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Ill Oboe and Orchestra
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Concerto for Orchestra, opus 111 (2005, rev. 2010)
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99 ≈
9.15€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.15€
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99 ≈
9.15€
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99 ≈
9.15€
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99 ≈
9.15€
Concerto for Trumpet and Orchestra (2014)
Concerto for Trumpet and Orchestra (2014)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Concerto for Trumpet and Orche
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99 ≈
9.15€
A Million Dreams
A Million Dreams
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Orchestra
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INTERMEDIATE/ADVANCED
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Pink
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John Langley
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A Million Dreams
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1210199 By Pink. By Benj Pasek and Justin Paul. Arranged by John Langley. Broadway,Film/TV,Musical/Sh...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1210199 By Pink. By Benj Pasek and Justin Paul. Arranged by John Langley. Broadway,Film/TV,Musical/Show,Pop,Standards. Score and Parts. 142 pages. Www.studio-orchestrations.com #808037. Published by www.studio-orchestrations.com (A0.1210199). This is a full, lush orchestral score for solo voice(s) and orchestra of this king of songs from The Greatest Showman in the same key and sequence as the film soundtrack and Pink's recorded version.  This can be sung as a solo, duo, trio and would be a great highlight for your musical event.Instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani3 PercussionHarpPiano GuitarBass Guitar Drum kit2-3 Solo singersSTRINGS.
$120.00 ≈
109.92€
PRAISE MY SOUL THE KING OF HEAVEN FOR FULL ORCHESTRA
PRAISE MY SOUL THE KING OF HEAVEN FOR FULL ORCHESTRA
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Orchestra
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INTERMEDIATE/ADVANCED
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Garth M
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PRAISE MY SOUL THE KING OF HEA
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Garth M. Williams
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.837343 Arranged by Garth M. Williams (Socan). Concert,Praise & Worship,Sacred,Standards. Score and pa...
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Full Orchestra - Level 4 - Digital Download SKU: A0.837343 Arranged by Garth M. Williams (Socan). Concert,Praise & Worship,Sacred,Standards. Score and parts. 30 pages. Garth M. Williams (Socan) #6683361. Published by Garth M. Williams (Socan) (A0.837343). THIS WELL KNOW MAJESTIC HYMN TUNE HAS BEEN ARRANGED FOR FULL ORCHESTRA. SOLO PARTS HAVE BEEN GIVEN TO TRUMPETS, OBOE, AND UPPER STRINGS.
$50.00 ≈
45.80€
Cypher's Village from Forgotten Lands
Cypher's Village from Forgotten Lands
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Doug Clyde
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Cypher's Village from Forgotte
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.712775 Composed by Doug Clyde. Contemporary. Score and parts. 48 pages. ALBEDO MUSIC #2549677. Publis...
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Full Orchestra - Level 4 - Digital Download SKU: A0.712775 Composed by Doug Clyde. Contemporary. Score and parts. 48 pages. ALBEDO MUSIC #2549677. Published by ALBEDO MUSIC (A0.712775). Song: Cypher's Village. Composer: Doug Clyde. Album: Forgotten Lands. Artist: ALBEDO. © 2011 by ALBEDO MUSIC. AMSM44. Soundtrack to the video game Forgotten Lands VIII: The Legend of Shadow Lake by TBC Productions. Nominated for Best Soundtrack Album by the 12th Annual Independent Music Awards. Full Orchestra. Flute, Oboe, Clarinet in Bb, Bassoon, Contrabassoon, Horn in F, Trumpet in Bb, Trombone, Contrabass Trombone, Bass Tuba, Timpani, Percussion (Gong, Bass Drum, Crash Cymbal, Snare Drum), Violin I, Violin II, Viola, Cello, Contrabass.
