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YOU SHOULD KNOW
Not classified 294

Piano & keyboards
Piano solo 60
Piano, Voice 31
Big Note Piano 26
Easy Piano 22
Piano, Vocal and Guitar 16

Organ 11
C Instruments 8
Keyboard 3
Piano Accompaniment 1
Piano Trio: piano, violin, cello 1
1 Piano, 4 hands 1

+ 6 instrumentations

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Guitars
Guitar notes and tablatures 12
Ukulele 9
Guitar 7
Melody line, (Lyrics) and Chords 5
Bass guitar 4

Lyrics and Chords 3
2 Dulcimers (duet) 1
Guitar (band part) 1
Piano, Guitar (duet) 1
Dulcimer 1
Banjo 1
Mandolin 1

+ 7 instrumentations

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Voice
Choral SATB 43
Choral 3-part 18
Choral SSAA 17
Choral TTBB 16
Choral Unison 6

Choral 2-part 2
Low voice 1
Soprano voice, Piano 1
Tenor voice 1
High voice 1

+ 5 instrumentations

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Woodwind
Saxophone Quartet: 4 saxophones 34
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 26
Alto Saxophone 26
Flute Quintet : 5 flutes 24
Flute, Oboe, Clarinet, Bassoon 20

Clarinet Quintet: 5 clarinets 17
Clarinet Quartet: 4 clarinets 16
Flute Quartet: 4 flutes 13
Saxophone Quintet: 5 Saxophones 12
Saxophone (band part) 10
Flute 9
Flute and Piano 9
2 Saxophones (duet) 7
Clarinet and Piano 5
Clarinet 5
Oboe, Piano (duet) 4
Tenor Saxophone 4
Flute ensemble 4
Saxophone ensemble 3
Saxophone, Clarinet (duet) 3
Oboe 3
Alto Saxophone and Piano 3
2 Flutes (duet) 3
Clarinet, Violin (duet) 2
Tenor Saxophone and Piano 2
Clarinet Ensemble 2
Oboe (band part) 1
2 Clarinets (duet) 1
Soprano Saxophone 1
Oboe, Clarinet (duet) 1
2 Oboes (duet) 1
Oboe, Flute 1
Flute, Violin 1
Soprano Saxophone and Piano 1
Flute Trio: 3 flutes 1
Flute, Clarinet (duet) 1
Bass Clarinet, Piano 1
2 Clarinets, Bassoon 1
Saxophone 1
Baritone Saxophone, Piano 1
Flute, Saxophone (duet) 1
Clarinet, Cello (duet) 1
Clarinet and Viola 1

+ 38 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 23
Trombone ensemble 18
Brass Quintet: 2 trumpets, horn, trombone, tuba 15
Brass Quartet: 4 trombones 9
Trombone 9

Trumpet 9
Trombone (band part) 5
Brass Quartet 5
Trombone and Piano 5
Brass Trio 3
Trumpet, Piano 3
Trumpet, Trombone (duet) 3
French horn 3
Trumpet (band part) 2
Trumpet, Saxophone (duet) 2
Euphonium, Piano (duet) 2
2 Trumpets (duet) 2
Tuba (band part) 1
2 Euphoniums and 2 Tubas 1
Horn Ensemble 1
French Horn and Piano 1
3 Trombones (trio) 1
French horn (band part) 1
Tuba 1
2 Trombones (duet) 1
Brass Quartet: 4 horns 1

+ 21 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 30
Violin 15
Harp 9
Violin and Piano 8
Viola 7

Cello, Piano 7
Cello 6
Viola, Piano 5
Cello (band part) 5
String Quintet: 2 violins, 2 violas, cello 3
Violin, Cello (duet) 3
Cello, Guitar (duet) 2
4 Cellos 2
2 Violas (duet) 2
Violin, Viola (duet) 2
2 Violins (duet) 1
Violin, Clarinet, Piano (trio) 1
Violin, Guitar (duet) 1
String Trio: 2 violins, cello 1
Doublebass (band part) 1
String Trio: violin, viola, cello 1

+ 16 instrumentations

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Percussion & orchestra
Concert band 39
String Orchestra 19
Orchestra 7
Chamber Orchestra 7
Handbells 3

Brass ensemble 3
Drums 2
Percussion Ensemble 2

Jazz Ensemble 1
Percussion (band part) 1

+ 5 instrumentations

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Percussion Ensemble

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2 sheet music found

Don't Worry, Be Happy

Don't Worry, Be Happy #Percussion Ensemble #INTERMEDIATE #Jazz #Bobby McFerrin #Ricardo Matosinhos #Don't Worry, Be Happy #Ricardo Matosinhos #SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and par...(+)

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didnâ€™t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobbyâ€™s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now itâ€™s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com

$14.99 ≈ 13.83€

Silent Night Prelude for percussion octet

Silent Night Prelude for percussion octet #Percussion Ensemble #EASY #Christmas #Franz Xaver Gruber #Dan Heslink # #Silent Night Prelude for percu #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and p...(+)

Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. Itâ€™s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com

$4.99 ≈ 4.61€