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Can Concert band, Choral
Concert band
Sheetmusic to print
192 sheet music found
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176
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
Concert band
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.57€
Rhapsody for Concert Band
Rhapsody for Concert Band
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Classical
#
July 16th, Clara noted in her
#
Brock Lupton
#
Rhapsody for Concert Band
#
Brock Lupton
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Pub...
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.59€
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Concert band
#
EASY
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.57€
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
Concert band
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.57€
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
#
Concert band
#
EASY
#
Antonio Lotti
#
Brian Harris
#
KYRIE ELEISON
#
Bandroom.com Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,...
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Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,Instructional,Sacred. 38 pages. Bandroom.com Publications #3134913. Published by Bandroom.com Publications (A0.859753). _______________________Choral work by Antonio Lotti (c.1667-1740); transcribed for band by Brian HarrisThe Kyrie is part of the Ordinary of the Roman Catholic Mass. This musical setting of the Kyrie was written for choir by Italian composer Antonio Lotti, who spent his entire career at the famous St. Mark's Basilica in Venice.The adaptation of choir literature for use by wind players provides an ideal tool for teaching basic musicianship such as intonation, balance, and blend as well as the advanced techniques of phrasing, nuance of line, and accuracy of ensemble articulation. Because the work consists of only 4 voices, players can more readily hear and address individual, section, and ensemble problems.The score and each part is notated with the specific voice assignment (S = soprano, A = alto, T = tenor, B = bass). This allows the conductor to rehearse like groups by simply asking for all players with the alto line and so forth. Knowing that another instrument is playing the exact same line can encourage them to listen across the band in order to match style/balance with the other players.You may view the entire score as well as additional part samples and detailed information for this work at my site www.bandroom.com - - - - - - - - - - - - - - -ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director at the public school and college level for over 30 years. His works are available from www.bandroom.com and as digital downloads.__________________________________
$30.00 ≈
27.89€
CONCERT TUNER IN B-FLAT (young concert band warm up; very easy; score, parts & license)
CONCERT TUNER IN B-FLAT (young concert band warm up; very easy; score, parts & license)
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Concert band
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BEGINNER
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Instructional
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Bandroom
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CONCERT TUNER IN B-FLAT
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.859739 Composed by Bandroom.com Publications. Instructional. Score and parts. 27 pages. Bandroom.com Pu...
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Concert Band - Level 1 - Digital Download SKU: A0.859739 Composed by Bandroom.com Publications. Instructional. Score and parts. 27 pages. Bandroom.com Publications #2988817. Published by Bandroom.com Publications (A0.859739). _______________________This piece is an ideal introduction for purchasing music as a digital download. For only $8, you get an entire band arrangement (Score and Parts). Written expressly for use on-stage before contest or a concert, CONCERT TUNER IN B-FLAT will help your band tune, adjust balance, and focus on the upcoming performance. Easier to transport than a full set of chorale books, this simple arrangement is ideal for helping players get accustomed to the feel and acoustics of the stage. Included are step-by-step suggestions of how your band can benefit from every phrase. To view sample parts, visit www.bandroom.com where you will find detailed information regarding ranges, keys, instrumentation, and more. AVAILABLE:Concert Tuner in B-flat  (use on stage when your first selection is in the key of B-flat or g minor, etc.)Concert Tuner in E-flat  (use on stage when your first selection is in the key of E-flat or c minor, etc.)Concert Tuner in F  (use on stage when your first selection is in the key of F or d minor, etc.) This download includes the 4 page SCORE and 22 pages of PARTS, plus a SITE-LICENSE permitting the purchasing school to print as many scores and parts as needed. Never lose a part again!- - - - - - - - - - - - - -COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com. ____________________________.
$8.00 ≈
7.44€
CONCERT TUNER IN F (young concert band warm up; very easy; score & parts & license)
CONCERT TUNER IN F (young concert band warm up; very easy; score & parts & license)
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Concert band
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BEGINNER
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Instructional
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Bandroom
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CONCERT TUNER IN F
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.859748 Composed by Bandroom.com Publications. Instructional. Score and parts. 27 pages. Bandroom.com Pu...
