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Choral 2 part
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16 sheet music found
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1
Abide With Me - arr. by David Catherwood for 4 Part Flexible Band/Ensemble with optional Percussion
Abide With Me - arr. by David Catherwood for 4 Part Flexible Band/Ensemble with optional Percussion
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Concert band
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INTERMEDIATE
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Contemporary
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WH Monk
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David Catherwood
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Abide With Me - arr. by David
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.739550 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 19 pages. Opus...
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Concert Band - Level 3 - Digital Download SKU: A0.739550 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 19 pages. Opus 3 Music #6575301. Published by Opus 3 Music (A0.739550). Abide with MeThis arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. This arrangement is suitable for school orchestras and ensembles as well as more experienced players. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case by the Campbell College Orchestra where this orchestra of around forty players use arrangements such as this regularly in Services and concerts in the college.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe, Violin 1, Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1/Cornet in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone 1, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone 2, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Bb Bass Tuba (treble clef)Part for Bb EuphoniumPercussion
$9.50 ≈
£7.38
8 Chorales For Concert Band
8 Chorales For Concert Band
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Concert band
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INTERMEDIATE
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Wesley Besancon
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Wesley Besancon
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8 Chorales For Concert Band
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1165646 By Wesley Besancon. By Various. Arranged by Wesley Besancon. 19th Century,20th Century,Religiou...
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Concert Band - Level 3 - Digital Download SKU: A0.1165646 By Wesley Besancon. By Various. Arranged by Wesley Besancon. 19th Century,20th Century,Religious,Sacred. Score and Parts. 82 pages. Wesley Besancon #766004. Published by Wesley Besancon (A0.1165646). The one thing I see every band do is chorales, and alot of the time, they are not grasping the top 4 concepts:1. Different Styles2. Different Keys (especially sharp keys)3. Different Times4. Different DynamicsAnd with this useful chorale book, you grasp different styles (Legato, Cantible, Atonal, Traditional), different keys (Bb, D, Ab, Eb), different times (4/4, 3/4), and rapid dynamic changes. The Chorales Used: Crusader's Hymn (von Fallersleben)All Glory, Laud, and Honor (Neale)Salvation (Besancon)America the Beautiful (Sainte-Marie)Simple Gifts (Brackett)Oh Thy Lord Jesus, May We Praise You! (Besancon)Practicing Atonality (Besancon)Une Chorale Deddie A Besancon, France (Besancon).
$14.99 ≈
£11.64
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
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Concert band
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Thomas Graf
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Wachet auf ruft uns die Stimme
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score ...
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Concert Band - Level 3 - Digital Download SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 60 pages. Thomas Graf - the-hit-factory.com #713312. Published by Thomas Graf - the-hit-factory.com (A0.1111040). Perfect for any Christmas Concert About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/ Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto 1 Alto 2 Tenor Sax Baritone Sax Flugelhorn (Solo) Trumpet 1 in Bb Trumpet 2/3 in Bb Horn in F Tenor Horn Baritone Horn Trombone Tuba Piano Guitar Bass in Bb Bass Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$25.00 ≈
£19.42
Holy, Holy, Holy - Tune Nicaea by JB Dykes arranged for Flexible ensemble by David Catherwood
Holy, Holy, Holy - Tune Nicaea by JB Dykes - Flexible ensemble by David Catherwood
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Concert band
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INTERMEDIATE
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JB Dykes
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David Catherwood
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Holy, Holy, Holy - Tune Nicaea
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.739480 Composed by JB Dykes. Arranged by David Catherwood. Multicultural,Sacred,World. Score and parts....
