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We Don Choral TTBB
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3
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27
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4
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You've selected:
We Don Choral TTBB
Choral TTBB
Sheetmusic to print
27 sheet music found
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1
26
We Don't Talk About Bruno
We Don't Talk About Bruno
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Carolina Gaitan, Mauro Castill
#
James Wiggins
#
We Don't Talk About Bruno
#
Keep Singing
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1466317 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. A...
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1466317 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by James Wiggins. 21st Century,A Cappella,Barbershop,Children,Film/TV. 15 pages. Keep Singing #1044929. Published by Keep Singing (A0.1466317). This popular Disney number by Lin-Manuel Miranda now has a TTBB arrangement.This can be done by either a quartet or a choir. This is priced for a choir, so purchase one for each choir member.There is also pricing for a quartet.
$1.99 ≈
¥14.10
We Don't Talk About Bruno
We Don't Talk About Bruno
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Carolina Gaitan, Mauro Castill
#
James Wiggins
#
We Don't Talk About Bruno
#
Keep Singing
#
SheetMusicPlus
TTBB Chorus,Voice - Level 4 - Digital Download SKU: A0.1466314 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Jam...
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TTBB Chorus,Voice - Level 4 - Digital Download SKU: A0.1466314 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by James Wiggins. 21st Century,A Cappella,Barbershop,Children,Film/TV. Barbershop Quartet. 15 pages. Keep Singing #1044926. Published by Keep Singing (A0.1466314). This popular Disney number by Lin-Manuel Miranda now has a TTBB arrangement.This can be done by either a quartet or a choir. This version is priced for a quartet, so only one copy needs to be furnished.There is also pricing for a choir.
$20.00 ≈
¥141.67
May the Peace of Christ (with Dona Nobis Pacem) Split Track MP3
May the Peace of Christ (with Dona Nobis Pacem) Split Track MP3
#
Choral TTBB
#
Mary McDonald and Traditional
#
May the Peace of Christ
#
Celebrating Grace - Digital
#
SheetMusicPlus
SATB chorus, Children, Youth, opt. Violin and Congregation - Digital Download SKU: C6.841072 Composed by Mary McDonald and Traditional Latin Melody. Chri...
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SATB chorus, Children, Youth, opt. Violin and Congregation - Digital Download SKU: C6.841072 Composed by Mary McDonald and Traditional Latin Melody. Christian, General, Benediction, Multigenerational. MP3. Celebrating Grace - Digital #841072. Published by Celebrating Grace - Digital (C6.841072). In this flowing, multigenerational anthem of peace, Mary McDonald begins with the well-known Dona Nobis Pacem with optional treble and youth choirs. The SATB choir explores the Colossians 3:12-15 text, which provides a sense of blessing and mission as we share Christ's peace and love. The treble and youth choirs return, singing the Latin in an interplay with the SATB choir and optional congregation. The piece concludes in a soft Amen and pacem. An optional violin part is included providing another layer to this beautiful blessing.