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Concert Band - Level 1 - Digital Download SKU: A0.859748 Composed by Bandroom.com Publications. Instructional. Score and parts. 27 pages. Bandroom.com Publications #3134291. Published by Bandroom.com Publications (A0.859748). ______________________ This piece is an ideal introduction for purchasing music as a digital download. For only $8, you get an entire band arrangement (Score and Parts). Written expressly for use on-stage before contest or a concert, CONCERT TUNER IN F will help your band tune, adjust balance, and focus on the upcoming performance. Easier to transport than a full set of chorale books, this simple arrangement is ideal for helping players get accustomed to the feel and acoustics of the stage. Included are step-by-step suggestions of how your band can benefit from every phrase. To view additional sample parts, visit www.bandroom.com where you will find detailed information regarding ranges, keys, instrumentation, and more. This download includes the SCORE and all PARTS, plus a SITE-LICENSE permitting the purchasing school to photocopy as many SCORES and PARTS as needed. Never lose a score or part again! ALSO AVAILABLE: Concert Tuner in B-flat  (use on stage when your first selection is in the key of B-flat or g minor, etc.) Concert Tuner in E-flat  (use on stage when your first selection is in the key of E-flat or c minor, etc.) Concert Tuner in F  (use on stage when your first selection is in the key of F or d minor, etc.) ____________________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$8.00 ≈
7.44€
Echoes Of The American West
Echoes Of The American West
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Concert band
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INTERMEDIATE/ADVANCED
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinber...
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Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00 ≈
41.83€
Abide With Me - arr. by David Catherwood for 4 Part Flexible Band/Ensemble with optional Percussion
Abide With Me - arr. by David Catherwood for 4 Part Flexible Band/Ensemble with optional Percussion
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Concert band
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INTERMEDIATE
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Contemporary
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WH Monk
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David Catherwood
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Abide With Me - arr. by David
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.739550 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 19 pages. Opus...
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Concert Band - Level 3 - Digital Download SKU: A0.739550 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 19 pages. Opus 3 Music #6575301. Published by Opus 3 Music (A0.739550). Abide with MeThis arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. This arrangement is suitable for school orchestras and ensembles as well as more experienced players. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case by the Campbell College Orchestra where this orchestra of around forty players use arrangements such as this regularly in Services and concerts in the college.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe, Violin 1, Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1/Cornet in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone 1, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone 2, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Bb Bass Tuba (treble clef)Part for Bb EuphoniumPercussion
$9.50 ≈
8.83€
FIRST CHORALES for Young Bands
FIRST CHORALES for Young Bands
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Concert band
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BEGINNER
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Various
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Arr
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FIRST CHORALES for Young Bands
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B. L. Dugan
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1276154 Composed by Various. Arranged by Arr. Becky Dugan. Christian,Classical,Instructional,Traditiona...
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Concert Band - Level 1 - Digital Download SKU: A0.1276154 Composed by Various. Arranged by Arr. Becky Dugan. Christian,Classical,Instructional,Traditional. Score and Parts. 25 pages. B. L. Dugan #867916. Published by B. L. Dugan (A0.1276154). FIRST CHORALES are a great tool for young musicians to warm up, tune up and learn essentials like ensemble, tone, phrasing and dynamics. Rhythms are mostly homophonic (including whole-, half-, quarter and eighth-notes); harmonies are three- or four-part. Range is limited. Most beginners can master these chorales after only a few months of study on their instrument.
$40.00 ≈
37.18€
Carson Cooman: Fantasy on "Nassau" for organ and four part wind band
Carson Cooman: Fantasy on "Nassau" for organ and four part wind band
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Concert band
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INTERMEDIATE
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Carson Cooman
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Carson Cooman: Fantasy on "Nas
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Pu...
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Concert Band - Level 3 - Digital Download SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Publishing #6237283. Published by Musik Fabrik Music Publishing (A0.535419). Fantasy on “Nassau†(2004) for organ and four-part band was written for and is dedicated to Wayne Leupold and Kernersville Moravian Church, Kernersville, NC.The work is based on the Moravian chorale tune NASSAU. The opening section of the work is slow and mystical: the band plays the first few notes of the chorale and the organ emerges from the chords with harmonic commentary.In the next section the organ and the band present the tune antiphonally because the organ emerges with a triplet figuration. This next development section builds to a climax. The band then plays the chorale tune all the way through for the first time with an organ “descant.â€The final section recalls the opening material and the work ends in tranquillity The disposition and instrument assignments for the parts is left at the conductor’s discretion. Though conceived originally for the “Moravian church bands†of the American South, the work may be played by any sort of band (including concert band) or combination of brass or wind instruments.