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Concert Band - Level 3 - Digital Download SKU: A0.739480 Composed by JB Dykes. Arranged by David Catherwood. Multicultural,Sacred,World. Score and parts. 20 pages. Opus 3 Music #5287663. Published by Opus 3 Music (A0.739480). JB Dykes famous hymn tune Nicaea is associated with the wordsHoly, holy, holy Lord God Almighty, Early in the morning our song shall rise to thee...This arrangement will be useful to accompany congregational or choral singing as it is in suitable keys or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. This arrangement is suitable for school orchestras and ensembles as well as more experienced players. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case by the Campbell College Orchestra where this orchestra of around forty players use arrangements such as this regularly in Services and concerts in the college.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone 1, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone 2, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionOrgan/Keyboard
$9.50 ≈
£7.38
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
£37.24
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
£37.24
To the Ends of the Earth
To the Ends of the Earth
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Concert band
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INTERMEDIATE
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Sacred music
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David Lantz
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To the Ends of the Earth
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Lantz Choral Publications
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1300075 Composed by David Lantz. Praise & Worship,Sacred. Score and Parts. 67 pages. Lantz Choral Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.1300075 Composed by David Lantz. Praise & Worship,Sacred. Score and Parts. 67 pages. Lantz Choral Publications #889842. Published by Lantz Choral Publications (A0.1300075). Concert band accompaniment for use with the octavo by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)Note: The SATB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus.Additional Note: This concert band arrangement is meant to be for a scaled down instrumentation.Instrumentation:FluteOboeBb Clarinets 1, 2Bass ClarinetBassoonAlto Saxophones 1, 2Tenor SaxophoneBaritone SaxophoneBb Trumpets 1, 2Horns in F, 1, 2TromboneEuphonium (Baritone Horn Treble Clef included)TubaTimpaniPercussion 1: Glockenspiel, Chimes (2 players)Percussion 2: Vibes, Xylophone (1 or 2 players)Percussion 3: Suspended Cymbal, Crash Cymbals, Triangle (2 or 3 players)Percussion 4: Snare Drum, Bass Drum (2 players)NOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.PERFORMANCE NOTE: Piano part, found in the octavo, is mostly optional, except for measures 73-95.
$70.00 ≈
£54.37
Legacy
Legacy
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Concert band
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INTERMEDIATE
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Joshua A
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Legacy
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Joshua A Idio
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.999300 Composed by Joshua A. Idio. 20th Century,Contemporary,Holiday,Patriotic,Standards. Score and par...
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Concert Band - Level 3 - Digital Download SKU: A0.999300 Composed by Joshua A. Idio. 20th Century,Contemporary,Holiday,Patriotic,Standards. Score and parts. 115 pages. Joshua A Idio #6204845. Published by Joshua A Idio (A0.999300). Composed by Joshua A. Idio. (ASCAP Licensed) Concert Band Music. Concert Festival music. Full score and parts.Concert Band - Grade 4Legacy is a tribute to the millions of soldiers who fought and died in World War 2. Their valiant sacrifice is reimagined in this solemn elegy. A thoughtful hymn from the trumpets sets the tone for the rest of this inspiring composition, which is complimented by moving chorales and heroic fanfares. This profound sense of loss, dignity, and bittersweet honor is humbly portrayed in this emotional poem, memorializing the end of World War 2 in song.
$95.00 ≈
£73.78
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112072 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112072 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 83 pages. Thomas Graf - the-hit-factory.com #714259. Published by Thomas Graf - the-hit-factory.com (A0.1112072). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Will work fine both with and without Choir. Vocal parts included. Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Soprano Alto Tenor Bass Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$30.00 ≈
£23.30
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C - Score Only
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C - Score Only
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112084 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112084 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #714268. Published by Thomas Graf - the-hit-factory.com (A0.1112084). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Soprano Alto Tenor Bass Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00 ≈
£7.77
Messiah - Hallelujah - HWV 56 - Concert Band - C - Score Only
Messiah - Hallelujah - HWV 56 - Concert Band - C - Score Only
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112086 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112086 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #714270. Published by Thomas Graf - the-hit-factory.com (A0.1112086). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00 ≈
£7.77
Messiah - Hallelujah - HWV 56 - Concert Band - C
Messiah - Hallelujah - HWV 56 - Concert Band - C
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112074 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112074 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 75 pages. Thomas Graf - the-hit-factory.com #714263. Published by Thomas Graf - the-hit-factory.com (A0.1112074). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$25.00 ≈
£19.42
The Little Drummer Boy
The Little Drummer Boy
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Concert band
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INTERMEDIATE
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Christmas
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Gloria Gaynor
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Brendan James Elliget MAGA 537
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The Little Drummer Boy
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1316341 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Brendan ...
