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Mean To Me
Not classified 18

Piano & keyboards
Piano solo 34
Piano, Voice 13
Piano, Vocal and Guitar 12
C Instruments 11
1 Piano, 4 hands 2

Easy Piano 2

+ 1 instrumentations

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Guitars
Guitar 8
Guitar notes and tablatures 2

Voice
Choral SATB 16
Choral 3-part 2
Soprano voice, Piano 1
Choral Unison 1
Choral TTBB 1

Choral 2-part 1

+ 1 instrumentations

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Woodwind
Flute ensemble 2
Alto Saxophone 1
Clarinet Ensemble 1
Flute 1
2 Saxophones (duet) 1

Oboe, Piano (duet) 1
Clarinet Quintet: 5 clarinets 1
Soprano Saxophone and Piano 1
Oboe (band part) 1
Clarinet, Cello, Piano (trio) 1
Clarinet 1
Clarinet and Piano 1

+ 7 instrumentations

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Woodbrass
French horn 2
Trumpet 2
2 Euphoniums and 2 Tubas 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Tuba 1

Brass Quartet: 4 trumpets 1
Brass Trio 1
Brass quartet : 2 trumpets, trombone, tuba 1

+ 3 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 6
Violin 2
Violin and Piano 2
Cello, Piano 2
String Trio: violin, viola, cello 2

Cello 1
Viola 1
Viola (band part) 1
Double Bass 1

+ 4 instrumentations

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Percussion & orchestra
Orchestra 6
Concert band 4

String Orchestra 3
Jazz Ensemble 2
Marching band 2

Brass ensemble 1
Chamber Orchestra 1

+ 2 instrumentations

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Mean To Me

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4 sheet music found

When I Look In The Mirror...

When I Look In The Mirror... #Concert band #INTERMEDIATE/ADVANCED #Aaron Fonzi #a loser and a failure #When I Look In The Mirror... #Aaron Fonzi #SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi ...(+)

Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....

$30.00 ≈ $41.02

Revelations 5 (Mvt. II)

Revelations 5 (Mvt. II) #Concert band #INTERMEDIATE/ADVANCED #Contemporary #John Dorhauer #Revelations 5 #John J Dorhauer #SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhau...(+)

Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title â€“ it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope â€“ even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with Johnâ€™s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality â€“ how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the pieceâ€™s latter half, which is a softer reimagining of the Lion characterâ€™s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPAâ€™s wind ensemble composition contest.

$50.00 ≈ $68.37

2/3 March

2/3 March #Concert band #INTERMEDIATE/ADVANCED #Contemporary #George Willson #2/3 March #George Willson #SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson...(+)

Concert Band - Level 4 - Digital Download SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Published by George Willson (A0.927168). The piece is at least a grade 3 due to competing time signatures, contrapuntal melodies, and persistent upper register work across several sections.Written during my time in the Army, this march emerged as a sort of musical joke. The melody and rhythm parts alternate between 6/8 and 2/4 (or 2 over 3) time throughout the piece with the quarter and dotted-quarter keeping the same beat. It incorporates nearly every march convention that my friend and I could think of from the low brass taking over the strain and piccolo obbligato to the baffling euphonium arpeggios in the final strain along with the equally bafflingly obnoxious trombone countermelody. At the same time, it breaks convention by granting the horn players the melodic line in the trio section instead of giving them the back beats they love so much. One of the stranger jokes whose meaning one might miss is the mix up of beats at the key change which was done deliberately to put the generals and first sergeants out of step. It also contains a symphony's worth of stingers at the end (because 19-year-old me was hilarious ... apparently).

$35.00 ≈ $47.86

Crescit Eundo

Crescit Eundo #Concert band #INTERMEDIATE/ADVANCED #Contemporary #Dominic Laprise #Crescit Eundo #Mathieu Laprise #SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1030674 Composed by Dominic Laprise. 20th Century,Contemporary. Score and parts. 83 pages. Mathieu Lapr...(+)

Concert Band - Level 4 - Digital Download SKU: A0.1030674 Composed by Dominic Laprise. 20th Century,Contemporary. Score and parts. 83 pages. Mathieu Laprise #3466010. Published by Mathieu Laprise (A0.1030674). Orchestre d'harmonie / Concert Band Grade : 3.5 Score : 8 x 12 Parts : 8 Â½ x 11Duration : 6 minutesWe can freely translate the city motto Crescit Eundo to meaning In going forward, she grows up. This is well representative of the desire that has animated the municipality for 150 years. Alma has always sought development by being bold and avant-garde. Thatâ€™s why she has always remained in my heart. I translated into music, these memories that have inhabited me since my childhood and have forged what I am today. There is a theme that develops by always going forward. A main melodic idea which leaves room for a counterpoint to become a secondary idea that also progresses; all things moving in the same direction. This is my vision of the charming and irreducible city that is Alma.

$80.00 ≈ $109.40