Download Digital Sheet Music of Kept in Time for Guitar

All site ▾

My account (log-in)

€

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

Kept in Time
Not classified 72

Piano & keyboards
Piano solo 16
Piano, Vocal and Guitar 6
Piano, Voice 6
Easy Piano 6
Organ 3

C Instruments 1
Piano Accompaniment 1
Piano Trio: piano, violin, cello 1
2 Pianos, 4 hands 1

+ 4 instrumentations

- Retract

Guitars
Guitar 5

Mandolin 3
Guitar notes and tablatures 3
Banjo 1
Ukulele 1

Voice
Choral SATB 15
Choral 3-part 6
Choral SSAA 1
Voice solo 1
Vocal duet, Piano 1

Choral 2-part 1
Choral TTBB 1

+ 2 instrumentations

- Retract

Woodwind
Saxophone Quintet: 5 Saxophones 9
2 Saxophones (duet) 5
Saxophone ensemble 4
3 Saxophones (trio) 4
Clarinet Ensemble 4

Flute Quintet : 5 flutes 3
Alto Saxophone and Piano 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Clarinet Quartet: 4 clarinets 3
Flute and Piano 3
2 Recorders (duet) 2
Oboe, Piano (duet) 2
Clarinet and Piano 2
Flute ensemble 2
Clarinet 2
2 Clarinets (duet) 2
3 Recorders (trio) 2
Recorder, Piano 1
Tenor Saxophone and Piano 1
Treble (Alto) Recorder 1
Flute, Clarinet (duet) 1
English horn, Piano 1
2 Flutes (duet) 1
Flute 1
Baritone Saxophone, Piano 1
Descant (Soprano) Recorder 1
Clarinet, Bassoon (duet) 1
Oboe, Clarinet, Bassoon (trio) 1
Flute, Oboe, Clarinet, Bassoon 1
Flute and Guitar 1
Flute Trio: 3 flutes 1
Saxophone Quartet: 4 saxophones 1
Clarinet Quintet: 5 clarinets 1

+ 28 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Brass Quartet: 2 trumpets, horn, trombone 4
Trombone ensemble 3
Trumpet ensemble 2

Trumpet, Piano 2
Trumpet 2
Brass Quartet: 4 trumpets 1
English horn, Piano 1
French Horn and Piano 1
4 Tubas 1
Brass Quartet: 4 horns 1
Horn Ensemble 1

+ 8 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 13
Harp 3
Violin 3
Cello, Piano 3
2 Violins (duet) 2

Violin, Cello (duet) 2
Viola, Piano 2
Violin and Piano 2
Violin ensemble 2
Viola ensemble 2
Cello 2
String quartet: 4 violins 1
String Quartet : 4 violas 1
String Trio: 3 violas 1
Viola, Cello (duet) 1
String Trio: 3 violins 1
2 Violas (duet) 1
String Trio: 3 cellos 1
Double Bass 1
String Trio: violin, viola, cello 1

+ 15 instrumentations

- Retract

Percussion & orchestra
Concert band 18
Orchestra 5
Brass ensemble 4
String Orchestra 3
Handbells 3

Jazz Ensemble 2

+ 1 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
187,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

Kept in Time

Guitar

Sheetmusic to print

5 sheet music found

Big Drum

Big Drum #Guitar #INTERMEDIATE/ADVANCED #New Age #Contemporary #Richard Hirsch #Big Drum #Richard Hirsch #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard...(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars.Â I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.

$4.99 ≈ 4.50€

Bach to Africa

Bach to Africa #Guitar #ADVANCED #Classical #Johann Sebastian Bach #Richard Hirsch #Bach to Africa #Richard Hirsch #SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,S...(+)

Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bachâ€™s all-time favourite Jesus, Joy of Manâ€™s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bachâ€™s original melody and chorus. I think the natural harmonics give the piece a really glorious ring.Â The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to!Â The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word â€˜backâ€™ as in a return to some place or time. â€˜Bach to Africaâ€™ is then an allusion to humanityâ€™s primordial roots in Africa. Rejoice!

$4.99 ≈ 4.50€

La Philippine by CPE Bach

La Philippine by CPE Bach #Guitar #Classical #Carl Philipp Emanuel Bach #Eric J Roth #La Philippine by CPE Bach #Eric J Roth #SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual p...(+)

Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.

$2.99 ≈ 2.70€

CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS

CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS #Guitar #INTERMEDIATE #Classical #CLASSICAL GUITAR TUNES - ENGLI #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publi...(+)

Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.

This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.

$12.99 ≈ 11.72€