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Mean To Me
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You've selected:
Mean To Me
SheetMusicPlus
Sheetmusic to print
13 sheet music found
<
1
This Is Me
This Is Me
#
Choral TTBB
#
INTERMEDIATE
#
Benj Pasek and Justin Paul
#
Shelton Ridge Love
#
I am bruised
#
This Is Me
#
Shelton Ridge Love
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Oct...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99 ≈
$2.68
Love To Me
Love To Me
#
Choral TTBB
#
EASY
#
Contemporary
#
Adam Guettel
#
Pakk Hui
#
Love To Me
#
Pakk Hui
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.888578 Composed by Adam Guettel. Arranged by Pakk Hui. Contemporary. Octavo. 4 pages. Pakk Hui #...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.888578 Composed by Adam Guettel. Arranged by Pakk Hui. Contemporary. Octavo. 4 pages. Pakk Hui #5739247. Published by Pakk Hui (A0.888578). Love To Me from The Light in the Piazza musical by Adam Guettel. For TTBB and Piano. The meter is simplified from 5+4/8 or 9/8 to 4/4 for a simpler read. This is lush arrangement for men's chorus, that's the meant to showcase the warmth, and tone quality of the chorus. Conductor Score and band parts available separatelyInstagram: @pakkhuimusic and @pakkhuiWebsite: www.pakkhuimusic.comIMDb: www.imdb.me/pakkhui Pakk is a member of BMI
$3.95 ≈
$5.32
Mean To Me
Mean To Me
#
Choral TTBB
#
ADVANCED
#
Fred E
#
David Wright
#
Mean To Me
#
David Wright
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1402474 Composed by Fred E. Ahlert and Roy Turk. Arranged by David Wright. A Cappell...
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Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1402474 Composed by Fred E. Ahlert and Roy Turk. Arranged by David Wright. A Cappella,Barbershop. 3 pages. David Wright #985692. Published by David Wright (A0.1402474). This arrangement is for men's barbershop chorus, suitable for contest.
$1.99 ≈
$2.68
Mean To Me
Mean To Me
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Choral TTBB
#
INTERMEDIATE
#
Fred E
#
Walter Latzko
#
Mean To Me
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871960 Composed by Fred E. Ahlert and Roy Turk. Arranged by Walter Latzko. Contemporary. Octavo....
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871960 Composed by Fred E. Ahlert and Roy Turk. Arranged by Walter Latzko. Contemporary. Octavo. 3 pages. Latzko Muzic #5722929. Published by Latzko Muzic (A0.871960). GREAT ARRANGEMENT OF A WONDERFUL 1929 SLOW SWING SONG.
$4.99 ≈
$6.72
Mean To Me
Mean To Me
#
Choral TTBB
#
INTERMEDIATE
#
Fred E
#
Kevin Keller
#
Mean To Me
#
Kevin Keller
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1043297 Composed by Fred E. Ahlert and Roy Turk. Arranged by Kevin Keller. 20th Century,A Cappel...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1043297 Composed by Fred E. Ahlert and Roy Turk. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 6 pages. Kevin Keller #647986. Published by Kevin Keller (A0.1043297). TTBB a cappella chart in the barbershop style - suitable for competition in BHS.
$2.99 ≈
$4.03
What Christmas Means To Me
What Christmas Means To Me
#
Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Allen Story, Anna Gordy Gaye,
#
Tim Sarsany
#
What Christmas Means To Me
#
Tim Sarsany
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.535767 Composed by Allen Story, Anna Gordy Gaye, and George Gordy. Arranged by Tim Sarsany. Cont...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.535767 Composed by Allen Story, Anna Gordy Gaye, and George Gordy. Arranged by Tim Sarsany. Contemporary. Octavo. 9 pages. Tim Sarsany #4601895. Published by Tim Sarsany (A0.535767).
$2.49 ≈
$3.36
What Christmas Means To Me
What Christmas Means To Me
#
Choral TTBB
#
INTERMEDIATE
#
Christmas
#
Allen Story, Anna Gordy Gaye
#
Kohl Kitzmiller
#
What Christmas Means To Me
#
SheetMusicPlus
Composed by Allen Story, Anna Gordy Gaye, and George Gordy. Arranged by Kohl Kitzmiller. A Cappella, Barbershop, Holiday, Pop. Octavo. 8 pages. Kohl K...
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Composed by Allen Story, Anna Gordy Gaye, and George Gordy. Arranged by Kohl Kitzmiller. A Cappella, Barbershop, Holiday, Pop. Octavo. 8 pages. Kohl Kitzmiller #842112. Published by Kohl Kitzmiller
$3.99 ≈
$5.38
Son to Mother
Son to Mother
#
Choral TTBB
#
Henrik Dahlgren
#
Son to Mother
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Bo Ejeby Forlag - Digital
#
SheetMusicPlus
TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by ...
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TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40 ≈
$7.28
Enterprise Theme (where My Heart Will Take Me)
Enterprise Theme (where My Heart Will Take Me)
#
Choral TTBB
#
INTERMEDIATE
#
Diane Warren
#
Chris Arnold
#
Enterprise Theme
#
Chris Arnold
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874647 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Ar...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874647 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4287199. Published by Chris Arnold (A0.874647). This arrangement was written for the Space Network's send-off of the Star Trek spinoff series Enterprise. Great to get your inner nerd going with this obscure bit of Sci-fi history!Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$12.99 ≈
$17.50
Enterprise Theme (where My Heart Will Take Me)
Enterprise Theme (where My Heart Will Take Me)
#
Choral TTBB
#
INTERMEDIATE
#
Diane Warren
#
Chris Arnold
#
Enterprise Theme
#
Chris Arnold
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874648 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Ar...
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874648 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4287203. Published by Chris Arnold (A0.874648). This arrangement was written for the Space Network's send-off of the Star Trek spinoff series Enterprise. Great to get your inner nerd going with this obscure bit of Sci-fi history!Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$1.99 ≈
$2.68
In My Room
In My Room
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
The Beach Boys
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Donald A
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In My Room
#
Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A C...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
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Love Of My Life
Love Of My Life
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Choral TTBB
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EASY
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Queen
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Chandra Grover
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Love Of My Life
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Chandra Grover
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.790919 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Chandra Grover. A Cappell...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.790919 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Chandra Grover. A Cappella,Rock. Octavo. 4 pages. Chandra Grover #5213743. Published by Chandra Grover (A0.790919). Love Of My Life - TTBB a capella for male voice choirA beautiful, haunting ballad by Freddie Mercury. It details the plight of a man who's been abandoned by his lover. He feels that the love that has been taken from him affects him far more than it does his lover, and pleads, Bring it back home to me because you don't know what it means to me. (songfacts.com). If you love Queen, you'll love this song!
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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