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Johann Summer
Not classified 12

Piano & keyboards
Easy Piano 4
Piano solo 3
Organ 1
Piano Trio: piano, violin, cello 1
C Instruments 1

Guitars
Guitar 4

Voice
Choral Unison 1
Choral SATB 1

Woodwind
Flute and Piano 3
Alto Saxophone and Piano 2
Clarinet 2
Baritone Saxophone, Piano 2
Oboe, Piano (duet) 2

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
English horn, Piano 1
Clarinet Quartet: 4 clarinets 1
Soprano Saxophone and Piano 1
Clarinet and Piano 1
Tenor Saxophone and Piano 1
Bass Clarinet, Piano 1

+ 7 instrumentations

- Retract

Woodbrass
Euphonium, Piano (duet) 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
Trombone and Piano 1
English horn, Piano 1
Trumpet 1

Brass Quartet: 4 horns 1

+ 1 instrumentations

- Retract

Strings
2 Harps (duet) 6
String Quartet: 2 violins, viola, cello 3
Cello, Piano 2
Violin and Piano 1

Percussion & orchestra
String Orchestra 7
Concert band 3

Chamber Orchestra 1
Orchestra 1

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Johann Summer

Concert band

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3 sheet music found

Rhapsody for Concert Band

Rhapsody for Concert Band #Concert band #INTERMEDIATE/ADVANCED #Classical #July 16th, Clara noted in her #Brock Lupton #Rhapsody for Concert Band #Brock Lupton #SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Pub...(+)

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahmsâ€™ works, has loneliness and alienation as its central themes. Brahmsâ€™ devotion to Clara Schumann, Robert Schumannâ€™s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Claraâ€™s daughter.In 1869, Brahms spent the summer near the Schumannâ€™s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goetheâ€™s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heartâ€™s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goetheâ€™s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahmsâ€™ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .

$20.00 ≈ 18.44€

Sinfonia Venezia - Pasquale Anfossi (1727 - 1797) - Primo Tempo (First part)

Sinfonia Venezia - Pasquale Anfossi (1727 - 1797) - Primo Tempo (First part) #Concert band #INTERMEDIATE #Classical #Pasquale Anfossi #Fabrizio Brezzo #Sinfonia Venezia - Pasquale An #Fabrizio Brezzo #SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Sc...(+)

Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 19 pages. Fabrizio Brezzo #4633087. Published by Fabrizio Brezzo (A0.896391). Pasquale Anfossi (5 April 1727 â€“ February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with NiccolÃ² Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.He wrote more than 80 operas, both opera seria and opera buffa, although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797.As an operatic composer, Anfossi remained forgotten for a long time, despite his great popularity with his contemporaries, because his works were overshadowed by those of Salieri, Rossini and Mozart. Nevertheless, Johann Wolfgang von Goethe staged Anfossi's farsetta La maga Circe (Circe, the Sorceress) in his role as the theatre director of Weimar. He adapted the libretto with Christian August Vulpius and also made plans for a continuation, which never came to bear.Only in the last 20 years has Anfossi's work been appreciated anew, through diverse productions such as Giuseppe riconosciuto. His work was featured at the 2005 Salzburg Summer Festival.Fabrizio Brezzo, this arranger, lives in Taggia, the town where Anfossi was born.In the second half of this symphony, you can hear the theme that Mozart used, 9 years later, for his Confutatis maledictis of the requiem mass.

$8.50 ≈ 7.84€

Variations on a theme by Haydn

Variations on a theme by Haydn #Concert band #ADVANCED #Classical #Johannes Brahms #Nejc BeÄan #Variations on a theme by Haydn #UpBeat Editions #SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1357134 Composed by Johannes Brahms. Arranged by Nejc BeÄan. 19th Century,Classical,Contest,Festival...(+)

Concert Band - Level 5 - Digital Download SKU: A0.1357134 Composed by Johannes Brahms. Arranged by Nejc BeÄan. 19th Century,Classical,Contest,Festival,Romantic Period. 188 pages. UpBeat Editions #941763. Published by UpBeat Editions (A0.1357134). The Variations on a theme by Haydn, now also called the St. Anthony Variations is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B-flat major based on a â€œChorale St. Antoniâ€, eight variations and a finale. It is often said to be the first independent set of variations for orchestra in the history of music. Brahms composed the work on a theme entitled â€œChorale St. Antoniâ€ found in a wind ensemble composition. At the time Brahms discovered it, the wind ensemble piece carried an attribution to the composer Joseph Haydn. Brahms titled his own composition accordingly, crediting Haydn for the theme, but publishers in the early nineteenth century often attached the names of famous composers to works by unknown or lesser known composers in order to move inventory. Subsequent research has concluded that the wind piece Brahms used as a source does not fit Haydnâ€™s style. Today the wind ensemble piece remains without clear attribution.A transcription faithful to the original for Concert band.Full set of Score and parts.Further info:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.

$249.00 ≈ 229.54€