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The Singers
Not classified 77

Piano & keyboards
Piano, Voice 76
Piano, Vocal and Guitar 23
Piano solo 20
C Instruments 10
Organ 2

1 Piano, 4 hands 1
Piano Accompaniment 1
2 Pianos, 4 hands 1

+ 3 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 2
Guitar 1

Voice
Choral SATB 194
Choral SSAA 35
Choral TTBB 33
Choral 3-part 27
Vocal duet, Piano 6

Soprano voice, Piano 4
Vocal duet 4
Choral 2-part 3
Choral SSATB 2
Tenor voice 2
Choral SATBB 1
Choral Unison 1
Choral SSATTB 1
Soprano voice 1

+ 9 instrumentations

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Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
Saxophone Quartet: 4 saxophones 2
Alto Saxophone and Piano 2
Flute ensemble 2
Clarinet 2

Oboe, Piano (duet) 1
Baritone Saxophone, Piano 1
Tenor Saxophone and Piano 1
Piccolo, Piano 1
Clarinet and Piano 1
Flute and Piano 1
Saxophone ensemble 1
English horn, Piano 1
Clarinet Quartet: 4 clarinets 1
Bass Clarinet, Piano 1
Flute Quartet: 4 flutes 1
Flute, Oboe, Clarinet, Bassoon 1

+ 12 instrumentations

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Woodbrass
Brass Quartet 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trombone and Piano 3
Euphonium, Piano (duet) 3
Brass quartet : 2 trumpets, trombone, tuba 3

Tuba and Piano 2
Brass Trio 2
Trumpet 1
Trombone 1
English horn, Piano 1
French Horn and Piano 1
Horn Ensemble 1
Trumpet, Trombone (duet) 1
2 Euphoniums and 2 Tubas 1
Trumpet, Piano 1
Horn, Cello (duet) 1

+ 11 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 6
Cello, Piano 3
Violin, Cello (duet) 1
Violin and Piano 1

Percussion & orchestra
Orchestra 46
Chamber Orchestra 9
Concert band 5
String Orchestra 5
Brass ensemble 4

Jazz Ensemble 4
Jazz combo 1
Handbells 1
Marimba 1

+ 4 instrumentations

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Fandango de Huelva

Fandango de Huelva #Guitar #INTERMEDIATE/ADVANCED #Flamenco #Traditional #Richard Hirsch #Fandango de Huelva #Richard Hirsch #SheetMusicPlus

Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Publis...(+)

Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.

$4.99 ≈ ¥35.61