$29.95 ≈
27.84€
8 Chorales For Concert Band
8 Chorales For Concert Band
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Concert band
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INTERMEDIATE
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Wesley Besancon
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Wesley Besancon
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8 Chorales For Concert Band
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1165646 By Wesley Besancon. By Various. Arranged by Wesley Besancon. 19th Century,20th Century,Religiou...
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Concert Band - Level 3 - Digital Download SKU: A0.1165646 By Wesley Besancon. By Various. Arranged by Wesley Besancon. 19th Century,20th Century,Religious,Sacred. Score and Parts. 82 pages. Wesley Besancon #766004. Published by Wesley Besancon (A0.1165646). The one thing I see every band do is chorales, and alot of the time, they are not grasping the top 4 concepts:1. Different Styles2. Different Keys (especially sharp keys)3. Different Times4. Different DynamicsAnd with this useful chorale book, you grasp different styles (Legato, Cantible, Atonal, Traditional), different keys (Bb, D, Ab, Eb), different times (4/4, 3/4), and rapid dynamic changes. The Chorales Used: Crusader's Hymn (von Fallersleben)All Glory, Laud, and Honor (Neale)Salvation (Besancon)America the Beautiful (Sainte-Marie)Simple Gifts (Brackett)Oh Thy Lord Jesus, May We Praise You! (Besancon)Practicing Atonality (Besancon)Une Chorale Deddie A Besancon, France (Besancon).
$14.99 ≈
13.93€
Folk Song Chorales - for Concert Band
Folk Song Chorales - for Concert Band
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Concert band
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EASY
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Traditional / Various
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John McAllister
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Folk Song Chorales - for Conce
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John McAllister
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.778223 Composed by Traditional / Various. Arranged by John McAllister. Folk,Instructional,Traditional. ...
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Concert Band - Level 2 - Digital Download SKU: A0.778223 Composed by Traditional / Various. Arranged by John McAllister. Folk,Instructional,Traditional. Score and parts. 22 pages. John McAllister #6530985. Published by John McAllister (A0.778223). This music is a set of warm-up chorales for concert band, offering variety when warming up one's band. Bach is the standard when it comes to chorales, and folk song chorales can add a new melodies and harmonies to the fundamentals taught during warm-up. In arranging these chorales, harmonies more idiomatic to the modern day concert band scoring are used, especially at the Grade II/III level. The folk songs included are Loch Lomond, The Parting Glass, Slumber My Darling, and Scarborough Fair.
$30.00 ≈
27.89€
New Horizons March for concert band
New Horizons March for concert band
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Concert band
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INTERMEDIATE
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Contemporary
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Music by Jack Hossfeld and Jud
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New Horizons March for concert
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Judson Goodrich
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.890058 Composed by Music by Jack Hossfeld and Jud Goodrich, Lyrics by Tom Hitchcock. Contem...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.890058 Composed by Music by Jack Hossfeld and Jud Goodrich, Lyrics by Tom Hitchcock. Contemporary. Score. 1 pages. Judson Goodrich #26007. Published by Judson Goodrich (A0.890058). The New Horizons March was first performed at the New Horizons Band Camp in Chautauqua, N. Y., in 2004 under the direction of Dr. Roy Ernst, founder of the New Horizons International Music Association. The NHIMA now has over 180 concert bands, orchestras, and choral groups with 8,000 participants in 5 countries. Dr. Ernst has conducted the march at many New Horizons music camps.The first theme of the march is a vocal section which can be personalized by inserting the name of the local band in place of New Horizons Band. It has an alternate vocal score for non-New Horizons Bands which is a tribute to the New Horizons satellite. Dr. Ernst has provided the following suggestions for the Conductors:
$49.00 ≈
45.55€
Warm-up for Concert Band in Eb - Bach Chorale Arrangement - O Sacred Head
Warm-up for Concert Band in Eb - Bach Chorale Arrangement - O Sacred Head
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Concert band
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EASY
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Paul Gerhardt
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Sarah Wilson
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Warm-up for Concert Band in Eb
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Sarah Ruth Wilson
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.997120 Composed by Paul Gerhardt. Arranged by Sarah Wilson. Classical,Instructional,Sacred. Score and P...
