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Take the Keyboard
Not classified 214

Piano & keyboards
Piano solo 100
Big Note Piano 33
Easy Piano 28
C Instruments 13
Organ 12

Piano, Voice 8
Piano, Vocal and Guitar 8
2 Pianos, 4 hands 4
1 Piano, 4 hands 2
Keyboard 2
Piano (band part) 1
Organ, Piano (duet) 1
Piano Accompaniment 1
Piano Trio: piano, violin, cello 1

+ 9 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 10
Guitar 4
Dulcimer 1
Ukulele 1
2 Guitars (duet) 1

Voice
Choral SATB 22
Choral 3-part 10
Vocal duet 4
Choral Unison 4
Choral 2-part 4

Vocal duet, Piano 1
High voice 1
Choral SSATTB 1

+ 3 instrumentations

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Woodwind
Flute 3
Flute Trio: 3 flutes 2
Flute and Piano 1
English horn, Piano 1
Clarinet, Bassoon (duet) 1

Tenor Saxophone and Piano 1
Saxophone Quartet: 4 saxophones 1
2 Flutes (duet) 1
Flute, Clarinet and Bassoon. 1
Oboe, Piano (duet) 1
Clarinet and Piano 1
Clarinet 1
Recorder Quartet 1

+ 8 instrumentations

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Woodbrass
2 Trumpets, Keyboard (piano or organ) 2
2 Trombones (duet) 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Trombone ensemble 1
English horn, Piano 1

Trombone 1

+ 1 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 4
Violin and Piano 2
Harp 1
2 Violas (duet) 1
2 Violins (duet) 1

Violin 1
String Quintet: 2 violins, viola, cello, bass 1
Cello, Piano 1

+ 3 instrumentations

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Percussion & orchestra
Orchestra 11
Concert band 10
Handbells 10
String Orchestra 9
Brass ensemble 4

Jazz Ensemble 3
Jazz combo 2
Marching band 2
Percussion Ensemble 2

Chamber Orchestra 1

+ 5 instrumentations

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Take the Keyboard

Percussion Ensemble

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2 sheet music found

Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet

Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet #Percussion Ensemble #INTERMEDIATE #Instructional #Joshua Hauser # #Donut Etudes vol. 3: Don’t S #Slide Ride #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$5.00 ≈ 4.53€

Silent Night Prelude for percussion octet

Silent Night Prelude for percussion octet #Percussion Ensemble #EASY #Christmas #Franz Xaver Gruber #Dan Heslink # #Silent Night Prelude for percu #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...(+)

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. Itâ€™s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com

$4.99 ≈ 4.52€