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You've selected:
Space For Bass
easy
Concert band
Sheetmusic to print
4 sheet music found
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1
US SPACE FORCE HYMN (Into the Blue) BASS DRUM PART
US SPACE FORCE HYMN (Into the Blue) BASS DRUM PART
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Concert band
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EASY
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Mary Rounsavall
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US SPACE FORCE HYMN
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Mary Rounsavall
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1042477 Composed by Mary Rounsavall. Contest,Festival,Holiday,Instructional,Patriotic,Traditional. Scor...
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Concert Band - Level 2 - Digital Download SKU: A0.1042477 Composed by Mary Rounsavall. Contest,Festival,Holiday,Instructional,Patriotic,Traditional. Score and parts. 1 pages. Mary Rounsavall #647263. Published by Mary Rounsavall (A0.1042477). Additional Part for Bass Drum for the Concert Band arrangement of Into the Blue: US Space Force Hymn by Mary Rounsavall.
$6.00 ≈
5.49€
US SPACE FORCE HYMN (Into the Blue) BASS CLARINET PART
US SPACE FORCE HYMN (Into the Blue) BASS CLARINET PART
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Concert band
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EASY
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Mary Rounsavall
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US SPACE FORCE HYMN
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Mary Rounsavall
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1042417 Composed by Mary Rounsavall. Contest,Festival,Holiday,Instructional,Patriotic,Traditional. Scor...
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Concert Band - Level 2 - Digital Download SKU: A0.1042417 Composed by Mary Rounsavall. Contest,Festival,Holiday,Instructional,Patriotic,Traditional. Score and parts. 1 pages. Mary Rounsavall #647202. Published by Mary Rounsavall (A0.1042417). Additional Part for Bass Clarinet for the Concert Band arrangement of Into the Blue: US Space Force Hymn by Mary Rounsavall.
$6.00 ≈
5.49€
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.87€
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
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Concert band
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EASY
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Brian Harris
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articulations
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MARCH OF THE CZAR'S BRIGADE
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Bandroom.com Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pag...
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Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com Publications #3007489. Published by Bandroom.com Publications (A0.859746). _________________________ With its distinctive Russian flavor, MARCH OF THE CZAR'S BRIGADE depicts a pass and review of military troops on a snowy winter's day. Starting quietly, the sound slowly grows to a strong B section, then marches away into the distance. This G-minor work is ideal for any concert or festival. DIFFICULTY LEVEL: Medium Easy / Grade 2 / suitable for middle school or small high school bands FEATURES: - All winds (including tuba!) have melody at least once. - Simple trombone parts (generously cross-cued in Horn, Euphonium) - 2nd Clarinet remains below break. CHALLENGES: - Use of dotted-eighth/sixteenth rhythm in melody. - Use of low register for clarinets. (low E, F, G#) - Tuba solo (cued in other parts) - Muted Trumpet 1 solo (unison line with other instruments) - Dynamics; articulations; a few 16th-notes in all parts. RANGES: - All parts are well within 2nd-year ranges: Flute to E-flat above staff (only once); 1st Clarinet to C above staff; 2nd Clarinet remains below break; Trumpets to 3rd space C (1st Trumpet to E, once); Trombone to C above staff; Tuba to C on staff, down to D just below staff. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto or Tenor Sax or Horn, 2 Trumpets, 2 Trombone, Bass Line, Percussion. PERCUSSION: Parts for 5 players: Percussionist 1 = Snare Drum Percussionist 2 = Bass Drum Percussionist 3 = Crash Cymbals, Sleigh Bells Percussionist 4 = Bells, Chimes Percussionist 5 = Timpani (3 or 4 drums) _______________________ SAMPLE: You can view non-printable PDF samples of several Parts (Clarinet 1, Trumpet 2, Trombone 1, Snare/Bass Drum) at www.bandroom.com. Please also consider my CHELTENHAM MARCH (a British-style march), also a Medium Easy march. NOTE: this Digital Download contains the Full Conductor Score and all Parts for full concert band. Also included is a Site License allowing a band director to print as many copies as needed for their school. This permission is not extended to individuals – only to schools. _______________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. Many of his works are available from www.bandroom.com and as digital downloads. _______________________
$44.00 ≈
40.26€
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