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COULD HAVE BEEN YOU
Guitar
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5 sheet music found
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1
The Vampire: A Dramatic Theme
The Vampire: A Dramatic Theme
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99 ≈
£3.10
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitar
#
INTERMEDIATE
#
Contemporary
#
Edwin Culver
#
Edwin Culver: a bridge a-way,
#
Edwin Culver
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
£9.31
Adelita by Francisco Tárrega
Adelita by Francisco Tárrega
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Guitar
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EASY
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Francisco Tarrega
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Zellev
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Adelita by Francisco Tárrega
#
Zellev Music
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Indiv...
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Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pages. Zellev Music #6253151. Published by Zellev Music (A0.910911). Adelita is a charming mazurka written by Francisco Tárrega that has been recorded by many famous guitarists.the intended beats per minute of a particular tempo indicator was ambiguous at best. Tárrega could well have intended the tempo to be faster than what we today conceive of as Lento. Therefore, you may choose to play the piece faster than the 60 bpm I've listed, opting for a faster 80–90 in the Andante range.Adelita is deceptively simple. If you are a novice guitarist, you may feel it is within your reach based on hearing the first half of the song. Even if you've mastered barres, upon reaching measures 11 and 12, you may reach an impasse. Playing the slurs fluidly requires a well-developed little finger. Therefore, I recommend not trying to learn the piece until you've developed both comfort with barres and sufficient strength and flexibility in the little finger to play clear hammer-ons and pull-offs.
$2.00 ≈
£1.55
Morning Has Broken
Morning Has Broken
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Guitar
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INTERMEDIATE
#
Rock
#
Cat Stevens
#
Tim Rushworth
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Morning Has Broken
#
Tim Rushworth
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.943123 By Cat Stevens. By Cat Stevens. Arranged by Tim Rushworth. Rock. Individual part. 2 pages. Tim Ru...
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Solo Guitar - Level 3 - Digital Download SKU: A0.943123 By Cat Stevens. By Cat Stevens. Arranged by Tim Rushworth. Rock. Individual part. 2 pages. Tim Rushworth #4786903. Published by Tim Rushworth (A0.943123). This arrangement, for solo classical guitar would be suitable for a church service, concert or school assembly and could also be used as backing to a singer. The original introduction, bridge and ending (as played on piano on the recording by Rick Wakeman) have also been transcribed and included. I have used left hand fingering only where I felt it would help. I hope you enjoy my arrangement.
$4.99 ≈
£3.88
The Guitar Études
The Guitar Études
#
Guitar
#
Studies
#
Apostolos Paraskevas
#
The Guitar Études
#
Silver Sickle Publications
#
SheetMusicPlus
Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silve...
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Composed by Apostolos Paraskevas (1964-). Contemporary Classical, Modern, Etudes and Exercises, Repertoire, World. Score. 37 pages. Published by Silver Sickle Publications
Études for Solo Guitar
The subject of creating an educational aid for guitar students of an intermediate level that will serve also as a similar aid for theory and composition students fascinates me and motivates my compositional thought for quite a while. The objective was to create miniature complete works for the guitar, as J. S. Bach did with his fifteen inventions, in the “manner” of an Étude that deals with specific aspects of guitar techniques and musicianship in general.
These Études are gradually graded based on their difficulty and style. They cover all the positions of the guitar and explore known and some unfamiliar techniques for the contemporary guitarist.
I used a compositional language more familiar for the level of the intermediate guitarist but without sacrificing my original compositional voice so these pieces could be used as concert works by the advanced musicians as well. My intention is to educate students in a multilevel study environment and to be able to promote the music of our time. During my teaching years I found that students become better musicians when they have been taught to adapt certain performance difficulties and compositional techniques at an earlier level of their training.
Titles:
1 with false optimism
2 with moderate sadness
3 with just the two of you
4 with a touch of impatience
5 with a touch of grandeur
6 with a counterpoint attitude
7 with a touch of shame
8 with a touch of boredom
9 going and never coming back
10 with a peaceful anger
11 without the heavy ones
12 without hope
13 without sense of humor
14 with a masculine attitude
15 with two little bears in mind
16 without hesitation
17 with shameless vibrato
18 with a touch of distress
19 without fear of failure
20 with this and that
21 with a kind motion
22 with a rondo attitude
23 with suspense
24 with everything you may have
$22.00 ≈
£17.09
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