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Piano, Voice 146
Piano solo 76
Piano, Vocal and Guitar 18
Harpsichord 12
Piano Quartet: piano, violin, viola, cello 1

2 Pianos, 4 hands 1
Piano Accompaniment 1
Accordion, Voice 1
1 Piano, 4 hands 1
Organ 1

+ 5 instrumentations

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Guitars
Guitar 3

Guitar notes and tablatures 1

Voice
Choral SATB 29
Choral SSAA 21
Medium voice, Piano 19
Soprano voice, Piano 15
Voice solo 11

Choral TTBB 10
High voice 7
Tenor voice, Piano 7
Mezzo-Soprano voice, Piano 5
Low voice, Piano 5
Choral 3-part 5
Choral SSAATTBB 4
Vocal duet, Piano 2
Voice, Guitar 2
Choral 1
Baritone voice, Piano 1

+ 11 instrumentations

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Woodwind
Saxophone 15
Clarinet 5
Flute 4
Saxophone Quartet: 4 saxophones 3
Oboe, Piano (duet) 2

Flute and Piano 2
Tenor Saxophone and Piano 2
Clarinet Quartet: 4 clarinets 2
Flute, Oboe, Clarinet, Bassoon 2
Tenor Saxophone 2
Alto Saxophone 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Saxophone Quintet: 5 Saxophones 1
Oboe 1
Alto Saxophone and Piano 1
Flute, Oboe, Clarinet (trio) 1
Soprano Saxophone 1
Clarinet and Piano 1
Flute Quartet: 4 flutes 1

+ 14 instrumentations

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Woodbrass
Trumpet 8
Trombone ensemble 7
Trombone 6
Trombone and Piano 2
Brass Quartet: 4 horns 2

Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Brass quartet : 2 trumpets, trombone, tuba 2
Euphonium, Piano (duet) 1
French Horn and Piano 1
3 Trombones (trio) 1
French horn 1
Brass Quartet: 2 trumpets, horn, trombone 1
Trumpet, Piano 1
Brass Quartet: 4 trombones 1
4 Tubas 1
3 Euphoniums 1

+ 11 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 29
Violin and Piano 3
Cello, Piano 3
Viola, Piano 2
Violin 2

Harp 2
Cello Ensemble 1
2 Violas (duet) 1
Harp, Flute (duet) 1
Violin, Viola (duet) 1
Double bass, Piano (duet) 1

+ 6 instrumentations

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Percussion & orchestra
Orchestra 4
Drums 4
Brass ensemble 3
String Orchestra 2
Jazz combo 1

Big band 1

+ 1 instrumentations

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Others
Musical course - Solfege 1

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CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen

CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen #Guitar #ADVANCED #Classical #Nestor Ausqui #CARMEN SUITE - Classical Guita #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. ...(+)

Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.

One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.

$9.99 ≈ $13.46

Lua para o Epilogo de Verão (Août)

Lua para o Epilogo de Verão (Août) #Guitar #ADVANCED #Contemporary #Louis Trépanier #Lua para o Epilogo de Verão #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by ...(+)

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.

$5.95 ≈ $8.02

Sonata No. 6 "Kharkiv", Op. 48

Sonata No. 6 "Kharkiv", Op. 48 #Guitar #ADVANCED #Classical #Konstantin Bliokh #Sonata No. 6 "Kharkiv", Op. 48 #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...(+)

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate nÂ° 6 Kharkiv pour guitare solo a Ã©tÃ© composÃ©e en 2021, Ã la fin du confinement liÃ© au COVID-19. Ã? ce moment-lÃ , ma famille et moi Ã©tions restÃ©s dans notre ville natale de Kharkiv (Ã©galement connue sous le nom de Kharkov), en Ukraine, pendant prÃ¨s de deux ans. Nous considÃ©rions cette pÃ©riode de pandÃ©mie comme un dÃ©sastre, mais nous avons rÃ©alisÃ© plus tard que c'Ã©tait en fait un moment plutÃ´t heureux, car la guerre est arrivÃ©e dans notre pays quelques mois plus tard. Depuis 2022, une fraction considÃ©rable des 1,5 million de citoyens de Kharkiv ont quittÃ© leur foyer, ceux qui sont restÃ©s vivent sous des attaques incessantes de missiles, et beaucoup ont Ã©tÃ© tuÃ©s. Je voudrais dÃ©dier cette Sonate Ã la ville frontaliÃ¨re de Kharkiv et, surtout, Ã ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spÃ©cifique. Ici, je donnerai un bref aperÃ§u de ses principaux Ã©lÃ©ments de composition pour faciliter les interprÃ©tations futures.Les premier et quatriÃ¨me mouvements de cette Sonate sont basÃ©s sur l'interaction entre le principe dodÃ©caphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basÃ© sur l'interaction de la triade de sol majeur Solâ??Siâ??RÃ© des cordes de guitare Ã vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (Ã l'origine sur la premiÃ¨re corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (Ã l'origine sur la corde de basse 6). Ces Ã©lÃ©ments se complÃ¨tent presque pour former douze tons (Ã l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato oÃ¹ chaque note de la triade de sol majeur est dÃ©placÃ©e pas Ã pas d'un demi-ton vers le haut ou vers le bas.Le deuxiÃ¨me mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentuÃ©s et des passages rapides, ainsi qu'un mouvement mÃ©lodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisiÃ¨me mouvement est un Adagio mÃ©ditatif basÃ© sur un thÃ¨me composÃ© dans l'Ã©chelle hexatonique RÃ©â??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse Ã vide Miâ??Laâ??RÃ© et le demi-ton Siâ??Do.Enfin, le quatriÃ¨me mouvement est basÃ© sur le thÃ¨me dodÃ©caphonique complet composÃ© de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??RÃ© et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thÃ¨me est prÃ©sentÃ© dans ses formes prime et rÃ©trograde. Il y a des dialogues entre la premiÃ¨re corde, les basses et les cordes mÃ©dianes Ã vide, similaires au premier mouvement. Ã? son apogÃ©e, le thÃ¨me dodÃ©caphonique est interprÃ©tÃ© en utilisant le mouvement parallÃ¨le de l'accord de sol majeur standard de la guitare avec les cordes mÃ©dianes Ã vide sur douze positions.La Sonate a Ã©tÃ© crÃ©Ã©e en premiÃ¨re et enregistrÃ©e (CD Naxos No. 8.574630) par le cÃ©lÃ¨bre guitariste ukrainien Marko Topchii, qui a Ã©galement vÃ©cu et Ã©tudiÃ© Ã Kharkiv. Je lui suis extrÃªmement reconnaissant pour l'interprÃ©tation brillante de cette piÃ¨ce.Je suis trÃ¨s redevable envers Productions d'Oz d'avoir conservÃ© mes notations originales lÃ oÃ¹ celles-ci ne correspondent pas au style de l'Ã©diteur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

$7.95 ≈ $10.71