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Take the A Train Trombone
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Take the A Train Trombone
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Sheetmusic to print
8 sheet music found
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1
Take Me Back To Dear Old Blighty - Concert Band Score and Parts
Take Me Back To Dear Old Blighty - Concert Band Score and Parts
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Concert band
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INTERMEDIATE
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Patriotic
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Arthur J
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Brenndan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750841 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. Arranged by Brenndan Ellige...
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Concert Band - Level 3 - Digital Download SKU: A0.750841 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. Arranged by Brenndan Elliget MAGA 537. Patriotic. Score and parts. 49 pages. BJE Music #3872321. Published by BJE Music (A0.750841). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much.The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Concert Band with optional Piano part (not on the score) and Vocal Lead Sheet.There are parts for Eb and F Horns, and parts for Trombones 1 and 2 in BC and TC.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins
$25.00 ≈
22.96€
Transcendental Train Ride
Transcendental Train Ride
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Concert band
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INTERMEDIATE
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Xavier Romo
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Transcendental Train Ride
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Xavier Romo
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1398850 Composed by Xavier Romo. 21st Century. 36 pages. Xavier Romo #982125. Published by Xavier Romo ...
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Concert Band - Level 3 - Digital Download SKU: A0.1398850 Composed by Xavier Romo. 21st Century. 36 pages. Xavier Romo #982125. Published by Xavier Romo (A0.1398850). This piece will take your students on a train ride of discovery of what they are able to achieve. This challenging piece is a great song for upcoming musicians that have a promising capability.This piece includes:FluteOboeClarinetBass ClarinetAlto-Tenor-Baritone SaxophoneF-HornTrumpet 1-2Trombone 1-2EuphoniumTubaAnd Various Percussion.
$19.99 ≈
18.36€
Our Flirtations
Our Flirtations
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Concert band
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INTERMEDIATE/ADVANCED
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts...
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99 ≈
13.76€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Concert band
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ADVANCED
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 4...
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Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99 ≈
27.54€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Concert band
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ADVANCED
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 2...
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Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99 ≈
73.45€
Made You Look
Made You Look
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Concert band
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INTERMEDIATE
#
Meghan Trainor
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Jose Welligton Sousa de Castro
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Made You Look
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Jose Welligton Sousa de Castro
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1185832 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Jose ...
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Concert Band - Level 3 - Digital Download SKU: A0.1185832 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Jose Welligton Sousa de Castro. Multicultural,Pop,Singer/Songwriter,World. Score and Parts. 67 pages. Jose Welligton Sousa de Castro #785490. Published by Jose Welligton Sousa de Castro (A0.1185832). Made You Look new hit from Meghan Trainor, arranged for Concert Band in the key of C, concert pitch.Take the field and get the crowd pumped with the latest hit from Meghan Trainor - Made You Look - now available in a high-energy Concert Band arrangement. Written in the key of C, concert pitch, this sheet music is the perfect addition to your ensemble's repertoire and is sure to impress judges and audiences alike at marching band competitions, stadium performances, and more. Whether you're performing at a championship game or a special event, this arrangement will add a modern and energetic touch to your performance. Don't miss out on the chance to be one of the first to perform this chart-topping hit. Order now and elevate your Marching Band's performance with the latest hit from Meghan Trainor.Instrumentation: Flute, Oboe, Bassoon, Clarinet 1,2,3, Alto Clarinet, Bass Clarinet, Alto Sax 1,2, Tenor Sax, Baritone Sax, Trumpet 1,2,3, Horn 1,2, Trombone 1,2, Euphonium, Tuba, Glocknspiel, Drum Set.
$49.99 ≈
45.90€
Made You Look
Made You Look
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Concert band
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INTERMEDIATE
#
Meghan Trainor
#
Jose Welligton Sousa de Castro
#
Made You Look
#
Jose Welligton Sousa de Castro
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1185812 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Jose ...
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Concert Band - Level 3 - Digital Download SKU: A0.1185812 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Jose Welligton Sousa de Castro. Instructional,Multicultural,Pop,Singer/Songwriter,World. Score and Parts. 65 pages. Jose Welligton Sousa de Castro #785463. Published by Jose Welligton Sousa de Castro (A0.1185812). Made You Look new hit from Meghan Trainor, arranged for Concert Band in the key of B-flat, concert pitch.Take the field and get the crowd pumped with the latest hit from Meghan Trainor - Made You Look - now available in a high-energy Concert Band arrangement. Written in the key of B-flat, concert pitch, this sheet music is the perfect addition to your ensemble's repertoire and is sure to impress judges and audiences alike at marching band competitions, stadium performances, and more. Whether you're performing at a championship game or a special event, this arrangement will add a modern and energetic touch to your performance. Don't miss out on the chance to be one of the first to perform this chart-topping hit. Order now and elevate your Marching Band's performance with the latest hit from Meghan Trainor.Instrumentation: Flute, Oboe, Bassoon, Clarinet 1,2,3, Alto Clarinet, Bass Clarinet, Alto Sax 1,2, Tenor Sax, Baritone Sax, Trumpet 1,2,3, Horn 1,2, Trombone 1,2, Euphonium, Tuba, Glocknspiel, Drum Set.
$49.99 ≈
45.90€
Viaje al Atardeser
Viaje al Atardeser
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Concert band
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Latin/World Music
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1...
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Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
$60.00 ≈
55.10€
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