$19.99 ≈
18.31€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
9.15€
Christmas Waltz for Piano and Orchestra
Christmas Waltz for Piano and Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Peter Ilyich Tchaikovsky
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William J
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Christmas Waltz for Piano and
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Sigma Squared Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1039027 Composed by Peter Ilyich Tchaikovsky. Arranged by William J. Bullock. Christmas,Classical,Con...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1039027 Composed by Peter Ilyich Tchaikovsky. Arranged by William J. Bullock. Christmas,Classical,Contest,Festival,Holiday,Romantic Period. Score and parts. 59 pages. Sigma Squared Music #644031. Published by Sigma Squared Music (A0.1039027). ​The joy of Christmas is reflected in this waltz by a Russian master of the form. It is the last of a set of twelve piano character, each named for its month of publication and reflecting feelings or images associated with that month. The Chopinesque Christmas Waltz (December) seems to yearn for orchestral dress. This arrangement supplies that dress, including a prominent role for a solo pianist, which other orchestral arrangements do not provide. Instrumentation is as follows: Flute Oboes 1 & 2 First Clarinet in Bb - alternate First Clarinet in A Second Clarinet in Bb - alternate Second Clarinet in A Bassoons 1 & 2 Horns in F 1 & 2 Timpani (optional) Piano Solo Violin I Violin II Viola Violoncello Contrabass.
$80.00 ≈
73.28€
Carol of the Bells for Orchestra: Score and Set of Parts
Carol of the Bells for Orchestra: Score and Set of Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Mykola Leontovych
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Matthew Naughtin
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Carol of the Bells for Orchest
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Matthew Naughtin
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.852919 Composed by Mykola Leontovych. Arranged by Matthew Naughtin. Christian,Christmas,Contemporary,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.852919 Composed by Mykola Leontovych. Arranged by Matthew Naughtin. Christian,Christmas,Contemporary,World. Score and parts. 104 pages. Matthew Naughtin #3242507. Published by Matthew Naughtin (A0.852919). Mykola Leontovych's beloved carol is enriched with a brilliant orchestral background of atmospheric bell effects (including handbells). This arrangement for medium orchestra will be a stunning highlight for any Holiday program. Duration: ca. 3 min. Instrumentation: 2{2nd d Picc.) 2 2(2nd d Bs. Cl.) 2/2 2 2 1/timp +4 perc./Hp, Cel/StringsThe file includes a full orchestral score.The file includes these parts: Flute 1 / Flute 2(d Picc.) / Oboe 1 / Oboe 2 / Clarinet 1 / Clarinet 2(d Bass Cl.) / Bassoon 1 / Bassoon 2 / Horn 1 / Horn 2 / Trumpet 1 / Trumpet 2 / Trombone 1 / Trombone 2 / Tuba / Timpani / Percussion / Harp / Celesta / Violin 1 / Violin 2 / Viola / Cello / Doublebass
$100.00 ≈
91.60€
Warriors' Last Stand (for Orchestra)
Warriors' Last Stand (for Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Tito Abeleda
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Warriors' Last Stand
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.984566 Composed by Tito Abeleda. Contemporary. Score and parts. 79 pages. Visionary Quest Records #66...
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Full Orchestra - Level 4 - Digital Download SKU: A0.984566 Composed by Tito Abeleda. Contemporary. Score and parts. 79 pages. Visionary Quest Records #6697403. Published by Visionary Quest Records (A0.984566). The enemies have attacked on two fronts. The fight to overcome the adversity appear futile. The warriors' consolidate their energy and position to defend their honor and their families. The odds do not look favorable. But they will not give up for it is the Warriors' Last Stand.Warriors' Last Standwas composed by Tito Abeleda (1964 - ) for orchestra and is available for immediate digital download. Warriors' Last Stand is an exciting cinematic orchestral piece with a duration of 3 minutes 11 seconds. Digital download includes score plus parts (79 pages).Instrumentation: Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Timpani, Snare Drum, Tenor Drum, Bass Drum, Cymbals, Violin I, Violin II, Viola, Violoncello, Contrabass© 2022 Tito AbeledaOriginal sheet music cover photo by Alessandro GuerreiroSheet Music Artwork by Tito AbeledaContact Tito Abeleda at tito@visionaryquestrecords.comVisionary Quest Recordshttps://www.visionaryquestrecords.comhttps://bit.ly/3bIKHHv
$25.00 ≈
22.90€
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ? Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. O...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99 ≈
91.59€
John Field, Sonata II (Movement I) arranged for orchestra by Scott Fields Davis
John Field, Sonata II (Movement I) - orchestra by Scott Fields Davis
