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various singers
Not classified 31

Piano & keyboards
Piano, Voice 21
Piano, Vocal and Guitar 5
Easy Piano 5
Piano solo 3
2 Pianos, 4 hands 2

Piano Quartet: piano, 2 violins, cello 1
C Instruments 1

+ 2 instrumentations

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Guitars
Guitar notes and tablatures 5
Guitar 2

Voice
Choral 2-part 20
Choral SATB 15
Choral 3-part 10
Vocal duet, Piano 9
Choral Unison 7

High voice 5
Choral SSAA 2
Low voice 1
Choral TTBB 1

+ 4 instrumentations

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Woodwind
2 Saxophones (duet) 3
Saxophone Quartet: 4 saxophones 3
Clarinet and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
Oboe (band part) 1

Tenor Saxophone and Piano 1
Alto Saxophone and Piano 1
Saxophone ensemble 1
Saxophone (band part) 1
Flute Quartet: 4 flutes 1
2 Flutes, Piano 1
Clarinet Quartet: 4 clarinets 1
3 Saxophones (trio) 1
Tenor Saxophone 1
Flute and Piano 1
Soprano Saxophone and Piano 1
Alto Saxophone 1
Flute 1
Clarinet 1

+ 14 instrumentations

- Retract

Woodbrass
Trumpet, Piano 2
Brass quartet : 2 trumpets, trombone, tuba 2
Brass Quartet: 2 trumpets, horn, trombone 2
Trumpet 2
Brass Quartet: 2 trumpets, 2 trombones 1

Brass Quartet: 4 horns 1
2 Trumpets (duet) 1
2 Trombones (duet) 1
Trombone 1

+ 4 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 4
Violin and Piano 2
Cello 2
Cello, Piano 2
Violin 1

2 Violins, Piano 1

+ 1 instrumentations

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Percussion & orchestra
Concert band 3

String Orchestra 1
Orchestra 1

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various singers

Concert band

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3 sheet music found

Shenandoah

Shenandoah #Concert band #INTERMEDIATE #Folkloric/Traditional #Stephen R Dalrymple #Stephen R Dalrymple #Shenandoah #Stephen R Dalrymple #SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and ...(+)

Concert Band - Level 3 - Digital Download SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #6381291. Published by Stephen R Dalrymple (A0.818351). Shenandoah â™« traditional American folk song â™« arranged for concert band by Stephen R Dalrymple â™« The meaning of this song will be long debated. Considered a sea chanty, the song was passed on orally by singers on clipper ships. The variations in lyrics that have been collected demonstrate how various singers over the decades have altered the song (consciously or unconsciously). â™« This arrangement is based on lyrics that were collected prior to 1860 and published in Sea Songs and Shanties by W. B. Whall (1910). There are evidently 2 rivers mentioned in this song, the Shenandoah and the Missouri. The song tells a love story between an impetuous trader and a Shenandoah Valley Native American princess. As the trader heads for the Missouri River, he looks back longingly to the home of the princess. â™« I have used the Dorian Mode to suggest Native American elements in the story line. The YouTube video features photos of both the Shenandoah River and the Missouri River. â™« The white man loved the Indian maiden, Away you rolling river. With notions his canoe was laden. Ah-ha, I'm bound away, Cross the wide Missouri. â™« O, Shenandoah, I love your daughter, Away you rolling river. I'll take her 'cross yon rolling water. Ah-ha, I'm bound away, Cross the wide Missouri. â™« The chief disdained the trader's dollars: Away you rolling river. My daughter never you shall follow. Ah-ha, I'm bound away, Cross the wide Missouri. â™« O, Shenandoah, I long to hear you, Away you rolling river. Across that wide and rolling river. Ah-ha, I'm bound away, 'Cross the wide Missouri. â™« arrangement Â© 2000 Stephen R Dalrymple â™« recording â„— 2021 Stephen R Dalrymple â™« presentation Â© 2021 Stephen R Dalrymple â™« sequenced by the arranger â™« Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. â™« This .pdf file includes 1) Condensed Conductorâ€™s Score 2) Individual parts for: Flute, Oboe, Clarinet 1, Clarinet 2, optional Clarinet 3, Bass Clarinet, Alto Sax /Alto Clarinet, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, E Bass, Snare Drum/Cymbals, Shaker/Chimes, and Timpani â™« The YouTube video contains a full recording.

$19.00

Gabrieli: Jubilate Deo Ch. 136 for Concert Band

Gabrieli: Jubilate Deo Ch. 136 for Concert Band #Concert band #EASY #Giovanni Gabrieli #James M #Gabrieli: Jubilate Deo Ch. 136 #jmsgu3 #SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...(+)

Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics â€“ or was the first to indicate them, such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieliâ€™s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ called Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95

Classical Concert Series Multi-Bundle Pack 9 (Flexible Instrumentation)

Classical Concert Series Multi-Bundle Pack 9 (Flexible Instrumentation) #Concert band #EASY #Paul Barker #Paul Barker #Percussion Â

#Classical Concert Series Multi #Paul Barker Music #SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1325830 By Paul Barker. By Paganini - Waldteufel - Wagner. Arranged by Paul Barker. 19th Century,Classi...(+)

Concert Band - Level 2 - Digital Download SKU: A0.1325830 By Paul Barker. By Paganini - Waldteufel - Wagner. Arranged by Paul Barker. 19th Century,Classical,Contemporary,Contest,Festival. 159 pages. Paul Barker Music #914021. Published by Paul Barker Music (A0.1325830). The Multi-Bundle Value Pack 9 is a superb collection of 3 best sellers in the Flexi-Band Classical Concert Series for Grade 2+ Flexible Instrumentation, Bands and Orchestras. It features the playful and mischievous Caprice (Paganini), the majestic and elegant Skatersâ€™ Waltz (Waldteufel) and the ceremoniously spectacular Overture from The Mastersingers of Nuremberg (Wagner). Also available separately.Performance Recording MP3s are available from here.The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band Instruments, Keyboards and percussion.Level: Early Bands - Grade 2+Duration: VariousOccasion: General Concert - Band Repertoire - Celebration/Graduation - CompetitionsInstrumentation: Flex-instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band Instruments, Keyboards & Percussion Â

$59.95