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A Day in Spain
Not classified 24

Piano & keyboards
Piano solo 7
1 Piano, 4 hands 2
Piano, Voice 2

Guitars
Guitar 4

Voice
Choral SATB 3
Choral 2-part 2
Choral 3-part 2
Choral Unison 1

Woodwind
2 Saxophones (duet) 5
Saxophone, Clarinet (duet) 3
2 Flutes (duet) 2
Clarinet, Violin (duet) 2
Clarinet, Trumpet (duet) 2

Alto Saxophone and Piano 2
2 Clarinets (duet) 2
Saxophone (band part) 2
Saxophone Quartet: 4 saxophones 2
Flute ensemble 2
Tenor Saxophone and Piano 1
Baritone Saxophone, Piano 1
Clarinet 1
Flute, Viola (duet) 1
Flute, Violin 1
Flute, Saxophone (duet) 1
Clarinet and Viola 1
Clarinet Quartet: 4 clarinets 1
Clarinet Ensemble 1
Flute 1
Flute, Clarinet (duet) 1
Clarinet Quintet: 5 clarinets 1
2 Oboes (duet) 1
3 Saxophones (trio) 1
Oboe, Clarinet (duet) 1
Oboe, Flute 1
Oboe, Bassoon (duet) 1
Flute, Oboe, Clarinet, Bassoon 1
Alto Saxophone 1

+ 24 instrumentations

- Retract

Woodbrass
Trumpet, Piano 3
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
Tuba and Piano 2
Trumpet 2
2 Trombones (duet) 2

Trumpet, Saxophone (duet) 2
Trumpet, Trombone (duet) 1
Brass quartet : 2 trumpets, trombone, tuba 1
Trumpet ensemble 1
2 Trumpets (duet) 1

+ 5 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 2
Violin and Piano 1
Violin, Viola (duet) 1
2 Violas (duet) 1
Cello, Piano 1

Violin, Cello (duet) 1
2 Cellos (duet) 1
Violin 1
2 Violins (duet) 1
Cello 1

+ 5 instrumentations

- Retract

Percussion & orchestra
Concert band 7
Orchestra 5
Chamber Orchestra 2

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A Day in Spain

Guitar

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4 sheet music found

Preludio in A (estudio nº15)

Preludio in A (estudio nº15) #Guitar #INTERMEDIATE/ADVANCED #Classical #Antonio JimÃ©nez ManjÃ³n #Rui Namora #Preludio in A #Rui Namora #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio JimÃ©nez ManjÃ³n. Arranged by Rui Namora. 19th Century,Classical,Romanti...(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio JimÃ©nez ManjÃ³n. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful Ã©tude, originally written for the 11-string guitar (7+4) that Antonio ManjÃ³n used, is practically unknown today. Although it was composed as an Ã©tude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio JimenÃ©z ManjÃ³n (1866-1919)Antonio JimÃ©nez ManjÃ³n was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-SaÃ«ns, and Sarasate.In 1887, ManjÃ³n returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio JimÃ©nez ManjÃ³n passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â

$6.00 ≈ 5.54€

Recuerdos de la Alhanbra for Classical Guitar

Recuerdos de la Alhanbra for Classical Guitar #Guitar #INTERMEDIATE #Keith Terrett #Keith Terrett #Recuerdos de la Alhanbra for C #Keith Terrett #SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contes...(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.

$1.99 ≈ 1.84€

Verde Selva

Verde Selva #Guitar #Flamenco #Juan Serrano #Brian Hayes #Verde Selva #Brian Hayes #SheetMusicPlus

Composed by Juan Serrano. Arranged by Brian Hayes. Contemporary. Individual part. 8 pages. Brian Hayes #6702893. Published by Brian Hayes...(+)

Composed by Juan Serrano. Arranged by Brian Hayes. Contemporary. Individual part. 8 pages. Brian Hayes #6702893. Published by Brian Hayes
I hope you will enjoy this note-for-note transcription of the wonderful Verde Selva by the great Flamenco guitarist, Juan Serrano, from his 1965 RCA Victor recording Popular Music of Spain and the Old World. Verde Selva is a rumba, a rhythmic dance that has its origins in Cuba, becoming a part of the flamenco tradition in the 19th century in Andalusia, Spain. The playing technique used by Serrano in Verde Selva is often referred to as Rumba Melodica due to its use of arpeggiated chords rather than the rhythmic strumming that is typically associated with rumbas. As it is typical for Flamenco guitarists to improvise and change their pieces with subsequent performances, Juan Serrano\'s Verde Selva evolved over the span of his career, resulting in two versions of the piece; the first, featured on the 1965 vinyl LP Popular Music of Spain and the Old World (the basis for this transcription) and the second, in the 1981 Mel Bay publication Juan Serrano - Flamenco Concert Selections, which included Juan Serrano\'s own transcription of his then current version of the piece, along with the recorded track on the included audio CD. Although it is this 1981 version that is performed by guitarists, today, it is my fondness of the 1965 Popular Music of Spain and the Old World recording that inspired me to transcribe this rendition of Serrano\'s Verde Selva, a transcription which had not before been released to the public. Although this transcription is note-for-note to the original recording, liberties were taken only in one regard in that repeats were added in some sections to give more length to this beautiful piece.

$7.99 ≈ 7.38€

Handbook of Guitar and Lute Composers

Handbook of Guitar and Lute Composers #Guitar #BEGINNER #Classical #Hanna Annala #Handbook of Guitar and Lute Co #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publications - Digital Sheet Music ...(+)

By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743536. In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period. In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. The book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented. Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. The authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.

$19.99 ≈ 18.47€