Download Digital Sheet Music of The Origin Of Love for Percussion Ensemble

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The Origin Of Love
Not classified 312

Piano & keyboards
Piano solo 138
Piano, Voice 116
Easy Piano 84
Piano, Vocal and Guitar 49
Organ 26

C Instruments 17
Piano Accompaniment 8
Piano Trio: piano, violin, cello 7
1 Piano, 4 hands 4
Piano Quartet: piano, 2 violins, cello 2
Piano Quartet: piano, violin, viola, cello 2
Organ, Piano (duet) 1
Accordion 1

+ 8 instrumentations

- Retract

Guitars
Guitar notes and tablatures 18
Guitar 8
Bass guitar 6
Ukulele 6
Melody line, (Lyrics) and Chords 5

2 Guitars (duet) 2
Mandolin 2
Lyrics and Chords 1

+ 3 instrumentations

- Retract

Voice
Choral SATB 112
Choral 3-part 43
Choral 2-part 30
Choral TTBB 20
Choral SSAA 18

Choral Unison 16
Vocal duet, Piano 11
Vocal duet 2
Choral SSAB, Piano 1

+ 4 instrumentations

- Retract

Woodwind
Saxophone Quartet: 4 saxophones 84
Flute, Oboe, Clarinet, Bassoon 63
Clarinet and Piano 63
Clarinet 42
Oboe, Piano (duet) 39

Flute and Piano 33
Flute 27
Alto Saxophone 26
Alto Saxophone and Piano 26
Oboe 21
2 Saxophones (duet) 18
Tenor Saxophone and Piano 15
Oboe (band part) 13
Tenor Saxophone 11
Soprano Saxophone 11
2 Flutes (duet) 11
Saxophone (band part) 11
Soprano Saxophone and Piano 11
Baritone Saxophone, Piano 10
2 Clarinets (duet) 9
Saxophone Quintet: 5 Saxophones 8
3 Saxophones (trio) 8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7
2 Oboes (duet) 6
Clarinet Quartet: 4 clarinets 6
Flute, Clarinet (duet) 5
Baritone Saxophone 5
3 Clarinets (trio) 4
Recorder 4
Oboe, Clarinet (duet) 4
Oboe, Bassoon (duet) 4
Clarinet Quintet: 5 clarinets 4
Clarinet, Bassoon (duet) 3
Flute ensemble 3
Saxophone ensemble 3
English horn, Piano 3
Recorder Quartet 3
Oboe, Flute 3
Flute Quintet : 5 flutes 3
Flute Quartet: 4 flutes 3
Clarinet Ensemble 2
Treble (Alto) Recorder 2
Bass Clarinet, Piano 2
Flute, Bassoon, and Piano 2
2 Recorders (duet) 2
Flute Trio: 3 flutes 2
Oboe, Clarinet, Bassoon (trio) 1
English Horn 1
Flute and Strings Trio 1
2 English horns and Pianoforte 1
Flute, Oboe, Bassoon 1
Oboe, Guitar (duet) 1
3 Recorders (trio) 1
2 Recorders, Guitar 1
Piccolo 1
Flute and Guitar 1
Flute, Clarinet and Bassoon. 1
2 Saxophones, Piano 1

+ 53 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 35
French Horn and Piano 32
French horn 27
Tuba 24
Trumpet 23

Trumpet, Piano 17
Trombone 15
Brass Quartet 14
Trombone and Piano 14
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
Tuba and Piano 8
2 Trumpets (duet) 5
Brass Trio 3
English horn, Piano 3
2 French horns (duet) 3
Trumpet, Trombone (duet) 2
2 Tubas (duet) 2
Brass Quartet: 4 horns 2
2 Trombones (duet) 2
Trumpet, Horn (duert) 2
English Horn 1
Horn, Tuba (duet) 1
2 English horns and Pianoforte 1
3 Trumpets (trio) 1
Brass Quartet: 4 trumpets 1
Trumpet, Cello (duet) 1
3 Trombones (trio) 1
4 Tubas 1
Brass Quartet: 2 trumpets, horn, trombone 1
Trombone, Horn (duet) 1
Euphonium 1
3 Tubas (trio) 1
Bass Trombone 1
Euphonium, Piano (duet) 1

+ 29 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 105
Violin 60
Violin and Piano 56
Cello, Piano 55
Viola, Piano 33

Cello 32
Violin, Cello (duet) 22
Double Bass 21
2 Violins (duet) 19
Viola 19
Cello (band part) 19
Harp 16
Violin, Viola (duet) 12
String Trio: violin, viola, cello 10
Double bass, Piano (duet) 10
2 Violas (duet) 10
2 Cellos (duet) 8
Piano Trio: Violin, Viola, Piano 7
Viola, Cello (duet) 5
String Trio: 3 violas 4
String Quintet: 2 violins, viola, cello, bass 4
String Trio: 3 cellos 4
String Trio: 3 violins 4
String Trio: 2 violins, cello 3
String Quartet : 4 violas 3
4 Cellos 2
String quartet: 4 violins 2
String trio 1
String Quintet: 2 violins, viola, 2 cellos 1
String Trio: 2 violins, viola 1
Viola (band part) 1
Violin, Bassoon (duet) 1

+ 27 instrumentations

- Retract

Percussion & orchestra
Concert band 22
Handbells 15
String Orchestra 14
Chamber Orchestra 9
Jazz Ensemble 7

Percussion Ensemble 3

Brass ensemble 3
Orchestra 3
Marching band 2
Drums 1
Marimba, Piano (duet) 1

+ 6 instrumentations

- Retract

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The Origin Of Love

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Percussion Ensemble

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3 sheet music found

Christmas Calypso for Percussion Sextet

Christmas Calypso for Percussion Sextet #Percussion Ensemble #EASY #Christmas #Dan Heslink #Christmas Calypso for Percussi #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publicat...(+)

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience â€“ fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherdsâ€™ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. Itâ€™s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.

$4.99 ≈ $6.81

Edelweiss

Edelweiss #Percussion Ensemble #EASY #Richard Rodgers #John M #Edelweiss #Music Preparation Services #SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and part...(+)

Percussion Ensemble - Level 2 - Digital Download SKU: A0.908406 Composed by Richard Rodgers. Arranged by John M. Licari. Broadway,Film/TV. Score and parts. 13 pages. Music Preparation Services #5196201. Published by Music Preparation Services (A0.908406). Edelweiss - Rodgers & Hammerstein (Percussion Ensemble)Arranged by John M. LicariMusic Preparation Serviceswww.musicprepservices.com Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp (originated by the performer Theodore Bikel). In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II, as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. It was the last song ever written by Oscar Hammerstein II, prior to his death in August, 1960. This arrangement is written for a percussion ensemble, featuring glockenspiel, marimba, snare, bass, triangle, tambourine, and timpani.

$12.99 ≈ $17.72

Silent Night Prelude for percussion octet

Silent Night Prelude for percussion octet #Percussion Ensemble #EASY #Christmas #Franz Xaver Gruber #Dan Heslink # #Silent Night Prelude for percu #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...(+)

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. Itâ€™s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com

$4.99 ≈ $6.81