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Flute solo
Not classified 537

Piano & keyboards
Piano solo 62
Piano, Voice 19
Organ 10
C Instruments 3
Organ, Piano (duet) 2

Piano Accompaniment 2
Piano, Vocal and Guitar 2
Piano (band part) 1

+ 3 instrumentations

- Retract

Guitars
Guitar 15
3 Guitars (trio) 7
Guitar (band part) 2
Guitar notes and tablatures 1
Melody line, (Lyrics) and Chords 1

Mandolin 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 14
Choral 3-part 4
Soprano voice, Piano 4
Soprano voice 2
Vocal duet 2

Choral TTBB 1
Voice solo 1
Choral Unison 1

+ 3 instrumentations

- Retract

Woodwind
Flute 688
Flute and Piano 298
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 98
Flute Quartet: 4 flutes 62
Flute, Oboe, Clarinet, Bassoon 47

2 Flutes (duet) 41
Flute and Guitar 33
Alto Saxophone and Piano 31
Flute ensemble 30
Oboe, Piano (duet) 26
Tenor Saxophone and Piano 25
2 Flutes, Piano 25
Clarinet and Piano 22
Flute Trio: 3 flutes 20
Flute, Clarinet (duet) 16
Flute Quintet : 5 flutes 14
3 Saxophones (trio) 14
Soprano Saxophone and Piano 12
Flute, Violin 6
3 Clarinets (trio) 6
Saxophone (band part) 5
Clarinet, Guitar (duet) 5
Flute, Violoncello 4
Flute, Clarinet and Bassoon. 4
Oboe (band part) 4
Alto Saxophone 4
Flute, Cello, Piano (trio) 4
Piccolo 4
Clarinet 3

Flute, Saxophone (duet) 3
Flute, Oboe, Bassoon 3
Flute, Oboe (duet) 3
Flute, Clarinet, Piano (trio) 3
Bass Clarinet, Piano 3
Flute, Oboe, Clarinet (trio) 3
Flute, Viola (duet) 3
Flute, Trumpet (duet) 2
Saxophone Quartet: 4 saxophones 2
Flute, Organ (duet) 2
Oboe, Flute 2
Flute, Violin and Violoncello 2
Flute, harp and violin 2
Baritone Saxophone, Piano 2
Flute and Strings Trio 2
Flute, Violin, Piano 1
Flute, Clarinet, Horn and Bassoon (Quartet) 1
Flute (band part) 1
Saxophone and Guitar 1
2 Saxophones, Piano 1
Flute, Orchestra 1
English horn, Piano 1
English Horn, Guitar (duet) 1
Tenor Recorder 1
Oboe 1
Clarinet (band part) 1
Pennywhistle 1
Flute, Violin, Violoncello and Piano 1
Treble (Alto) Recorder 1
Saxophone Quintet: 5 Saxophones 1
Clarinet Quintet: 5 clarinets 1
Descant (Soprano) Recorder 1
Clarinet Quartet: 4 clarinets 1
Piccolo, Piano 1
Flute, Violin, Guitar 1
Saxophone ensemble 1
Soprano Saxophone 1
Flute, Viola and Cello 1

+ 62 instrumentations

- Retract

Woodbrass
Trumpet, Piano 19
French Horn and Piano 13
Trombone and Piano 11
Trumpet 11
Trombone (band part) 5

Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trumpet (band part) 4
French horn 2
Brass quartet : 2 trumpets, trombone, tuba 1
English horn, Piano 1
Trombone ensemble 1
English Horn, Guitar (duet) 1
Euphonium, Piano (duet) 1

+ 8 instrumentations

- Retract

Strings
Violin and Piano 48
Viola, Piano 22
Cello, Piano 18
Harp, Flute (duet) 9
Violin 9

Harp, Cello (duet) 8
Harp, Violin (duet) 7
Viola and Harp 7
String Quartet: 2 violins, viola, cello 5
Violin, Guitar (duet) 5
Cello 4
Cello, Guitar (duet) 3
Viola 2
String Trio: violin, viola, cello 2
Viola, Guitar (duet) 1
2 Violins (duet) 1
Harp 1
Viola, Cello (duet) 1
2 Cellos (duet) 1
4 Cellos 1
Doublebass (band part) 1

+ 16 instrumentations

- Retract

Percussion & orchestra
Orchestra 61
Concert band 57
Chamber Orchestra 39
Jazz Ensemble 37
String Orchestra 16

Vibraphone 11
Marimba 9
Jazz combo 5
Percussion Ensemble 4
Brass ensemble 3
Handbells 3
Drum (band part) 1
Marching band 1
Drums 1
Piano and Orchestra 1

+ 10 instrumentations

- Retract

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Flute solo

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3 sheet music found

Kyrgyz Rhythms for B flat Clarinet

Kyrgyz Rhythms for B flat Clarinet #Clarinet #INTERMEDIATE/ADVANCED #Blake Mathieson #Kyrgyz Rhythms for B flat Clar #Blake Mathieson #SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.1024221 Composed by Blake Mathieson. Contemporary,World. Individual part. 2 pages. Blake Mathieson #28...(+)

Clarinet Solo - Level 4 - Digital Download SKU: A0.1024221 Composed by Blake Mathieson. Contemporary,World. Individual part. 2 pages. Blake Mathieson #2884667. Published by Blake Mathieson (A0.1024221). 2 pages. Size A4.Kyrgyz Rhythms is a folk song that uses a variety of rhythms and pitches, and can provide a challenge for nearly every instrument. This part is for the B flat clarinet, preferably in a concert band setting. In this piece, the clarinet takes a leading role for most of the piece along with the flute and alto saxophone. The clarinetist must be able to play up to an altissimo A before playing.The part contains a wide variety of musical elements, pitch, rhythm, tempo, key etc. The piece is divided into different sections by two or three bar rests, that can prepare the performer for the next section. A clarinetist playing the piece must be wary of the key signature, as for some parts of the song, the key signature can catch out beginning clarinetists.In a non-concert band setting, the large rests of three bars should be ignored. They contain solos from other instruments that should only be recognised in a concert band.

$1.99 ≈ 1.81€

Sullivan: The Lost Chord for Alto Clarinet & Piano

Sullivan: The Lost Chord for Alto Clarinet & Piano #Clarinet #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for A #jmsgu3 #SheetMusicPlus

E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...(+)

E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.Â School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ 24.51€

Talking to Myself, an Unaccompanied Discussion for One (Clarinet)

Talking to Myself, an Unaccompanied Discussion for One (Clarinet) #Clarinet #INTERMEDIATE/ADVANCED #Contemporary #Matthew D #Talking to Myself, an Unaccomp #Matthew D Jones #SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.996723 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743569....(+)

Clarinet Solo - Level 4 - Digital Download SKU: A0.996723 Composed by Matthew D. Jones. Contemporary. Individual part. 4 pages. Matthew D Jones #5743569. Published by Matthew D Jones (A0.996723). Talking to Myself, an Unaccompanied Discussion for One (Clarinet) is a solo piece written for the technical and expressive qualities of woodwind instruments. The performer is encouraged to experiment with tempos and expressions to find their own interpretation, and to connect their own internal discussion to the music. The piece is approximately 2 minutes and 30 seconds in length, and is also arranged for Flute, Bass Flute, or Bassoon.The PDF file is 4 pages with a title page, 1 notes page, and 2 pages for solo Clarinet.The full audio recording is available at:https://soundcloud.com/matthewdjones/talking-to-myself-clarinetThanks for listening, and I hope you enjoy performing the piece!

$7.99 ≈ 7.27€