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D only
Not classified 584

Piano & keyboards
Piano solo 329
Piano, Vocal and Guitar 173
Piano, Voice 115
Easy Piano 67
Organ 25

Piano Accompaniment 25
C Instruments 9
Piano Trio: piano, violin, cello 5
1 Piano, 4 hands 5
Piano Quartet: piano, violin, viola, cello 4
Piano (band part) 4
Harpsichord 3
Big Note Piano 2
Piano Quintet: piano, 2 violins, viola, cello 2
2 Pianos, 4 hands 2
Accordion 1
Accordion ensemble 1
Organ, Trumpet (duet) 1

+ 13 instrumentations

- Retract

Guitars
Guitar notes and tablatures 77
Guitar 25
Melody line, (Lyrics) and Chords 10
Guitar (band part) 8
Bass guitar 8

Ukulele 5
Banjo 5
Lyrics and Chords 4
2 Guitars (duet) 3
Mandolin 1
3 Guitars (trio) 1
Baritone Ukulele 1
Dulcimer 1
4 Guitars (Quartet) 1

+ 9 instrumentations

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Voice
Choral SATB 69
Choral 3-part 25
Choral SSAA 17
Choral TTBB 16
Choral Unison 13

Choral 2-part 11
Vocal duet, Piano 6
Voice solo 3
Soprano voice, Piano 2
Mezzo-Soprano voice, Piano 1
High voice 1
Choral 1
Medium voice, Piano 1

+ 8 instrumentations

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Woodwind
Clarinet and Piano 56
Flute and Piano 55
2 Saxophones (duet) 30
Flute 28
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 28

Saxophone 26
Saxophone (band part) 25
Oboe, Piano (duet) 25
Alto Saxophone and Piano 24
Saxophone Quartet: 4 saxophones 24
Clarinet 20
Saxophone Quintet: 5 Saxophones 19
Clarinet Quartet: 4 clarinets 18
Oboe, Clarinet, Bassoon (trio) 18
Descant (Soprano) Recorder 17
3 Saxophones (trio) 17
Flute, Oboe, Clarinet, Bassoon 16
2 Flutes (duet) 15
Alto Saxophone 14
Tenor Saxophone and Piano 13
Saxophone ensemble 12
2 Clarinets (duet) 12
Soprano Saxophone and Piano 12
Baritone Saxophone, Piano 10
Flute Quartet: 4 flutes 9
Tenor Saxophone 8
English horn, Piano 7
Flute, Oboe, Clarinet (trio) 6
Clarinet, Bassoon (duet) 6
Flute Trio: 3 flutes 6
Clarinet Ensemble 6
2 Recorders (duet) 5
Oboe, Bassoon (duet) 5
Bass Clarinet, Piano 5
Oboe 4
Flute, Clarinet and Bassoon. 4
Soprano Saxophone 4
Flute and Guitar 4
Flute Quintet : 5 flutes 4
2 Oboes (duet) 4
Flute, Clarinet (duet) 4
Flute, Trumpet (duet) 4
Oboe (band part) 4
Clarinet Quintet: 5 clarinets 4
Flute (band part) 3
Flute ensemble 3
Eb Instruments 3
Pennywhistle 2
Flute, harp and violin 2
Baritone Saxophone 2
Clarinet (band part) 2
Recorder Quartet 2
Recorder 2
Flute, Clarinet, Piano (trio) 2
3 Clarinets (trio) 2
Oboe, Harp 1
Oboe, Violin, Viola and Violoncello (Quartet) 1
3 Recorders (trio) 1
Clarinet, Double bass (duet) 1
Clarinet, Guitar (duet) 1
Flute, Basso continuo 1
Flute, Violin 1
Flute, Oboe, Bassoon 1
Flute and Strings Trio 1
English horn, Harp (duet) 1
Clarinet, Tuba 1
Saxophone and Organ 1
2 Flutes, Piano 1
Flute, Cello, Piano (trio) 1
Treble (Alto) Recorder, Basso continuo 1
English Horn 1
Flute, Orchestra 1
Clarinet, Harp (duet) 1
5 Recorders 1
Oboe ensemble 1
Flute, Trombone (duet) 1
Treble (Alto) Recorder 1
Flute, Oboe, Piano (trio) 1
Flute, Violin and Violoncello 1
English Horn, Guitar (duet) 1
Clarinet Quartet: Clarinet, Violin, Viola, Cello 1

+ 76 instrumentations

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Woodbrass
Trumpet, Piano 34
Brass Quintet: 2 trumpets, horn, trombone, tuba 28
Trumpet 25
Brass quartet : 2 trumpets, trombone, tuba 17
Trombone (band part) 17

