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Human
Not classified 108

Piano & keyboards
Piano solo 120
Piano, Voice 7
Organ 6
Keyboard 3
2 Pianos, 4 hands 3

Piano, Vocal and Guitar 2
Piano Quartet: piano, violin, viola, cello 1
1 Piano, 4 hands 1
Piano Trio: piano, violin, cello 1
C Instruments 1

+ 5 instrumentations

- Retract

Guitars
Guitar 9
Guitar notes and tablatures 3
2 Guitars (duet) 1

Voice
Choral SATB 13
Choral SSAA 13
Choral TTBB 4
Soprano voice, Piano 1
Voice solo 1

High voice 1
Soprano voice 1
Vocal duet, Piano 1
Choral SSAATTBB 1

+ 4 instrumentations

- Retract

Woodwind
Clarinet 22
Flute 8
Saxophone 6
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6
Clarinet Quartet: 4 clarinets 5

Oboe (band part) 5
Flute and Piano 4
Clarinet and Piano 3
Flute, Oboe, Clarinet, Bassoon 3
Clarinet Quintet: Clarinet, String Quartet 2
Saxophone Quartet: 4 saxophones 2
Clarinet Ensemble 2
Alto Saxophone and Piano 1
Alto Saxophone 1
English Horn 1
Oboe, Piano (duet) 1
Saxophone and Organ 1
Flute Quintet : 5 flutes 1
Flute, Violoncello 1
Oboe 1
Tenor Saxophone and Piano 1
Piccolo 1
Soprano Saxophone and Piano 1
Clarinet, Violin (duet) 1
3 Saxophones (trio) 1
Flute, Cello, Piano (trio) 1
Clarinet, Cello, Piano (trio) 1

+ 22 instrumentations

- Retract

Woodbrass
Trombone and Piano 7
Trumpet 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Euphonium, Piano (duet) 6
French horn 5

Tuba and Piano 4
Trombone 4
Trumpet, Piano 3
Tuba 2
Trombone ensemble 2
French Horn and Piano 2
English Horn 1
Brass Quartet: 2 trumpets, horn, trombone 1
Trombone (band part) 1
2 Euphoniums and 2 Tubas 1
Bass Trombone and Piano 1
Brass Quartet: 4 trombones 1

+ 12 instrumentations

- Retract

Strings
Cello 22
Violin 19
String Quartet: 2 violins, viola, cello 18
Viola 12
Violin and Piano 7

Cello, Piano 4
Harp 4
Viola, Piano 4
Viola (band part) 3
Violin (band part) 3
Double Bass 2
Cello (band part) 2
Violin, Viola (duet) 1
String Trio: 2 violins, cello 1
Violin, Cello (duet) 1
String Trio: violin, viola, cello 1
2 Cellos (duet) 1
2 Violins (duet) 1
String Quintet: 2 violins, viola, cello, bass 1

+ 14 instrumentations

- Retract

Percussion & orchestra
Orchestra 18
Concert band 10
String Orchestra 7
Chamber Orchestra 5
Percussion Ensemble 3

Brass ensemble 2
Marimba 1
Drums 1
Jazz Ensemble 1

+ 4 instrumentations

- Retract

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3 sheet music found

The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe

The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe #Percussion Ensemble #ADVANCED #James Nathaniel Holland #The Satyricon, A Balletic Roma #James Nathaniel Holland #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 page...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

$34.95 ≈ $47.47

Four Forces (First movement) I. Strong Forces

Four Forces (First movement) I. Strong Forces #Percussion Ensemble #ADVANCED #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score a...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$300.00 ≈ $407.50

Four Forces (Second movement) II. Weak Forces

Four Forces (Second movement) II. Weak Forces #Percussion Ensemble #ADVANCED #Salvador Rojo GamÃ³n #Four Forces #Salvador Rojo-Gamon #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score a...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo GamÃ³n. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciÃ³nIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.

$150.00 ≈ $203.75