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Not Too Music
Not classified 414

Piano & keyboards
Piano solo 420
Piano, Voice 124
Easy Piano 118
Piano, Vocal and Guitar 74
Big Note Piano 32

C Instruments 26
Organ 22
1 Piano, 4 hands 9
Piano Quartet: piano, violin, viola, cello 5
Piano (band part) 4
Piano Trio: piano, violin, cello 4
2 Pianos, 4 hands 3
Accordion 3
Piano Accompaniment 2
Harpsichord 1
Piano Quartet: piano, 2 violins, cello 1
Piano Quintet: piano, 2 violins, viola, cello 1
Organ, Piano (duet) 1

+ 13 instrumentations

- Retract

Guitars
Guitar notes and tablatures 365
Guitar 47
Bass guitar 10
Ukulele 8
Guitar (band part) 8

Melody line, (Lyrics) and Chords 6
Mandolin 5
2 Guitars (duet) 4
3 Guitars (trio) 3
Banjo 2
4 Guitars (Quartet) 2
Lyrics and Chords 2
2 Mandolins (duet) 1
Dulcimer 1
Dobro 1
Piano, Guitar (duet) 1
Guitar Ensemble 1
Mandolin, Guitar (duet) 1

+ 13 instrumentations

- Retract

Voice
Choral SATB 117
Choral 3-part 22
Choral 2-part 21
Choral TTBB 19
Choral SSAA 14

Choral Unison 12
Soprano voice, Piano 11
Vocal duet, Piano 3
Soprano voice 2
High voice 2
Low voice, Piano 2
Tenor voice 2
Medium voice, Piano 1
Voice solo 1

+ 9 instrumentations

- Retract

Woodwind
Flute and Piano 43
Clarinet 38
Saxophone Quartet: 4 saxophones 37
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 32
Saxophone (band part) 29

Flute, Oboe, Clarinet, Bassoon 27
2 Flutes (duet) 27
Recorder Ensemble 25
2 Saxophones (duet) 22
Clarinet and Piano 20
Oboe (band part) 20
Flute 20
Alto Saxophone and Piano 18
Clarinet Quartet: 4 clarinets 18
Saxophone Quintet: 5 Saxophones 15
2 Clarinets (duet) 15
Alto Saxophone 15
Oboe, Piano (duet) 14
Flute ensemble 12
3 Saxophones (trio) 10
Soprano Saxophone and Piano 10
Tenor Saxophone 10
Tenor Saxophone and Piano 9
Clarinet Ensemble 8
Oboe 7
2 Oboes (duet) 7
Flute Quartet: 4 flutes 7
Soprano Saxophone 7
Baritone Saxophone 6
Baritone Saxophone, Piano 6
Clarinet Quintet: 5 clarinets 5
3 Clarinets (trio) 4
Oboe, Clarinet, Bassoon (trio) 4
Descant (Soprano) Recorder 4
Flute, Oboe, Clarinet (trio) 4
Flute and Guitar 4
Flute, Clarinet (duet) 4
Flute (band part) 3
Flute Trio: 3 flutes 3
Treble (Alto) Recorder 3
Recorder Quartet 2
Piccolo 2
Clarinet, Bassoon (duet) 2
Saxophone ensemble 2
Pennywhistle 2
Recorder 2
Saxophone and Organ 1
Flute, Clarinet, Piano (trio) 1
Clarinet (band part) 1
Saxophone 1
Flute, Violin 1
Oboe, Bassoon (duet) 1
2 Recorders (duet) 1
Flute, Cello, Piano (trio) 1
Flute, Violin and Violoncello 1
Clarinet, Guitar (duet) 1
Bass Clarinet, Piano 1
Clarinet, Cello (duet) 1
Oboe, Bassoon and Piano 1
Clarinet, Cello, Piano (trio) 1
Harmonica 1
English Horn 1
Wind ensemble 1

+ 58 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 42
2 Trombones (duet) 28
Trumpet 27
Trumpet (band part) 24
French horn 24

Trombone (band part) 22
Brass Quartet: 2 trumpets, horn, trombone 18
Trombone 15
French Horn and Piano 14
Trombone and Piano 13
Tuba 10
Tuba and Piano 10
2 Euphoniums (duet) 9
Brass quartet : 2 trumpets, trombone, tuba 9
2 Trumpets (duet) 9
Trumpet, Piano 8
2 French horns (duet) 6
Tuba (band part) 4
Trumpet, Trombone (duet) 4
2 Tubas (duet) 3
Brass Quartet: 4 trombones 3
French horn (band part) 3
Brass Quartet: 4 horns 2
Trombone, Organ 1
Euphonium, Piano (duet) 1
Trombone ensemble 1
Brass Quartet 1
3 Trombones (trio) 1
Tuba ensemble 1
Euphonium, Tuba (duet) 1
English Horn 1

+ 26 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 85
Harp 50
Violin 49
String Trio: violin, viola, cello 31
Violin and Piano 28

Viola 26
Cello, Piano 21
2 Violins (duet) 19
Violin, Cello (duet) 19
String Quintet: 2 violins, viola, cello, bass 18
Viola, Piano 15
Cello (band part) 14
Cello 14
2 Cellos (duet) 13
2 Violas (duet) 11
Double Bass 10
Double bass, Piano (duet) 8
String Trio: 2 violins, cello 7
Violin, Viola (duet) 7
Doublebass (band part) 6
Viola (band part) 5
Viola, Cello (duet) 4
Harp, Flute (duet) 3
Violin (band part) 3
2 Double basses (duet) 3
2 Harps (duet) 2
String Quartet : 4 violas 1
String Trio: 3 cellos 1
Harp and Piano 1
Violin, Clarinet, Piano (trio) 1
String quartet: 4 violins 1
4 Cellos 1
4 Harps 1
Piano Trio: Violin, Viola, Piano 1
Harp, Voice 1
String Quintet: 2 violins, 2 violas, cello 1
Harp, Violin (duet) 1

+ 32 instrumentations

- Retract

Percussion & orchestra
Concert band 101
String Orchestra 52
Orchestra 34
Brass ensemble 22
Jazz Ensemble 22

Chamber Orchestra 21
Jazz combo 7
Handbells 7
Drums 4
Drum (band part) 4
Percussion Ensemble 3

Percussion (band part) 2
Vibraphone 2
Piano and Orchestra 1
2 Snare Drums (duet) 1
Marching band 1

+ 11 instrumentations

- Retract

Others
Musical course - Solfege 1

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Not Too Music

Percussion Ensemble

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3 sheet music found

Sharks' Teeth, a Musical Game for Percussion

Sharks' Teeth, a Musical Game for Percussion #Percussion Ensemble #INTERMEDIATE #Contemporary #Dan Heslink #Sharks' Teeth, a Musical Game #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6...(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharksâ€™ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharksâ€™ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that gameâ€™s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Sharkâ€™s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.

$9.99 ≈ 9.20€

Don't Worry, Be Happy

Don't Worry, Be Happy #Percussion Ensemble #INTERMEDIATE #Jazz #Bobby McFerrin #Ricardo Matosinhos #Don't Worry, Be Happy #Ricardo Matosinhos #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didnâ€™t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobbyâ€™s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now itâ€™s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com

$14.99 ≈ 13.80€

Alexandriana for Percussion Ensemble

Alexandriana for Percussion Ensemble #Percussion Ensemble #ADVANCED #Dan Heslink # #Alexandriana for Percussion En #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publicat...(+)

Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Greatâ€™s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The musicâ€™s sectional nature parallels the libraryâ€™s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the scoreâ€™s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.

$9.99 ≈ 9.20€