$9.99 ≈
¥70.77
Sacred Music for Men's Choir - We Thank You, Lord
Sacred Music for Men's Choir - We Thank You, Lord
#
Choral TTBB
#
INTERMEDIATE
#
Michael A
#
Kenneth Martin
#
Sacred Music for Men's Choir -
#
Martin Music Editions
#
SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1411511 By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Ce...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1411511 By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Contest,Festival,Praise & Worship. 27 pages. Martin Music Editions #993780. Published by Martin Music Editions (A0.1411511). Experience the profound gratitude expressed in 'We Thank You, Lord', a stirring choral work with text by Michael A. Schmid, now tailored for Men's Chorus, TTBB. This piece offers a unique opportunity for Tenor 1, Tenor 2, Baritone, and Bass voices to blend in harmony, creating a powerful musical expression.In 'We Thank You, Lord', the melody gracefully transitions between the Tenor and Baritone/Bass voices, with each section having its moment to shine. This distinctive arrangement ensures a balanced showcase for both the upper and lower registers, resulting in a resonant and unified sound.The accompaniment, skillfully woven into the piano part, provides a solid foundation for the voices, with intricate melodies and harmonies adding depth and emotion. This thoughtful arrangement supports singers in delivering a heartfelt performance that truly connects with listeners.For added versatility and beauty, 'We Thank You, Lord' offers the option to include a C instrument such as violin, flute, or oboe, enhancing the overall texture and adding richness to the musical tapestry. Moreover, parts for brass quintet are included, further expanding the ensemble possibilities.This anthem is very accessible for intermediate level men's choirs, making it perfect for Sunday worship or any other performance occasion. With its striking harmony, lyric melody and compelling message of gratitude, 'We Thank You, Lord' is ready to uplift and inspire all who experience it!Don't miss the opportunity to share the message of thankfulness and appreciation with 'We Thank You, Lord' – a heartfelt choral piece that will touch the hearts of all who hear it!
$2.10 ≈
¥14.88
Rules Don't Stop
Rules Don't Stop
#
Choral TTBB
#
INTERMEDIATE
#
We Are Scientists
#
Christopher L
#
Rules Don't Stop
#
Christopher L. Clark
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.903047 By We Are Scientists. By Christopher Cain and Keith Murray. Arranged by Christopher L. Cl...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.903047 By We Are Scientists. By Christopher Cain and Keith Murray. Arranged by Christopher L. Clark. A Cappella. Octavo. 16 pages. Christopher L. Clark #6424715. Published by Christopher L. Clark (A0.903047). This energetic arrangement of We Are Scientists Rules Don't Stop Me will have your singers performing with attitude! Arranged in the contemporary a cappella style and accessible for many ensembles. Your singers will thank you!
$2.50 ≈
¥17.71
Don't Cry Out Loud (we Don't Cry Out Loud)
Don't Cry Out Loud (we Don't Cry Out Loud)
#
Choral TTBB
#
INTERMEDIATE
#
Contemporary
#
Melissa Manchester
#
Chad Weirick
#
Don't Cry Out Loud
#
Chad Weirick
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788687 By Melissa Manchester. By Carole Bayer Sager and Peter Allen. Arranged by Chad Weirick. C...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788687 By Melissa Manchester. By Carole Bayer Sager and Peter Allen. Arranged by Chad Weirick. Contemporary. Octavo. 6 pages. Chad Weirick #5210541. Published by Chad Weirick (A0.788687). 70's goodness! Embellished it just a bit with a climactic key change !
$2.99 ≈
¥21.18
Don't Tell Me
Don't Tell Me
#
Choral TTBB
#
EASY
#
Hudson Taylor
#
G
#
Don't Tell Me
#
G. M. Morley
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einzige...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500725 By Hudson Taylor. By Alfred Hudson Taylor, Harry Hudson Taylor, and Michael Aaron Einziger. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 9 pages. G. M. Morley #6450807. Published by G. M. Morley (A0.500725). Taken from the 2015 album Singing for Strangers, Don't Tell Me has potential to be a loud and raucous anthem of defiance for any performance. While my arrangement was originally intended to be performed at a Pride event, due to restrictions across the UK regarding choral groups we were unable to perform it.Although not officially part of the LGBTQ community, interviews indicate that Hudson Taylor are LGBTQ Allies. This song can be performed as a rallying cry for any march or protest for equality.
$4.49 ≈
¥31.81
Don't Give Up
Don't Give Up
#
Choral TTBB
#
INTERMEDIATE
#
Pop music
#
Peter Gabriel And Kate Bush
#
Charles Beale
#
Don't Give Up
#
charliebmusic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1171795 By Peter Gabriel And Kate Bush. By Peter Gabriel. Arranged by Charles Beale. Pop. Octavo. 18 pages. Charliebmusic #772070. Published by charliebmusic (A0.1171795). From Peter Gabriel's 1987 album 'So', 'Don't Give up' is a song about struggle. Originally written around what Gabriel saw as the 1980s struggle against UK Thatcherism, the song works well in the context of all kinds of oppression. The arrangement features three soloists, all perhaps facing different kinds of struggle or mental health issue. In each case, the choir responds with kindness: Don't GIve Up, 'cause you've got friends, and 'cause somewhere there's a place where we belong.
