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The Composer Man
Not classified 283

Piano & keyboards
Piano solo 174
Organ 20
Piano, Voice 18
2 Pianos, 4 hands 10
Piano Trio: piano, violin, cello 7

Piano, Vocal and Guitar 5
Harpsichord 2
1 Piano, 4 hands 2
Piano Accompaniment 2
Accordion 1
1 Piano, 6 hands 1

+ 6 instrumentations

- Retract

Guitars
Guitar 22
2 Guitars (duet) 4
Guitar notes and tablatures 3
4 Guitars (Quartet) 1
Plectrum Orchestra 1

Mandolin, Piano (duet) 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 32
Soprano voice, Piano 8
Medium voice, Piano 4
Mezzo-Soprano voice, Piano 3
Choral SSAATTBB 3

Tenor voice, Piano 2
Choral SSAA 2
Choral SSATTB 2
Vocal duet 2
Choral TTBB 1
Choral SSATB 1
Vocal duet, Piano 1
Baritone voice, Piano 1
High voice 1
Soprano voice 1
Tenor voice 1
Choral 2-part 1

+ 12 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 20
Oboe (band part) 16
Clarinet 16
Saxophone Quartet: 4 saxophones 15
2 Flutes (duet) 14

Flute 12
Clarinet and Piano 9
Flute and Piano 9
Clarinet Quartet: 4 clarinets 8
Alto Saxophone and Piano 7
Clarinet Ensemble 7
Flute, Oboe, Clarinet, Bassoon 6
Saxophone Quintet: 5 Saxophones 5
2 Saxophones (duet) 3
Clarinet Quintet: 5 clarinets 3
Soprano Saxophone and Piano 3
Alto Saxophone 3
Flute, Cello, Piano (trio) 2
Baritone Saxophone, Piano 2
Clarinet, Cello, Piano (trio) 1
5 Recorders 1
Flute, Violin 1
Saxophone and Organ 1
Saxophone ensemble 1
Flute, Violin, Piano 1
Saxophone 1
3 Clarinets (trio) 1
Piccolo 1
Oboe 1
3 Saxophones (trio) 1
Saxophone (band part) 1
Harmonica 1
Oboe, Piano (duet) 1
English Horn 1

+ 29 instrumentations

- Retract

Woodbrass
Trombone and Piano 29
Brass Quintet: 2 trumpets, horn, trombone, tuba 23
Brass quartet : 2 trumpets, trombone, tuba 19
Euphonium, Piano (duet) 18
French Horn and Piano 12

2 French horns (duet) 12
Tuba and Piano 11
French horn 10
Trombone ensemble 10
Trombone 7
Trumpet, Piano 7
Trumpet 6
Brass Quartet: 4 trombones 6
Tuba 4
Bass Trombone and Piano 3
Trumpet, violin (duet) 3
2 Trombones (duet) 2
Trumpet (band part) 2
Brass Quartet: 2 trumpets, horn, trombone 2
Trumpet ensemble 2
2 Euphoniums and 2 Tubas 1
2 Tubas (duet) 1
Horn Ensemble 1
Trombone (band part) 1
Brass Quartet: 4 horns 1
Trombone and Orchestra 1
English Horn 1
Trombone, Organ 1

+ 23 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 52
Violin and Piano 33
Violin 23
Cello, Piano 16
Viola 11

String Trio: violin, viola, cello 10
Viola, Piano 9
2 Violins (duet) 8
Cello (band part) 7
Violin, Guitar (duet) 6
Cello 4
Violin, Viola (duet) 4
Cello, String Bass (duet) 3
String Trio: 2 violins, cello 3
2 Cellos (duet) 3
String Trio: 3 violins 2
Violin, Cello (duet) 2
Double Bass 2
String Trio: 2 violins, viola 2
Harp 2
Viola, Guitar (duet) 1
Viola, Cello (duet) 1
4 Cellos 1
Harp, Violin (duet) 1
Viola (band part) 1
Double bass, Piano (duet) 1
Violin, Clarinet, Piano (trio) 1

+ 22 instrumentations

- Retract

Percussion & orchestra
Orchestra 73
Concert band 47
Chamber Orchestra 30
String Orchestra 22
Brass ensemble 15

Jazz Ensemble 11
Percussion Ensemble 3

Handbells 1
Marimba and Organ 1
Piano and Orchestra 1

+ 5 instrumentations

- Retract

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The Composer Man

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Percussion Ensemble

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3 sheet music found

The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe

The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe #Percussion Ensemble #ADVANCED #James Nathaniel Holland #The Satyricon, A Balletic Roma #James Nathaniel Holland #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 page...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

$34.95 ≈ 32.26€

Alexandriana for Percussion Ensemble

Alexandriana for Percussion Ensemble #Percussion Ensemble #ADVANCED #Dan Heslink # #Alexandriana for Percussion En #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Greatâ€™s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The musicâ€™s sectional nature parallels the libraryâ€™s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the scoreâ€™s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.

$9.99 ≈ 9.22€

One Hour to Madness

One Hour to Madness #Percussion Ensemble #ADVANCED #Contemporary #Dan Heslink # #One Hour to Madness #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitmanâ€™s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second themeâ€™s clear Bb major tonality. The workâ€™s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 Â½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.

$4.99 ≈ 4.61€