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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John Field
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Scott Fields Davis
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fields Davis #6190351. Published by Scott Fields Davis (A0.998491). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the second of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all the parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 30 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis. Â
$15.00 ≈
13.74€
Quando Men VO
Quando Men VO
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Orchestra
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INTERMEDIATE/ADVANCED
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Giacomo Puccini, Giuseppe Giac
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Matt Amy
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Quando Men VO
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1414666 Composed by Giacomo Puccini, Giuseppe Giacosa, and Luigi Illica. Arranged by Matt Amy. Classi...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1414666 Composed by Giacomo Puccini, Giuseppe Giacosa, and Luigi Illica. Arranged by Matt Amy. Classical,Contemporary,Opera. 49 pages. Matt Amy Music #996445. Published by Matt Amy Music (A0.1414666). Key: E majorBPM: 104Style: AriaDuration: 1:39“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Quando Men Vo (MIDI)Instrumentation- Flute- Oboe- Clarinet- Bassoon- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Acoustic Bass (Rhythm Section)- Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00 ≈
45.80€
The Good, The Bad And The Ugly (main Title)
The Good, The Bad And The Ugly (main Title)
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Ennio Morricone
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Brandon C Stanley
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The Good, The Bad And The Ugly
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Brandon C Stanley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1244564 Composed by Ennio Morricone. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 92 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1244564 Composed by Ennio Morricone. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 92 pages. Brandon C Stanley #839516. Published by Brandon C Stanley (A0.1244564). Track #1 from academy award winning Ennio Morricone's Original Motion Picture Soundtrack for the 1966 Italian epic spaghetti Western film The Good, The Bad And The Ugly directed by Sergio Leone. This arrangement gives the orchestra everything it needs to sound like the OST. With guitars, ocarina and harmonica, along with shouts, grunts and whistles from a full choir, this arrangement will sound just as it is heard on the big screen.Flute 1,2Bass FluteOboe 1,2Clarinet in Bb 1,2Bass Clarinet in BbBassoon 1,2ContrabassoonOcarina in CHorn in F 1-4Trumpet in Bb 1,2Piccolo TrumpetTrombone 1,2Bass TromboneTubaTimpiniPercussion 1-4Acoustic GuitarElectric GuitarHarmonicaChoirViolin 1,2ViolaVioloncelloContrabassFor the orchestra lacking guitars, ocarinas, and choir, sufficient cues are available to ensure a full sound for this epic cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures. Both a C Score and Transposing Score are provided with this download.
$79.99 ≈
73.27€
IT IS WELL WITH MY SOUL - Orchestra
IT IS WELL WITH MY SOUL - Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Philip P
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Glen Poehlmann
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IT IS WELL WITH MY SOUL - Orch
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arrangements by GPoehlmann
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1089620 Composed by Philip P. Bliss. Arranged by Glen Poehlmann. Sacred. Score and parts. 45 pages. A...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1089620 Composed by Philip P. Bliss. Arranged by Glen Poehlmann. Sacred. Score and parts. 45 pages. Arrangements by GPoehlmann #693829. Published by arrangements by GPoehlmann (A0.1089620). IT IS WELL WITH MY SOUL - Orchestra Arranged for a Church Orchestra - complete instrumentation is not required. Hymn Tune: VILLE DU HAVRE Medium Difficult (grade 3+) 88 measures. Performance time approx 3:35 Key: Eb - A - Bb. Meter: 4/4 - 3/4 (2/4) Parts provided (PDF) Full Score Flute 1, Flute 2, Oboe Bassoon Clarinet 1, Clarinet 2, Clarinet 3, Bass Clarinet Alto Sax, Tenor Sax (Trombone) Horn in F, Trumpet 1, trumpet 2, Trombone Percussion 1 (Glockenspiel) Percussion 2 (Chimes) Percussion 3 *Timpani & Triangle) Piano Violin 1, Violin 2, Viola, Cello, Double Bass.
$12.00 ≈
10.99€
Silent Night, Holy Night (for Orchestra)
Silent Night, Holy Night (for Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. V...
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00 ≈
32.06€
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00 ≈
10.08€
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