Download Digital Sheet Music of Bach Harpsichord and Strings for Guitar

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Bach Harpsichord and Strings
Not classified 64

Piano & keyboards
Piano solo 6
Harpsichord 2
Piano Quintet: piano, 2 violins, viola, cello 1

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Guitar 2

2 Guitars (duet) 1

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Clarinet 2
Saxophone ensemble 1
Saxophone Quintet: 5 Saxophones 1
Oboe, Harp 1
Clarinet, Harp (duet) 1

Alto Saxophone 1

+ 1 instrumentations

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Brass Quintet: 2 trumpets, horn, trombone, tuba 1

Strings
String Quartet: 2 violins, viola, cello 3
Harp, Flute (duet) 2
2 Violins (duet) 2
2 Cellos (duet) 1
Cello, Guitar (duet) 1

Violin and Piano 1
String Trio: violin, viola, cello 1

+ 2 instrumentations

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String Orchestra 2
Orchestra 2

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Bach Harpsichord and Strings

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2 sheet music found

Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach

Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach #Guitar #INTERMEDIATE #Classical #Johann Sebastian Bach #Chromatic Fantasia and Fugue i #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publica...(+)

Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.

Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.

$9.99 ≈ 9.20€

Bourrée in E MInor

Bourrée in E MInor #Guitar #INTERMEDIATE/ADVANCED #Classical #Johann Sebastian Bach #Richard Hirsch #Bourrée in E MInor #Richard Hirsch #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,S...(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous BourrÃ©e from Bachâ€™s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor.Â The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.

$4.99 ≈ 4.59€