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Ostinato
Not classified 138

Piano & keyboards
Piano solo 75
Organ 9
Piano, Vocal and Guitar 1
1 Piano, 4 hands 1
Easy Piano 1

Guitars
Guitar 3
Guitar notes and tablatures 1

Voice
Choral SATB 10
Vocal duet 2
Choral SSAA 1
Choral 3-part 1

Woodwind
Saxophone ensemble 10
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7
Saxophone Quintet: 5 Saxophones 5
Clarinet Ensemble 4
Clarinet and Piano 3

Flute ensemble 2
Flute Trio: 3 flutes 2
Flute and Piano 2
Saxophone Quartet: 4 saxophones 2
Flute Quintet : 5 flutes 1
Clarinet Quartet: 4 clarinets 1
Alto Saxophone 1
Clarinet Quintet: Clarinet, String Quartet 1
Flute and Guitar 1
2 Flutes (duet) 1

+ 10 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 8
Trombone ensemble 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trumpet ensemble 2
French Horn and Piano 1

Horn Ensemble 1
Euphonium, Piano (duet) 1
Brass Quartet: 4 trombones 1
Trombone and Piano 1

+ 4 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 10
Viola ensemble 2
Violin ensemble 2
Violin, Cello (duet) 2
4 Cellos 1

Violin and Piano 1
Viola (band part) 1
Viola, Piano 1

+ 3 instrumentations

- Retract

Percussion & orchestra
Concert band 7
String Orchestra 6
Brass ensemble 5
Handbells 5
Chamber Orchestra 5

Orchestra 3

Marimba 3
Jazz Ensemble 2
Percussion Ensemble 1

+ 4 instrumentations

- Retract

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Ostinato

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3 sheet music found

Legacy

Legacy #Orchestra #INTERMEDIATE/ADVANCED #Contemporary #Sy Brandon #Legacy #Sy Brandon #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #341...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McColloughâ€™s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.

$49.95

EP!C!!!

EP!C!!! #Orchestra #INTERMEDIATE/ADVANCED #Contemporary #Austin Wintory #EP!C!!! #Austin Wintory #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243....(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichÃ©s of todayâ€™s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichÃ©s are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i â€“ VI â€“ III â€“ VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichÃ©s were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasnâ€™t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichÃ©s become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesnâ€™t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are clichÃ©, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the musicâ€™s core. Itâ€™s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldnâ€™t resist some on-the-nose tongue-in-cheek. The little cameo of Haydnâ€™s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016

$40.00

Jubilation Fanfare for Orchestra

Jubilation Fanfare for Orchestra #Orchestra #INTERMEDIATE/ADVANCED #Contemporary #Sy Brandon #Jubilation Fanfare for Orchest #Sy Brandon #SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.755282 Composed by Sy Brandon. Contemporary. Score and parts. 66 pages. Sy Brandon #4897951. Publishe...(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.755282 Composed by Sy Brandon. Contemporary. Score and parts. 66 pages. Sy Brandon #4897951. Published by Sy Brandon (A0.755282). Fanfare figures and an ostinato make this short piece an exciting opener. The score prints on legal size paper and the parts on letter.

$29.99