Trombone 13
Trombone and Piano 13
Trumpet (band part) 13
Tuba and Piano 13
French Horn and Piano 13
2 French horns (duet) 11
2 Trombones (duet) 10
Tuba 8
2 Trumpets (duet) 8
English horn, Piano 7
French horn 7
Brass Quartet: 2 trumpets, horn, trombone 5
2 Tubas (duet) 4
Euphonium, Piano (duet) 4
Trumpet, Trombone (duet) 4
Trumpet ensemble 4
Trombone ensemble 4
Brass Quartet: 4 trumpets 3
French horn (band part) 3
Brass Quartet: 4 trombones 3
Trumpet, Horn (duert) 3
Horn Ensemble 2
Horn, Tuba (duet) 2
Tuba (band part) 2
Brass Quartet 2
Trombone, Organ 1
3 French horns (trio) 1
3 Trombones (trio) 1
English horn, Harp (duet) 1
English Horn 1
Bass Clef Instruments 1
4 Tubas 1
English Horn, Guitar (duet) 1
Brass Quartet: 4 horns 1
3 Tubas (trio) 1

+ 35 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 110
Violin and Piano 73
Viola, Piano 48
Cello, Piano 45
Harp 42

Cello 27
Violin 23
Violin, Cello (duet) 14
2 Violins (duet) 13
Violin (band part) 10
2 Cellos (duet) 10
Viola (band part) 8
Double bass, Piano (duet) 8
Violin, Viola (duet) 8
Double Bass 7
String Quintet: 2 violins, viola, cello, bass 7
String Trio: violin, viola, cello 7
Viola 6
Viola ensemble 5
Viola, Cello (duet) 5
Harp, Flute (duet) 5
Doublebass (band part) 5
2 Violas (duet) 5
4 Cellos 3
2 Harps (duet) 3
2 Double basses (duet) 3
String Trio: 3 violins 2
Violin, Guitar (duet) 2
Piano Trio: Violin, Viola, Piano 2
Violin ensemble 2
Cello, Guitar (duet) 2
4 Harps 1
Viola, Guitar (duet) 1
String Trio: 3 cellos 1
String quartet: 4 violins 1
String Trio: 2 violins, cello 1
2 Violins, Piano 1
Harp, Violin (duet) 1
Cello, String Bass (duet) 1
Violin, Cello, Clarinet 1
Flute, Doublebass (duet) 1
Cello (band part) 1

+ 37 instrumentations

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Percussion & orchestra
Concert band 1,600
String Orchestra 135
Orchestra 71
Chamber Orchestra 36
Handbells 32

Jazz Ensemble 18
Brass ensemble 14
Drums 14
Jazz combo 6
School Ensemble 5
Marching band 4
Drum (band part) 4
Percussion Ensemble 3

Marimba 2
Piano and Orchestra 1
Orchestra, Violin 1

+ 11 instrumentations

- Retract

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D only

Percussion Ensemble

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3 sheet music found

The COVID Awakening

The COVID Awakening #Percussion Ensemble #INTERMEDIATE/ADVANCED #Adam Grim #The COVID Awakening #Adam B. Grim #SheetMusicPlus

Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B....(+)

Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listenersâ€™ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. Iâ€™d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.

$25.00

Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet

Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet #Percussion Ensemble #INTERMEDIATE #Instructional #Joshua Hauser # #Donut Etudes vol. 3: Don’t S #Slide Ride #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$5.00

The Horla (Excerpt), an Accompanied Reading

The Horla (Excerpt), an Accompanied Reading #Percussion Ensemble #INTERMEDIATE #Contemporary #Paul Burnell #The Horla #Paul Burnell #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. ...(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.835781 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3222647. Published by Paul Burnell (A0.835781). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899 Duration 4:45 approx. For percussion (three players) and narrator Narrator text - from 'Le Horla' by Guy de Maupassant (1850 - 1893), published 1887. English translation by Jonathan Sturges (1864â€“1911) published 1890. Guy de Maupassant was a French writer, remembered as a master of the short story. It has been suggested that the word horla is a blending of the French words hors (outside) and lÃ (there) and the title can be interpreted as the whatâ€™s out there. Percussion: Wind wand or bullroarer and two guiros (or similar). Players read from the score. Narrator cues are shown in the score in boxed text and below in square brackets. Between rehearsal letters [D] and [H] the percussionists maintain tempo; the narrator cues are for guidance only.

$1.99