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You've selected:
Scott E
Clarinet
Sheetmusic to print
7 sheet music found
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1
You & Me & The Bottle Makes 3 Tonight (baby)
You & Me & The Bottle Makes 3 Tonight (baby)
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Clarinet
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INTERMEDIATE/ADVANCED
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Jazz
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Big Bad Voodoo Daddy
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Bobby Hesch
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ME &
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You & Me & The Bottle Makes 3
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.839725 By Big Bad Voodoo Daddy. By Scotty Morris. Arranged by Bobby Hesch. Jazz. Individual part. 4 pa...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.839725 By Big Bad Voodoo Daddy. By Scotty Morris. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6695413. Published by Bobby Hesch (A0.839725). YOU & ME & THE BOTTLE MAKES 3 TONIGHT!!! WRITTEN BY SCOTTY MORRIS!! PERFORMED BY BIG BAD VOODOO DADDY!! LET'S PLAY SOME JAZZ!!! A CHALLENGING SONG THAT IS PURE ADRENALINE!!! KEY OF C!!!COURTESY ACCIDENTALS!! LOW E-HIGH C!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! VERY FAST!!! 3 PAGES !! LOTS OF NOTES!!!CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch E MAIL QUESTIONS! I CAN HELP!!! THIS IS A GREAT SONG!!! HAVE FUN!!!
$4.99 ≈
$6.78
The Favorite for solo Alto Clarinet and Piano
The Favorite for solo Alto Clarinet and Piano
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Clarinet
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INTERMEDIATE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Alto Cla
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Fo...
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E-Flat Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1092655 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and individual part. 7 pages. David McKeown #696756. Published by David McKeown (A0.1092655). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Alto Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
$5.42
Purple Disco Machine
Purple Disco Machine
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Clarinet
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EASY
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Contemporary
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Purple Disco Machine&Sophie An
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Willem Aarts
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Purple Disco Machine
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Willem Aarts
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SheetMusicPlus
Clarinet Solo - Level 2 - Digital Download SKU: A0.822257 By Purple Disco Machine&Sophie And The. By Matthew Johnson, Matthew Richard Johnson, Matthew We...
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Clarinet Solo - Level 2 - Digital Download SKU: A0.822257 By Purple Disco Machine&Sophie And The. By Matthew Johnson, Matthew Richard Johnson, Matthew Wesley Johnson, Michael Kintish, Sophie Scott, and Tino Schmidt. Arranged by Willem Aarts. Contemporary. Individual part. 2 pages. Willem Aarts #6384791. Published by Willem Aarts (A0.822257). Hypnotized - Purple Disco Machine, Sophie and the Giants | ClarinetWebsite: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts.
$4.99 ≈
$6.78
Morning Has Broken
Morning Has Broken
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Clarinet
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BEGINNER
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548731 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and pa...
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548731 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415185. Published by jmsgu3 (A0.548731). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95 ≈
$65.17
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructi...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
$44.78
The Water is Wide for Alto Clarinet & Piano
The Water is Wide for Alto Clarinet & Piano
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Clarinet
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EASY
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Traditional Scottish
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James M
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The Water is Wide for Alto Cla
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.548776 Composed by Traditional Scottish. Arranged by James M. Guthrie. Easter,Instructional,St...
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.548776 Composed by Traditional Scottish. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 11 pages. Jmsgu3 #3419009. Published by jmsgu3 (A0.548776). The Water Is Wide (O Waly Waly)
$26.95 ≈
$36.63
Mendelssohn: Wedding March for Alto Clarinet & Piano
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
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