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Start Of Something New
Not classified 52

Piano & keyboards
Piano solo 26
Piano, Vocal and Guitar 15
Piano, Voice 10
Easy Piano 5
Big Note Piano 3

1 Piano, 4 hands 3
C Instruments 2
Piano Trio: piano, violin, cello 1
Piano Quartet: piano, violin, viola, cello 1
Piano Quintet: piano, 2 violins, viola, cello 1

+ 5 instrumentations

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Guitars
Guitar 4

Guitar notes and tablatures 4

Voice
Choral SATB 7
Alto voice, Piano 5
Voice solo 2
Choral TTBB 2
Choral 2-part 1

Woodwind
Saxophone ensemble 9
Saxophone Quintet: 5 Saxophones 8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3
Clarinet Ensemble 2
Flute 1

Flute Quartet: 4 flutes 1
Flute Quintet : 5 flutes 1
Flute ensemble 1
Oboe, Piano (duet) 1
Recorder 1
Clarinet and Piano 1
Flute, Oboe, Clarinet, Bassoon 1

+ 7 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 8
Brass Quartet: 2 trumpets, horn, trombone 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trombone ensemble 2
Brass Quartet 1

Trumpet ensemble 1
Trombone and Piano 1
Trumpet, Piano 1

+ 3 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 4
String Quintet: 2 violins, viola, cello, bass 2
Viola ensemble 1
Violin ensemble 1
Cello, Piano 1

Viola, Piano 1
Violin and Piano 1

+ 2 instrumentations

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Percussion & orchestra
Orchestra 2
Marching band 1
String Orchestra 1
Concert band 1

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Start Of Something New

Guitar

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4 sheet music found

Big Drum

Big Drum #Guitar #INTERMEDIATE/ADVANCED #New Age #Contemporary #Richard Hirsch #Big Drum #Richard Hirsch #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard...(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars.Â I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.

$4.99 ≈ ¥36.18

Edwin Culver: a bridge a-way, exits within (for solo guitar)

Edwin Culver: a bridge a-way, exits within (for solo guitar) #Guitar #INTERMEDIATE #Contemporary #Edwin Culver #Edwin Culver: a bridge a-way, #Edwin Culver #SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...(+)

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you canâ€™t fully understand no matter how hard you try? Perhaps itâ€™s something from our past that we never invited...or something weâ€™ve missed in our closest relationships, maybe itâ€™s just the dread weâ€™ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like weâ€™re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. Thereâ€™s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. Weâ€™re spinning our wheelsâ€¦But one of the interesting things about great minimalist music is that itâ€™s not merely about repetition. I donâ€™t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mindâ€™s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer canâ€™t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument heâ€™s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesnâ€™t feel like weâ€™re making headway whenever weâ€™re having to crawl out of our skin - until, suddenly, when itâ€™s all over. And you hear this towards the end of the piece, when thereâ€™s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One Iâ€™ve put my trust in, because I canâ€™t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.

$11.99 ≈ ¥86.94

Every Breath You Take

Every Breath You Take #Guitar #EASY #Rock #The Police #Pablo AlcÃ¡zar #every move you make #Every Breath You Take #Pablo AlcÃ¡zar #SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo AlcÃ¡zar. Pop,Rock,Singer/Songwriter. Individual pa...(+)

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo AlcÃ¡zar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo AlcÃ¡zar #856983. Published by Pablo AlcÃ¡zar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No.â€‰1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married â€“ to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..

$4.99 ≈ ¥36.18