$1.99 ≈
¥14.10
Mother Don't You Cry TTBB
Mother Don't You Cry TTBB
#
Choral TTBB
#
INTERMEDIATE
#
Folkloric/Traditional
#
Keith John Hutchison
#
Carlo Roosen
#
Mother Don't You Cry TTBB
#
Balance-Infosystems.Com
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1011154 Composed by Keith John Hutchison. Arranged by Carlo Roosen. Folk. Octavo. 13 pages. Bala...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1011154 Composed by Keith John Hutchison. Arranged by Carlo Roosen. Folk. Octavo. 13 pages. Balance-Infosystems.Com #3395293. Published by Balance-Infosystems.Com (A0.1011154). This song was written for my mother after I missed my cousins wedding. I was on a restaurant boat floating around Lake Burley Griffin in Canberra and my mother was at the yacht club looking out over the same lake. So we were almost in the same place at the same time. I wrote this song from her perspective.
$9.99 ≈
¥70.77
Why Don't We Do This More Often
Why Don't We Do This More Often
#
Choral TTBB
#
INTERMEDIATE
#
Allie Wrubel
#
Walter Latzko
#
Why Don't We Do This More Ofte
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.872100 Composed by Allie Wrubel. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzk...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.872100 Composed by Allie Wrubel. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5755499. Published by Latzko Muzic (A0.872100). THIS IS A WONDERFUL ARRANGEMENT OF A GREAT UP-TEMPO SONG.
$7.99 ≈
¥56.60
Why Don't We Just Dance
Why Don't We Just Dance
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Choral TTBB
#
INTERMEDIATE
#
Country
#
Josh Turner
#
Aaron Dale
#
Why Don't We Just Dance
#
Aaron Dale
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512707 By Josh Turner. By Darrell Brown, Jim Beavers, and Jonathan Singleton. Arranged by Aaron ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512707 By Josh Turner. By Darrell Brown, Jim Beavers, and Jonathan Singleton. Arranged by Aaron Dale. Country. Octavo. 4 pages. Aaron Dale #4621509. Published by Aaron Dale (A0.512707). Male Barbershop voicing - as sung by OC Times.Purchase one copy for each singer in an ensemble. .
$29.99 ≈
¥212.44
We Don't Talk About Bruno
We Don't Talk About Bruno
#
Choral TTBB
#
INTERMEDIATE
#
Walt Disney
#
Carolina Gaitan, Mauro Casti
#
Nicholas Wright
#
We Don't Talk About Bruno
#
Nicholas Wright
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). Arranged by Nichola...
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Choral Choir (TTBB) - Level 4 - Digital Download By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). Arranged by Nicholas Wright. Contemporary. Octavo. 22 pages. Nicholas Wright #6855953. Published by Nicholas Wright
$3.99 ≈
¥28.26
Ain't We Got Fun
Ain't We Got Fun
#
Choral TTBB
#
INTERMEDIATE/ADVANCED
#
music and lyrics: R
#
Donald B
#
#
Ain't We Got Fun
#
donald updegrove
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1014590 Composed by music and lyrics: R. Whiting, R. Egan and G.Khan. Arranged by Donald B. Upde...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1014590 Composed by music and lyrics: R. Whiting, R. Egan and G.Khan. Arranged by Donald B. Updegrove. 20th Century,Holiday,Wedding. Octavo. 5 pages. Donald updegrove #6325585. Published by donald updegrove (A0.1014590). Upbeat, familiar piece with good audience reception in concert and / or private audience.