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Concert Band - Level 3 - Digital Download SKU: A0.1316341 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Brendan James Elliget MAGA 537. Christmas. 55 pages. BJE Music #905083. Published by BJE Music (A0.1316341). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941.  First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.This is an arrangement for the Concert Band and SATB Choir – Would work with Solo or unison voices instead.  There is an optional Piano part.  There are parts for both Horns in F and Eb, Euphonium in BC and TC, Tubas in C, Eb, and Bb… The MP3 was recorded with NotePerformer 4. Grade = 3 Duration = 2:45 mins.
$49.99 ≈
£38.82
The Djebels for Concert Band
The Djebels for Concert Band
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Concert band
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INTERMEDIATE
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Ian Vlemmiks
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The Djebels for Concert Band
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Forton Music - Digital
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SheetMusicPlus
Concert Band - Intermediate - Digital Download SKU: F2.FM271 Composed by Ian Vlemmiks. Score and Parts. 39 pages. Forton Music - Digital #FM271. Publishe...
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Concert Band - Intermediate - Digital Download SKU: F2.FM271 Composed by Ian Vlemmiks. Score and Parts. 39 pages. Forton Music - Digital #FM271. Published by Forton Music - Digital (F2.FM271). ISBN 9790570481705.Concert Band - Piccolo/2 Flutes, 2 Oboes, 3 Clarinets in Bb, 2 Bassoons, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, 3 Trumpets in Bb, 4 horns in F, 2 Trombones, Bass Trombone, Euphonium/Baritone, Tuba, Side Drum, Bass Drum. A rousing opening section with impressive countermelodies lead to a middle section in the relative major. Here, the tune is put into the bass parts with some interjections from the upper parts. The final section is a stately chorale reminiscent of Elgar at his finest! Straightforward phrasing and relatively straightforward parts make this accessible to the majority of bands.
$37.95 ≈
£29.47
Shenandoah
Shenandoah
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Concert band
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INTERMEDIATE
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American Folk Song
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Neille Williams
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Shenandoah
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Neille Williams
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1005882 Composed by American Folk Song. Arranged by Neille Williams. Folk,Holiday,Patriotic,World. Scor...
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Concert Band - Level 3 - Digital Download SKU: A0.1005882 Composed by American Folk Song. Arranged by Neille Williams. Folk,Holiday,Patriotic,World. Score and parts. 34 pages. Neille Williams #6500603. Published by Neille Williams (A0.1005882). Concert band arrangement - 'Shenandoah'Concert Band - GRADE 3. DURATION: 2’.40’ Program notes: This beautiful American folk song from the early 19th century finds its simple majesty here in concert band setting. With chorale sections and a beautiful bassoon and bass clarinet duet, the piece marches home with a resounding tutti.
$49.95 ≈
£38.79
Gabriel's Oboe
Gabriel's Oboe
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Concert band
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INTERMEDIATE
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Contemporary
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Ennio Morricone
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John Meehan
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Gabriel's Oboe
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Silent JAM Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1027686 Composed by Ennio Morricone. Arranged by John Meehan. Contemporary. Score and parts. 40 pages. ...
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Concert Band - Level 3 - Digital Download SKU: A0.1027686 Composed by Ennio Morricone. Arranged by John Meehan. Contemporary. Score and parts. 40 pages. Silent JAM Music #5957513. Published by Silent JAM Music (A0.1027686). Based on the beautiful Gabriel's Oboe by Ennio Morricone, this 2+ minute wind ensemble arrangement can be utilized as a warm-up chorale, or stand-alone piece in concert, or a marching band show. With the main solo cued for any instrument, featuring your standout student(s) will be easy. Contact John Meehan (www.jksmusic.com) for more information as well as click tracks to accompany this arrangement.
$49.99 ≈
£38.82
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