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Concert Band - Level 2 - Digital Download SKU: A0.997120 Composed by Paul Gerhardt. Arranged by Sarah Wilson. Classical,Instructional,Sacred. Score and Parts. 22 pages. Sarah Ruth Wilson #5311097. Published by Sarah Ruth Wilson (A0.997120). This is a beautiful chorale arranged for concert band. It can be used for technical purposes (warming up/tuning, for example) or for a performance piece showcasing tone and sensitivity. It can be used art the beginning of every rehearsal, and performers can even sing their parts as an additional exercise. It is a sacred piece of music, but is completely appropriate for students and schools. I use it with my own concert bands. It would be appropriate in religious settings as well. The accompanying mp3 track can be used a a reference for learning the piece. It is brief, lasting about 1.25 minutes.
$5.00 ≈
4.65€
Tochter Zion - Choral & Shuffle - Concert Band
Tochter Zion - Choral & Shuffle - Concert Band
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Concert band
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INTERMEDIATE
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Classical
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George Frideric Handel
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Thomas Graf
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Tochter Zion - Choral & Shuffl
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.569299 Composed by George Frideric Handel. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 75...
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Concert Band - Level 3 - Digital Download SKU: A0.569299 Composed by George Frideric Handel. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 75 pages. Thomas Graf - the-hit-factory.com #4839083. Published by Thomas Graf - the-hit-factory.com (A0.569299). This concert piece starts with a classic choral auf Händel’s masterpiece, then comes the big surprise: A funky Back Beat with jazzy chords starts and will make your whole audience clap and dance. All parts are feature and even a solo for the bass part is included. It ends up in a cool finale. Drums are optional and may be substituted by a Cachon or even only clapping. A must for your upcoming concerts during holiday season! Instrumentation: Full Concert Band - Any special transposition can be prepared, Parts: A4, optimzed for Print aon A3, Score: A4 Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$40.00 ≈
37.18€
Peaceful Choral and Dance
Peaceful Choral and Dance
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Concert band
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BEGINNER
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S
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Peaceful Choral and Dance
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S.R.T. Music
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.931869 Composed by S.R. Thomas. Standards. Score and parts. 38 pages. S.R.T. Music #4575835. Published ...
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Concert Band - Level 1 - Digital Download SKU: A0.931869 Composed by S.R. Thomas. Standards. Score and parts. 38 pages. S.R.T. Music #4575835. Published by S.R.T. Music (A0.931869). Peaceful Choral and Dance is a composition written for young beginner bands. This selection has generally two sections, as in the title, a slow choral section then a quicker dance separated by a lively percussion ensemble. The composition exclusively uses the first 5 notes taught in most beginner band curricula for each instrument and can be introduced very early in the students first year.
$14.95 ≈
13.90€
A Mighty Fortress (Concert Band)
A Mighty Fortress (Concert Band)
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Concert band
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INTERMEDIATE
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Classical
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Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. ...
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Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. Score and Parts. 65 pages. Jubal's Lyre Music Publishers #6567815. Published by Jubal's Lyre Music Publishers (A0.918905). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Concert Band with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. The Full Score is formatted for legal-size paper (8.5x14) while the parts are formatted for letter-size paper (8.5x11). Additional arrangements are available for Brass, Woodwind Quintet, and Strings. For more music and information, visit www.jubalslyre.com/music.
$40.00 ≈
37.18€
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
O LA, O CHE BON ECCHO (Orlando di Lasso) for Brass Quartet and Wind Band
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Concert band
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EASY
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Orlande De Lassus
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Ivan Marini
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O LA, O CHE BON ECCHO
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www.dalsegno.eu
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,...
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Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99 ≈
9.29€
Six Chorales for Band
Six Chorales for Band
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Concert band
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INTERMEDIATE
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Bourgeois, EDWARDS, Jean Sibel
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Jason Adam
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Six Chorales for Band
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Guada-Coma Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1172105 Composed by Bourgeois, EDWARDS, Jean Sibelius, and Traditional. Arranged by Jason Adam. Classic...
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Concert Band - Level 3 - Digital Download SKU: A0.1172105 Composed by Bourgeois, EDWARDS, Jean Sibelius, and Traditional. Arranged by Jason Adam. Classical,Contest,Festival,Instructional,Traditional. Score and parts. 11 pages. Guada-Coma Music #772369. Published by Guada-Coma Music (A0.1172105). A progressive set of six chorales for band. An excellent resource for ensemble training of balance, blend, intonation, and more. These are designed so the ensemble members can read from the score pages and no separate parts are needed!
$5.00 ≈
4.65€
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