$4.75 ≈
¥33.65
Angels We Have Heard On High (TTB)
Angels We Have Heard On High (TTB)
#
Choral TTBB
#
EASY
#
Christmas
#
Traditional
#
Sam Cardon, Garrett Breeze
#
Angels We Have Heard On High
#
Lagom Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723447 Composed by Traditional. Arranged by Sam Cardon, Garrett Breeze. Christmas. Octavo. 10 pa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.723447 Composed by Traditional. Arranged by Sam Cardon, Garrett Breeze. Christmas. Octavo. 10 pages. Lagom Music #6357335. Published by Lagom Music (A0.723447). This upbeat, joyous arrangement of Angels We Have Heard on High by Sam Cardon and Garrett Breeze begins with an extended introduction, followed by an initial statement of the chorus. The men and women each sing a respective verse before coming together for a triumphant, majestic final verse. Also available in SAB, SSA, TTB, and Two-Part Choir. Orchestral accompaniment sold separately.
$2.75 ≈
¥19.48
We'll Have a Jubilee In My Old Kentucky Home (Men's barbershop)
We'll Have a Jubilee In My Old Kentucky Home (Men's barbershop)
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Choral TTBB
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INTERMEDIATE
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Walter Donaldson
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Larry Triplett
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We'll Have a Jubilee In My Old
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Larry Triplett
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.979935 Composed by Walter Donaldson. Arranged by Larry Triplett. A Cappella,Standards. Octavo. 5...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.979935 Composed by Walter Donaldson. Arranged by Larry Triplett. A Cappella,Standards. Octavo. 5 pages. Larry Triplett #6211581. Published by Larry Triplett (A0.979935). A cappella harmony in the barbershop style for men's voices.A little-known song from 1915 with a happy beat and nostalgic message.
$3.99 ≈
¥28.26
We Are Not Afraid to Love
We Are Not Afraid to Love
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Choral TTBB
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INTERMEDIATE
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Karl Logue, Don Kirpatrick
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We Are Not Afraid to Love
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LogueRhythm Productions
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788751 Composed by Karl Logue, Don Kirpatrick. 20th Century. Octavo. 8 pages. LogueRhythm Produc...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.788751 Composed by Karl Logue, Don Kirpatrick. 20th Century. Octavo. 8 pages. LogueRhythm Productions #3562923. Published by LogueRhythm Productions (A0.788751). Great anthem for GALA Choruses, honoring the struggle started at Stonewall Inn in 1969.
$2.99 ≈
¥21.18
If We Never Meet Again
If We Never Meet Again
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Choral TTBB
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EASY
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Albert E
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Paul A
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If We Never Meet Again
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522459 Composed by Albert E. Brumley. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Pau...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522459 Composed by Albert E. Brumley. Arranged by Paul A. Jorg. A Cappella. Octavo. 5 pages. Paul A. Jorg #6200691. Published by Paul A. Jorg (A0.522459). This song was written by Albert E. Brumley in 1945. It's been done by several artists including Elvis Presley.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59 ≈
¥32.51
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
¥28.26
We'VE Done Us Proud
We'VE Done Us Proud
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Choral TTBB
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EASY
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Graeme Connors
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C
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We'VE Done Us Proud
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Crewdog Productions
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1429574 Composed by Graeme Connors. Arranged by C.S. Daria. 20th Century,A Cappella,...
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Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1429574 Composed by Graeme Connors. Arranged by C.S. Daria. 20th Century,A Cappella,Barbershop,Country,Pop. 5 pages. Crewdog Productions #1010271. Published by Crewdog Productions (A0.1429574). A men's chorus arrngement for TTBB and solist. Suitable for barbershop chorus. A piece of Australiana. Easy arrangement. A Cappella.
$2.00 ≈
¥14.17
In My Room
In My Room
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Choral TTBB
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INTERMEDIATE/ADVANCED
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A C...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99 ≈
¥14.10
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