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W Trombone
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Not classified 464

Piano & keyboards
Piano, Voice 17
Piano Accompaniment 7
Piano, Vocal and Guitar 4
Easy Piano 3
Piano solo 2

Organ 1
Piano (band part) 1

+ 2 instrumentations

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Guitars
Guitar (band part) 2

Voice
Choral SATB 7
Choral Unison 6
Choral 3-part 4
Choral 2-part 3
High voice 1

Alto voice, Piano 1
Vocal duet, Piano 1
Choral TTBB 1

+ 3 instrumentations

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Woodwind
Flute, Oboe, Clarinet, Bassoon 13
Tenor Saxophone and Piano 11
Clarinet and Piano 10
Alto Saxophone and Piano 8
Flute and Piano 8

Flute, Trombone (duet) 7
Oboe, Piano (duet) 6
Clarinet, Trombone (duet) 6
Saxophone (band part) 5
Oboe, Trombone (duet) 3
2 Saxophones (duet) 2
Clarinet 2

Saxophone Quartet: 4 saxophones 2
Bass Clarinet, Piano 1
Clarinet Quartet: 4 clarinets 1
Saxophone ensemble 1
Flute Quartet: 4 flutes 1
Flute (band part) 1
Baritone Saxophone, Piano 1
2 Clarinets (duet) 1
2 Oboes (duet) 1
Piccolo, Piano 1
English horn, Piano 1

+ 18 instrumentations

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Woodbrass
Trombone (band part) 558
Brass Quintet: 2 trumpets, horn, trombone, tuba 108
Trombone 96
Trombone and Piano 92
Brass quartet : 2 trumpets, trombone, tuba 61

2 Trombones (duet) 35
Brass Quartet 34
Brass Quartet: 4 trombones 24
Trumpet, Trombone (duet) 22
Trombone, cello (duet) 14
Brass Trio 14
Brass Quartet: 2 trumpets, horn, trombone 13
Trombone ensemble 11
French Horn and Piano 9
Trumpet 6
Bass Trombone 6
Trumpet, Bassoon (duet) 5
Trumpet, Piano 5
3 Trombones (trio) 4
Trombone, Horn (duet) 3
Trombone, Violin (duet) 3
Bass Trombone and Piano 3
Trumpet (band part) 3
Trombone, Viola (duet) 2
Trumpet, Saxophone (duet) 2
2 Euphoniums and 2 Tubas 1
2 French horns (duet) 1
French horn (band part) 1
Euphonium, Piano (duet) 1
Tuba (band part) 1
Tuba and Organ 1
Trombone, Organ 1
2 Trumpets (duet) 1
English horn, Piano 1

+ 29 instrumentations

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Strings
Violin and Piano 10
Viola, Piano 8
Cello, Piano 7
Harp, Violin (duet) 3
Harp, Flute (duet) 3

Doublebass (band part) 3
Harp, Cello (duet) 3
Viola and Harp 3
String Quartet: 2 violins, viola, cello 1
2 Violas (duet) 1
2 Violins (duet) 1
2 Cellos (duet) 1

+ 7 instrumentations

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Percussion & orchestra
Concert band 173
Brass ensemble 27
Jazz Ensemble 19
Orchestra 17
Marching band 9

Jazz combo 8
String Orchestra 3
Chamber Orchestra 3
Drums 2
Drum (band part) 1
Handbells 1
School Ensemble 1

+ 7 instrumentations

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W Trombone

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Potpourri sur un thème suisse

Potpourri sur un thème suisse #Clarinet #Classical #Joseph Kuffner #Potpourri sur un thème suisse #Schott Music - Digital #SheetMusicPlus

Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53271 â€žAlpenlied. Composed by Joseph Kuffner. Edited by Rainer Moh...(+)

Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53271 â€žAlpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 190. 20 pages. Schott Music - Digital #Q53271. Published by Schott Music - Digital (S9.Q53271). German â€¢ Danish.Joseph KÃ¼ffner was born into a family of musicians in WÃ¼rzburg. He learned to play several instruments including violin, flute, trombone, guitar and also clarinet. KÃ¼ffner began working as a military musician in the Elector of WÃ¼rzburgâ€™s orchestra, moved to the court orchestra in the course of secularization (1806â€“1814) and later returned to military music in the Bavarian army. From 1825 KÃ¼ffner worked as a teacher, composer and arranger in WÃ¼rzburg. He composed symphonies, overtures, military and chamber music for wind instruments and strings with piano or guitar accompaniment. Schott also published his clarinet method â€˜Principes Ã‰lÃ©mentaires de la Musique et Gamme de Clarinette suvis de 24 Duos instructifs (...) pour deux Clarinettes, op. 200â€˜. The Potpourri sur un thÃ¨me suisse on a Swiss alpine melody was published in 1838 (plate number 2590). The theme is an old yodelling melody. A melodic introduction is followed by a theme and five variations. In the final Rondo, the triad motives of the opening are taken up again.

$4.99 ≈ ¥35.51

Sullivan: The Lost Chord for Alto Clarinet & Piano

Sullivan: The Lost Chord for Alto Clarinet & Piano #Clarinet #INTERMEDIATE/ADVANCED #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for A #jmsgu3 #SheetMusicPlus

E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...(+)

E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.Â School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 ≈ ¥191.79