 5
Violin ensemble 5
Cello (band part) 2
2 Double basses (duet) 2
String Trio: 2 violins, cello 2
4 Cellos 2
Harp, Flute (duet) 1
String Trio: 3 cellos 1
2 Violas, Piano 1
String Quintet: 2 violins, 2 violas, cello 1
String Trio: 2 violins, viola 1

+ 24 instrumentations

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Percussion & orchestra
String Orchestra 91
Concert band 16
Jazz Ensemble 14
Brass ensemble 7
Orchestra 6

String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 4
Jazz combo 2
Percussion Ensemble 2
Drums 1

+ 4 instrumentations

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I'm A Star

Choral TTBB

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The Story Of Reuben Clamzo & His Strange Daughter

The Story Of Reuben Clamzo & His Strange Daughter #Choral TTBB #EASY #Arlo Guthrie #Craig Hanson #The Story Of Reuben Clamzo & H #Edition Craig Hanson #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...(+)

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

$3.99 ≈ 3.67€

Windy

Windy #Choral TTBB #INTERMEDIATE/ADVANCED #The Association #Larry Wright #for assistance #Windy #Larry Wright #SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.853883 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barb...(+)

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.853883 By The Association. By Ruthann Friedman. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #4727619. Published by Larry Wright (A0.853883). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune byÂ theÂ 60'sÂ groupÂ TheÂ Association.Â Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available instrumentally played Learning Trax. If you want to get an idea of what the basic vocals sound like,... on my website store, listen to the FREE 1 minute audio sample in the women's key. Secondly, from my website store, you can also purchase the $2 full-length demo in the women's key. Thirdly, again from my website store, you can hear a MEN'SÂ KEY vocal sample of Windy by listening to MEN'S KEY Association Medley arrangement... which starts with the Windy song. If you love the Windy arrangement, and need to have the MEN'S KEY learning TRAX, hang in there. I'm recording the MEN'S KEY TRAX in a few days.If you've FIRST purchased the COMBOÂ from my website store and the SHEET MUSIC per-copy price on the SMP website store is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!

$15.00 ≈ 13.81€

Real Love

Real Love #Choral TTBB #EASY #Rock #The Beatles #G #Real Love #G. M. Morley #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 page...(+)

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 pages. G. M. Morley #5990205. Published by G. M. Morley (A0.500712). In 2014 John Lewis launched a Christmas advertising campaign that melted hearts worldwide, featuring a song written by John Lennon performed by Tom Odell, Real Love. The song was originally recorded by Lennon in 1979 and 1980 and released posthumously in 1988. His demo recording was completed by his former Beatles bandmates (Paul McCartney, George Harrison, and Ringo Starr) as part of the Beatles Anthology project released in 1995. It is the last single by the Beatles to become a top 40 hit in the US, the last released record of new material credited to the Beatles, and the last to originate and be included on an album. This arrangement is faithful tribute to both versions, building on the emotional textures of the Odell version by including the additional second and third verses of the original. Â If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.

$3.00 ≈ 2.76€

On Bethlehem's Silent Plain : TTBB Acapella

On Bethlehem's Silent Plain : TTBB Acapella #Choral TTBB #M #On Bethlehem's Silent Plain : #Vocal Works #SheetMusicPlus

Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. ...(+)

Choral Choir (TTBB) - Digital Download SKU: A0.741930 Composed by M. Ryan Taylor. A Cappella,Christian,Christmas,Folk,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484815. Published by Vocal Works (A0.741930). Live performance video: https://www.youtube.com/watch?v=KfUmiJdfVwM 1. On Bethlehem's silent plain, The stars shone bright, While faithful shepherds watched Their flocks by night. And as they watching lay Upon the ground, A glory came from heaven, And shone around. 2. The simple shepherds' hearts Were filled with fear: For lo! an angel stood Among them there. Fear not, the angel said, Good news I bring, This night to you is born A Saviour King. 3. In swaddling clothes the babe Shall be arrayed, And you shall find Him in A manger laid. And lo! a shining host Was with Him there, And filled with songs of praise, The midnight air. 4. And now on Christmas Eve, When stars are bright, We sing with joy the song They sung that night; Glad tidings of great joy Proclaim again; Of peace upon the earth Good will to men.

$1.99 ≈ 1.83€