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Dance in D Minor
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You've selected:
Dance in D Minor
Guitar
Sheetmusic to print
4 sheet music found
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1
Suite in D Lydian Mixed Mode
Suite in D Lydian Mixed Mode
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Socrates Arvanitakis
#
Suite in D Lydian Mixed Mode
#
Socrates Arvanitakis
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Ar...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation. Â The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.
$12.00 ≈
$16.30
Fantasy on a Mozart Theme
Fantasy on a Mozart Theme
#
Guitar
#
INTERMEDIATE
#
Classical
#
Rod Whittle
#
for solo classical guitar
#
Fantasy on a Mozart Theme
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Publishe...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00 ≈
$6.79
Llamas Negras Siguiriyas
Llamas Negras Siguiriyas
#
Guitar
#
INTERMEDIATE
#
Flamenco
#
Traditional
#
Richard Hirsch
#
Llamas Negras Siguiriyas
#
Richard Hirsch
#
SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Published by Richard Hirsch
An arrangement of traditional themes for the Flamenco style Siguiriyas for solo Flamenco guitar based on material I gathered in my studies in Flamenco guitar in Madrid in the late 1960s. I call the piece Llamas Negras (Black Flames) as the dance for Siguiriyas is often performed by a woman dancer (bailaora) dressed in a long flowing black dress, her hands twirling above her head likes flames. Such were the performances I witnessed at the Flamenco tablao La Zambra where my guitar maestro Juan González “Triguito” played. Siguiriyas is the most tragic of all the serious (jondo) styles of Flamenco for guitar. The piece moves therefore at a moderately slow pace, although there are passages where the tempo increases for dramatic effect. The piece is in the Phrygian modal of D minor and notated in standard 6/8 time. Siguiriyas embodies par excellence what Manuel de Falla called the “sonidos negros” or black sounds in Flamenco!
$4.99 ≈
$6.78
Tientos
Tientos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Flamenco
#
Traditional
#
Richard Hirsch
#
Tientos
#
Richard Hirsch
#
SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch ...
(+)
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99 ≈
$6.78
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