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Don Opera advanced
Not classified 38

Piano & keyboards
Piano solo 8
Organ 1
Easy Piano 1

Guitars
Guitar 2

Voice
Vocal duet, Piano 1

Woodwind
Flute and Piano 5
Clarinet 3
Flute 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Soprano Saxophone and Piano 1

Flute, Oboe, Clarinet, Bassoon 1
2 Flutes (duet) 1
Tenor Saxophone and Piano 1
Flute, Violin, Piano 1
2 Flutes, Piano 1
Alto Saxophone and Piano 1
Oboe, Piano (duet) 1
Oboe (band part) 1

+ 8 instrumentations

- Retract

Woodbrass
Trombone ensemble 21
Brass Quintet: 2 trumpets, horn, trombone, tuba 15
Brass Quartet: 4 trombones 11
Trombone and Piano 7
2 Trombones (duet) 6

4 Tubas 4
Euphonium, Piano (duet) 4
Tuba and Piano 3
Brass quartet : 2 trumpets, trombone, tuba 3
Trombone 2
Trumpet ensemble 2
Tuba 2
Euphonium 1
French Horn and Piano 1
Trumpet, Piano 1
Trumpet 1
French horn 1

+ 12 instrumentations

- Retract

Strings
Violin and Piano 5
String Quartet: 2 violins, viola, cello 3
Cello, Piano 3
Violin, Basso continuo 1
Violin 1

Viola, Piano 1
Harp 1

+ 2 instrumentations

- Retract

Percussion & orchestra
Brass ensemble 25
Orchestra 2
Concert band 1

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Don Opera advanced

Guitar

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2 sheet music found

CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen

CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen #Guitar #ADVANCED #Classical #Nestor Ausqui #CARMEN SUITE - Classical Guita #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. ...(+)

Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.

One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.

$9.99 ≈ 9.17€

Selected Operatic Fantasies of Mertz

Selected Operatic Fantasies of Mertz #Guitar #INTERMEDIATE #Classical #Johann Kaspar Mertz #Selected Operatic Fantasies of #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music ...(+)

By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.

$14.99 ≈ 13.76€